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Author: Philip Long
Publisher: Mainstream Publishing Company
ISBN: 9781840183832
Category : Color in art
Languages : en
Pages : 152
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Book Description
Featuring commentary on the artists' lives and their involvement in the avant-garde in Paris, The Scottish Colourists is richly illustrated with over 100 of the Colourists' most stylish and inventive paintings.
Author: Philip Long
Publisher: Mainstream Publishing Company
ISBN: 9781840183832
Category : Color in art
Languages : en
Pages : 152
Get Book Here
Book Description
Featuring commentary on the artists' lives and their involvement in the avant-garde in Paris, The Scottish Colourists is richly illustrated with over 100 of the Colourists' most stylish and inventive paintings.
Author: Philip Long
Publisher:
ISBN: 9781911054597
Category :
Languages : en
Pages : 152
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Book Description
- A revised edition of a perennially popular book covering the lives and work of the four artists known as the Scottish Colourists - Completely new design including a fresh new cover to give this popular title a new, modern feel - An updated bibliography, divided up by artist, lists the research that has been done on each artist since the book was originally published F.C.B. Cadell, J.D. Fergusson, G.L. Hunter and S.J. Peploe are now among the most admired of early 20th-century British artists. Their direct contact with French Post-Impressionism and their early knowledge of the work of Matisse and the Fauves encouraged them to produce paintings which are considered some of the most progressive in British art of the early 20th century. During their lifetime the Colourists developed an international reputation, exhibiting in Paris, London and New York as well as Scotland. Since their deaths they have often been overlooked in histories of British art but, in the last 20 years, there has been a dramatic revival of interest in their work. Featuring essays describing the artists' lives and their involvement with the avant garde in Paris in the early years of the 20th century, this book is richly illustrated with over 100 of the Colourists' most stylish and inventive paintings. This revised edition has a completely refreshed design and cover as well as an updated bibliography.
Author: Stephen Bury
Publisher: Oxford University Press, USA
ISBN: 0199923051
Category : Art
Languages : en
Pages : 1341
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Book Description
This dictionary consists of over 3000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the '2006 Benezit Dictionary of Artists' with an additional 90 revised and 60 new articles.
Author: Philip Long
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 156
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Book Description
F.C.B. Cadell, J.D. Ferguson, G.L. Hunter and S.J. Peploe are now amongst the most admired of early twentieth century British artists. Their direct contact with French Post-Impressionism and early knowledge of the work of Matisse and the Fauves, encouraged them to produce paintings which are considered some of the most progressive in British art of the early twentieth century. During their lifetime the Colourists developed an international reputation, exhibiting in Paris, London and New York as well as Scotland. Since their deaths they have often been overlooked in histories of British art, but in the last twenty years there has been a dramatic revival of interest in their work. Featuring essays describing the artists' lives and their involvement with the avant garde in Paris in the early years of the twentieth century, this book is richly illustrated with over 100 of the Colourists' most stylish and inventive paintings.
Author: Philip Long
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Samuel Shaw
Publisher: Routledge
ISBN: 1351378457
Category : Literary Criticism
Languages : en
Pages : 489
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Book Description
Edwardian Culture: Beyond the Garden Party is the first truly interdisciplinary collection of essays dealing with culture in Britain c.1895-1914. Bringing together essays on literature, art, politics, religion, architecture, marketing, and imperial history, the study highlights the extent to which the culture and politics of Edwardian period were closely intertwined. The book builds upon recent scholarship that seeks to reclaim the term ‘Edwardian’ from prevalent, restrictive usages by venturing beyond the garden party – and the political rally – to uncover some of the terrain that lies between. The essays in the volume – which deal with both famous writers such as J. M. Barrie and Arnold Bennett, as well as many lesser-known figures – draw attention to the nuanced multiplicity of experience and cultural forms that existed during the period, and highlight the ways in which a closer examination of Edwardian culture complicates our definitions of ‘Victorian’ and ‘Modern’. The book argues that the Edwardian era, rather than constituting a coda to the Victorian period or a languid pause before modernism shook things up, possessed a compelling and creative tenor of its own.
Author: Faith Binckes
Publisher: OUP Oxford
ISBN: 0191613711
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
This book is a re-examination of the fertile years of early modernism immediately preceding the First World War. During this period, how, where, and under whose terms the avant-garde in Britain would be constructed and consumed were very much to play for. It is the first study to look in detail at two little magazines marginalised from many accounts of this competitive process: Rhythm and the Blue Review. By thoroughly examining not only the content but the interrelated networks that defined and surrounded these publications, Faith Binckes aims to provide a fresh and challenging perspective to the on-going reappraisal of modernism. Founded in 1911, and edited by John Middleton Murry with assistance from Michael Sadleir and subsequently from Katherine Mansfield, Rhythm and The Blue Review featured a series of pivotal moments. Rhythm was the arena for a challenge to Roger Fry's vision of Post-Impressionism, for the introduction of Picasso to a British audience, for early short stories and reviews by Lawrence, and for Mansfield's discovery of a voice in which to frame her breakthrough writing on New Zealand. A further context for many of these experiments was the extended and acrimonious debate Rhythm conducted with A.R. Orage's New Age, in which issues of the proper gender, generation, and formulation of modernity were debated month by month. However, reading magazines as vehicles for avant-garde development can only provide half the story. The book also pays close attention to their dialogic, reproductive, and periodical nature, and explores the strategies at work within the terminology of the new. Crucially, it argues that they offer compelling material evidence for the consistently mobile and multiple boundaries of the modern, and puts forward a compelling case for focusing upon the specificity of magazines as a medium for literary and artistic innovation.
Author: Anthony R. Cross
Publisher: Wipf and Stock Publishers
ISBN: 1532677057
Category : Religion
Languages : en
Pages : 332
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Book Description
This volume celebrates the ministry and theological contribution of Dr. Ruth Gouldbourne, one of the foremost Baptist and Free Church women ministers and scholars in Britain and Europe. Following studies at St Andrews University, and King’s College London, and ministerial training at Spurgeon’s College, she served at Bloomsbury Central Baptist Church, the Free Church Bunyan Meeting, Bedford, and had been a Tutor, after which she returned to the local pastorate at Bloomsbury then Grove Lane Baptist Church, Cheadle. Her doctorate explores gender and theology in the writings of the radical reformer, Caspar Schwenckfeld, and she has recently earned her MA in Shakespearean Studies. She has served the Baptist Union on the Baptist Women in Ministry and Training group, the Covenant 2000 Committee, the Working Groups on Membership, and Superintendency, as well as the Baptist Historical Society. Internationally, she chaired the Academic Board of the International Baptist Theological Seminary (IBTSC), and its the Board of Trustees, and her ecumenical commitment has included sitting on the World Council of Churches’ Faith and Order Commission, and serving Churches Together in Britain and Ireland. An Associate Fellow of Spurgeon’s College, she is also Senior Research Fellow of IBTSC Amsterdam, and a Research Fellow of Bristol Baptist College.
Author: Ysanne Holt
Publisher: Routledge
ISBN: 1351771817
Category : Art
Languages : en
Pages : 270
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Book Description
Title first published in 2003. In this detailed study of the landscapes and rural scenes of Britain and France made by artists like George Clausen, Philip Wilson Steer, Augustus John, Laura Knight, J. D. Fergusson and Spencer Gore, Ysanne Holt investigates the imaginary geographies behind the pictures and reconsiders the relationship between national identity, 'Englishness' and the native landscape. Combining close investigation of important works with a broader enquiry into the appeal of the Mediterranean for an age preoccupied with cultural degeneracy and bodily health, Ysanne Holt draws fascinating conclusions about the impact of modernism on the British tradition of landscape painting.
Author: Michael Fry
Publisher: Bloomsbury Publishing
ISBN: 1784975818
Category : History
Languages : en
Pages : 603
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Book Description
Beloved, reviled – and not only by Glaswegians – Glasgow isn't just the Industrial Revolution nor the Victorian slums. Founded in the sixth century, its forebears pushed back the Romans. The roof of its cathedral, founded in the twelfth century, survived the Reformation. Its fifteenth-century university welcomed Adam Smith and the Enlightenment. It prospered from sugar, tobacco, cotton and slavery in the eighteenth century, and saw the rise of the Red Clydesiders in the twentieth. Glasgow's not just a city, it's an urban civilization in itself, unique and fruitful. Its denizens have seen the city rise and fall, they have survived bombs and demolitions, and somehow kept their humour intact. Now these people and this city play a pivotal role in Scotland's future, and in the future of the UK. It's time for a book that tells the story in all its complexity.
