The Science and Art of Model and Object Drawing - A Text-Book for Schools and for Self-Instruction of Teachers and Art-Students in the Theory and Practice of Drawing from Objects PDF Download
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Author: Lucas Baker
Publisher: Read Books Ltd
ISBN: 1473341620
Category : Art
Languages : en
Pages : 127
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Book Description
"The Science and Art of Model and Object Drawing" constitutes a fantastic introduction to drawing from real life objects and models, designed for the self-instruction of teachers and art students. It covers both theory and practice, offering the reader simple instructions and explanations coupled with simple, handy diagrams. Highly recommended for all with an interest in improving their drawing skills. Contents include: "Terms and Definitions", "Of Limits", "Of Extension", "Quantities of the First Degree-Lines", "Quantities of the Second Degree-Surfaces", "Quantities of the Fourth Degree-Inclination", "Words Denoting Position and Relation", "Orthographic Projections", "How to Read Apparent Forms", et cetera. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, high-quality, modern edition complete with a specially commissioned new introduction on drawing and drafting.
Author: Lucas Baker
Publisher: Read Books Ltd
ISBN: 1473341620
Category : Art
Languages : en
Pages : 127
Get Book Here
Book Description
"The Science and Art of Model and Object Drawing" constitutes a fantastic introduction to drawing from real life objects and models, designed for the self-instruction of teachers and art students. It covers both theory and practice, offering the reader simple instructions and explanations coupled with simple, handy diagrams. Highly recommended for all with an interest in improving their drawing skills. Contents include: "Terms and Definitions", "Of Limits", "Of Extension", "Quantities of the First Degree-Lines", "Quantities of the Second Degree-Surfaces", "Quantities of the Fourth Degree-Inclination", "Words Denoting Position and Relation", "Orthographic Projections", "How to Read Apparent Forms", et cetera. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, high-quality, modern edition complete with a specially commissioned new introduction on drawing and drafting.
Author: Lucas Baker
Publisher: Forgotten Books
ISBN: 9780484225670
Category : Mathematics
Languages : en
Pages : 104
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Book Description
Excerpt from The Science and Art of Model and Object Drawing: A d104 Book for Schools and for Self-Instruction of Teachers and Art-Students in the Theory and Practice of Drawing From Objects The art-student, in progressing through the various branches of his study, is soon confronted with the necessity of making for himself original drawings from objects. He can not long follow copies, and depend upon them for guidance he must read forms independently, as he would read a book; and he must give his own rendering of them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Baker Lucas
Publisher: Palala Press
ISBN: 9781348207467
Category :
Languages : en
Pages : 112
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Baker Lucas
Publisher: Hardpress Publishing
ISBN: 9781313410243
Category :
Languages : en
Pages : 118
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1370
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Book Description
Author: Augusta Harriet Leypoldt
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 184
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Author:
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 878
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Author: Lucas Baker
Publisher: CreateSpace
ISBN: 9781517076795
Category :
Languages : en
Pages : 102
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Book Description
From the INTRODUCTION. THE tendency of the American people to study art marks an era in our intellectual life. Students of art multiply rapidly: art-schools are well filled, and private teachers are in great demand. All branches of art are receiving attention, and especially the industrial department. There are two sources of art-instruction, - the teacher, and nature. There are also two methods of practice, - working from copies, and working from nature. Multitudes of private pupils do nothing but copy the work of others, and consequently they never acquire the power to produce original work themselves. The two methods may be combined, but nature must always be regarded sis the great instructor. We can do no greater service to our pupils than to prepare them to learn from nature, to open their eyes and minds to the harmonies and melodies which she has in ample store for them. There is no department of public instruction better adapted to the development of the powers of observation than drawing from objects. The art-student, in progressing through the various branches of his study, is soon confronted with the necessity of making for himself original drawings from objects. He cannot long follow copies, and depend upon them for guidance: he must read forms independently, as he would read a book ; and he must give his own rendering of them. At this stage he is presumed to have acquired a ready hand in drawing from the copy, and to be in possession of some knowledge of Plane Geometry. Thus prepared he enters upon a tour of investigation, not unlike the explorer of a new country. He must note all the facts presented to his observation, and deduce all the laws discoverable by his understanding. To the student it is emphatically a field of discovery. His eyes must be opened to new facts, which have been hitherto unnoticed by him. His method of seeing is to be changed from the casual and accidental to the accurate and discriminating method which penetrates and comprehends the subtleties of the apparent forms of objects, and of light, shade, shadow, reflections, and color. Every teacher of art knows that the principal part of his work is teaching his pupils to see and how to see. The pupil begins with little knowledge of the apparent forms of objects, and with no habit of observing them. This knowledge must be acquired, and the habit of seeing must be formed. This is the only foundation for true progress. In this respect, to draw is to know; and not to know, is not to be able to draw. The subject of Object-Drawing has a basis of fact throughout. There is no guess-work ; mathematical precision pervades the whole; every question can be settled by reference to fundamental principles. Model-drawing is the best possible preparation for sketching from nature. The student graduating from the study of models goes fully equipped to the delineation of natural scenery or of architectural objects. Without this preparation the results of his efforts would be uncertain, and accurate only by accident. It furnishes the scientific basis for free sketching; and without it, and an understanding of its principles, no artist can count himself secure in his work....
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
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Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 902
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