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Author: Robbie Richardson
Publisher: University of Toronto Press
ISBN: 148750344X
Category : History
Languages : en
Pages : 258
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Book Description
The Savage and Modern Self examines the representations of North American "Indians" in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of "Indians" in British literature were used to critique and articulate evolving ideas about consumerism, colonialism, "Britishness," and, ultimately, the "modern self" over the course of the century. Considering the ways in which British writers represented contact between Britons and "Indians," both at home and abroad, the author shows how these sites of contact moved from a self-affirmation of British authority earlier in the century, to a mutual corruption, to a desire to appropriate perceived traits of "Indianess." Looking at texts exclusively produced in Britain, The Savage and Modern Self reveals that "the modern" finds definition through imagined scenes of cultural contact. By the end of the century, Richardson concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies a form of modern, British masculinity.
Author: Robbie Richardson
Publisher: University of Toronto Press
ISBN: 148750344X
Category : History
Languages : en
Pages : 258
Get Book Here
Book Description
The Savage and Modern Self examines the representations of North American "Indians" in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of "Indians" in British literature were used to critique and articulate evolving ideas about consumerism, colonialism, "Britishness," and, ultimately, the "modern self" over the course of the century. Considering the ways in which British writers represented contact between Britons and "Indians," both at home and abroad, the author shows how these sites of contact moved from a self-affirmation of British authority earlier in the century, to a mutual corruption, to a desire to appropriate perceived traits of "Indianess." Looking at texts exclusively produced in Britain, The Savage and Modern Self reveals that "the modern" finds definition through imagined scenes of cultural contact. By the end of the century, Richardson concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies a form of modern, British masculinity.
Author: H. L. T. Quan
Publisher: Lexington Books
ISBN: 0739170597
Category : Business & Economics
Languages : en
Pages : 269
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Book Description
Growth against Democracy: Savage Developmentalism in the Modern World, by H.L.T. Quan, is a radical critique of development as a modern project. Using three historical cases (Brazil-Japan, China-Africa, and US-Iraq), Quan probes the discursive practices of modern development, exploring the coercive and juridical dimensions of trade, diplomacy and war and their impact. This study builds on the critical works of neoliberalism, capitalist development, and empire to lay the groundwork for an honest assessment of neoliberal economics and foreign conducts and their impact on human life.
Author: Laura Doyle
Publisher: Indiana University Press
ISBN: 9780253217783
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Modernism as a global phenomenon is the focus of the essays gathered in this book. The term "geomodernisms" indicates their subjects' continuity with and divergence from commonly understood notions of modernism. The contributors consider modernism as it was expressed in the non-Western world; the contradictions at the heart of modernization (in revolutionary and nationalist settings, and with respect to race and nativism); and modernism's imagined geographies, "pyschogeographies" of distance and desire as viewed by the subaltern, the caste-bound, the racially mixed, the gender-determined.
Author: Sally Engle Merry
Publisher: Princeton University Press
ISBN: 0691221987
Category : Social Science
Languages : en
Pages : 389
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Book Description
How does law transform family, sexuality, and community in the fractured social world characteristic of the colonizing process? The law was a cornerstone of the so-called civilizing process of nineteenth-century colonialism. It was simultaneously a means of transformation and a marker of the seductive idea of civilization. Sally Engle Merry reveals how, in Hawai'i, indigenous Hawaiian law was displaced by a transplanted Anglo-American law as global movements of capitalism, Christianity, and imperialism swept across the islands. The new law brought novel systems of courts, prisons, and conceptions of discipline and dramatically changed the marriage patterns, work lives, and sexual conduct of the indigenous people of Hawai'i.
Author: Tim Ward
Publisher: John Hunt Publishing
ISBN: 178099060X
Category : Body, Mind & Spirit
Languages : en
Pages : 435
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Book Description
THE DA VINCI CODE tapped a deep fascination for the sacred feminine hidden at the heart of Christianity. Best-selling author Tim Ward digs deeper into this mystery, propelling the reader into the pre-Christian Goddess religions of the Mediterranean. Ward confronts tough questions * Are men threatened by the innate power of the feminine? * Why do men abuse, rape, and dominate women? Shouldnt loving relationships with the opposite sex be natural and easy? * Did we all lose an essential part of ourselves when we turned our back on the feminine divine? * How would opening to the feminine face of God help men resolve their issues with women? * What would it take for men to really let go of patriarchy and genuinely accept women as equals?To answer these questions, Ward decided to seek out the Goddess, with his own demons in tow. Over a period of three years he travelled to the ruined temples and shrines of the Goddess in the cradles of Western Civilization. At each he encountered one aspect of the many faces of the Goddess. He vividly recreates the experience of ancient believers the Eleusinian Mysteries of Demeter, the sexual rites of the priestesses of Aphrodite, and a human sacrifice on a mountaintop shrine in Crete. And in Turkey he sits at the feet of the many-breasted Artemis of Ephesus, whose rioting followers once threatened to kill the Apostle Paul. Facing the Goddess unleashes turbulent emotions for Ward. With frank honesty he describes the traumas that erupt in his relationship with the woman he loves, who accompanied him on many of his journeys.
Author: Chloe Wigston Smith
Publisher: Yale University Press
ISBN: 0300277725
Category : History
Languages : en
Pages : 350
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Book Description
The first sustained study of the vibrant links between domestic craft and British colonialism In the eighteenth century, women’s contributions to empire took fewer official forms than those collected in state archives. Their traces were recorded in material ways, through the ink they applied to paper or the artifacts they created with muslin, silk threads, feathers, and shells. Handiwork, such as sewing, knitting, embroidery, and other crafts, formed a familiar presence in the lives and learning of girls and women across social classes, and it was deeply connected to colonialism. Chloe Wigston Smith follows the material and visual images of the Atlantic world that found their way into the hands of women and girls in Britain and early America—in the objects they made, the books they held, the stories they read—and in doing so adjusted and altered the form and content of print and material culture. A range of artifacts made by women, including makers of color, brought the global into conversation with domestic crafts and consequently placed images of empire and colonialism within arm’s reach. Together, fiction and handicrafts offer new evidence of women’s material contributions to the home’s place within the global eighteenth century, revealing the rich and complex connections between the global and the domestic.
Author: Serena Dyer
Publisher: Bloomsbury Publishing
ISBN: 1350127000
Category : Design
Languages : en
Pages : 273
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Book Description
Eighteenth-century women told their life stories through making. With its compelling stories of women's material experiences and practices, Material Lives offers a new perspective on eighteenth-century production and consumption. Genteel women's making has traditionally been seen as decorative, trivial and superficial. Yet their material archives, forged through fabric samples, watercolours, dressed prints and dolls' garments, reveal how women used the material culture of making to record and navigate their lives. Material Lives positions women as 'makers' in a consumer society. Through fragments of fabric and paper, Dyer explores an innovative way of accessing the lives of otherwise obscured women. For researchers and students of material culture, dress history, consumption, gender and women's history, it offers a rich resource to illuminate the power of needles, paintbrushes and scissors.
Author: Charles King
Publisher: Doubleday
ISBN: 0385548273
Category : Biography & Autobiography
Languages : en
Pages : 344
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Book Description
From New York Times bestselling historian and National Book Critics Circle Award finalist Charles King, the moving untold story of the eighteenth-century men and women behind the making of Handel’s Messiah "A delicious history of music, power, love, genius, royalty and adventure."—Simon Sebag Montefiore, author of The World "A book of power and glory, brimming with emotion and dazzling in its reach."—Stacy Schiff, Pulitzer Prize-winning author of Cleopatra and The Revolutionary George Frideric Handel’s Messiah is arguably the greatest piece of participatory art ever created. Adored by millions, it is performed each year by renowned choirs and orchestras, as well as by audiences singing along with the words on their cell phones. But this work of triumphant joy was born in a worried age. Britain in the early Enlightenment was a place of astonishing creativity but also the seat of an empire mired in war, enslavement, and conflicts over everything from the legitimacy of government to the meaning of truth. Against this turbulent background, prize-winning author Charles King has crafted a cinematic drama of the troubled lives that shaped a masterpiece of hope. Every Valley presents a depressive dissenter stirred to action by an ancient prophecy; an actress plagued by an abusive husband and public scorn; an Atlantic sea captain and penniless philanthropist; and an African Muslim man held captive in the American colonies and hatching a dangerous plan for getting back home. At center stage is Handel himself, composer to kings but, at midlife, in ill health and straining to keep an audience’s attention. Set amid royal intrigue, theater scandals, and political conspiracy, Every Valley is entertaining, inspiring, unforgettable.
Author: Catherine Packham
Publisher:
ISBN: 1009395807
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Why was Wollstonecraft's landmark feminist work, the Vindication of the Rights of Woman, categorised as a work of political economy when it was first published? Taking this question as a starting point, Mary Wollstonecraft and Political Economy gives a compelling new account of Wollstonecraft as critic of the material, moral, social, and psychological conditions of commercial modernity. Offering thorough analysis of Wollstonecraft's major writings - including her two Vindications, her novels, her history of the French Revolution, and her travel writing - this is the only book-length study to situate Wollstonecraft in the context of the political economic thought of her time. It shows Wollstonecraft as an economic as much as a political radical, whose critique of the emerging economic orthodoxies of her time anticipates later Romantic thinkers. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: Amy S. Wyngaard
Publisher: University of Delaware Press
ISBN: 9780874138535
Category : Art
Languages : en
Pages : 274
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Book Description
"Using methodologies derived from cultural studies, new historicism, and the history of ideas, Amy S. Wyngaard argues that changing ideas of individual, class, and national identity in the eighteenth century were elaborated around portrayals of the peasant."--BOOK JACKET.
