The Scourge; or Monthly expositor, of imposture and folly PDF Download
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Author:
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ISBN:
Category :
Languages : en
Pages : 542
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 542
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Author:
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ISBN:
Category : Anonyms and pseudonyms
Languages : en
Pages : 832
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Author:
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ISBN:
Category : Anonyms and pseudonyms
Languages : en
Pages : 804
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Author:
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ISBN:
Category : English literature
Languages : en
Pages : 556
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Author: Mark Blackwell
Publisher: Taylor & Francis
ISBN: 1040244602
Category : Literary Criticism
Languages : en
Pages : 403
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Book Description
It-narratives are prose fictions that take as their central characters animals or inanimate objects. This four-volume reset collection includes numerous examples of narratives in different forms, including short stories, excerpts from novels, periodical fiction and serialized works.
Author: Gabrielle Ernits Malikoff
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 652
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Book Description
Author: Robert L. Patten
Publisher: Rutgers University Press
ISBN: 9780813518138
Category : Art
Languages : en
Pages : 540
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 542
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Book Description
Author: Donald Reiman
Publisher: Taylor & Francis
ISBN: 1134970641
Category : Literary Criticism
Languages : en
Pages : 4202
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Book Description
First published in 1972, this set of 9 volumes contains all contemporary British periodical reviews of the first (or other significantly early) editions from 1793 and 1824 of works by William Wordsworth, Samuel Taylor Coleridge, George Gordon Byron, Percy Bysshe Shelley, and John Keats. In addition, a few later reviews are supplied, as well as a substantial number of reviews of other contemporary figures, including William Godwin, Robert Southey, Samuel Rogers, Thomas Campbell, Thomas Moore, Leigh Hunt, William Hazlitt, and Mary Wollstonecraft Shelley. Introductions to each periodical provide brief sketches of each publication as well as names, dates and bibliographical information. Headnotes offer bibliographical data of the reviews and suggested approaches to studying them. The index serves to locate authors and titles reviewed, reviewers, sources of quotations, other people and works mentioned and other proper nouns of interest. This comprehensive set will be of interest to those studying the Romantics and English literature.
Author: Susan Valladares
Publisher: Liverpool University Press
ISBN: 183553788X
Category : Drama
Languages : en
Pages : 199
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Book Description
What do we gain from watching a familiar play for the nth time? This was a crucial question for Romantic-period theatre managers, who, to deliver varied programmes, relied on a repertoire of ‘stock’ entertainments performed in alternation with the latest plays. Repertory theatre was not new to the Romantic period, but it took on additional purchase at a time when the playhouse was not simply a site for entertainment but a government-controlled cultural institution and business, subject to sometimes extreme financial, political, and ideological pressures. Through an innovative selection of case studies drawn from deep archival research, Stock Pieces juxtaposes canonical with otherwise forgotten entertainments; unites the period’s professional and amateur dramatic cultures; and spans British metropolitan, provincial, and imperial geographies. The picture that emerges is fresh and compelling. Stock Pieces sheds light on the mechanics of stock piece status, the Romantic afterlives of Shakespeare’s near contemporaries (whose popular appeal declined as his increased), and the work of various agents (from pantomime arrangers to enslaved performers in Jamaica) who contested the repertoire’s received aesthetic and cultural values. It also explores the extent to which investments in the abolitionist cause were remediated by stock pieces that revived and reenacted the spectral violence of slavery and the slave trade – for various purposes. Stock Pieces showcases how the Romantic-period dramatic repertoire could be mobilised to signify social and political practices that operated outside the theatrical institution, crossed national borders, and dared to effect real change.
