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Author: Henning Laugerud
Publisher: Aarhus Universitetsforlag
ISBN: 8771249613
Category : History
Languages : en
Pages : 322
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Book Description
The Saturated Sensorium is a book about the senses and their media in the Middle Ages: a book about what it meant to sense and perceive something. The book highlights the integrated and unified nature of medieval senses and media. It discusses the inter- and multi-mediality of cultic and cultural artefacts as well as the sensorial and inter-sensorial dimensions of a wide array of cultural concepts and practices within medieval religion, art, archaeology, architecture, literature, music, food, social life, ritual, devotion, cognition, and memory. These domains of sensory and media history are dealt with, not as isolated anthology articles in only loose connection with one another, but as coordinate and comparative chapters of a coherent book each covering a principal branch of the cultural history of the medieval senses. Across a number of academic disciplines, specialists address the interdisciplinary and compound character of visus (sight), auditus (hearing), tactus (touch), olfactus (smell) and gustus (taste), showing that there was far more to the senses and to sense experience than these five classical Aristotelian categories might suggest. A plentiful variety of sensory modes interacted, crossed, and permeated each other in mutually entangled and braided ways. The saturated sensorium nurtured the sacred and secular practices of mediation, representation, and consumption; the embodied and mental concepts of sanctity, memory, and imagery; the physical and spiritual spaces of environment, cult, and burial; the material and visual culture of sacraments, sensation, and incarnation.
Author: Henning Laugerud
Publisher: Aarhus Universitetsforlag
ISBN: 8771249613
Category : History
Languages : en
Pages : 322
Get Book Here
Book Description
The Saturated Sensorium is a book about the senses and their media in the Middle Ages: a book about what it meant to sense and perceive something. The book highlights the integrated and unified nature of medieval senses and media. It discusses the inter- and multi-mediality of cultic and cultural artefacts as well as the sensorial and inter-sensorial dimensions of a wide array of cultural concepts and practices within medieval religion, art, archaeology, architecture, literature, music, food, social life, ritual, devotion, cognition, and memory. These domains of sensory and media history are dealt with, not as isolated anthology articles in only loose connection with one another, but as coordinate and comparative chapters of a coherent book each covering a principal branch of the cultural history of the medieval senses. Across a number of academic disciplines, specialists address the interdisciplinary and compound character of visus (sight), auditus (hearing), tactus (touch), olfactus (smell) and gustus (taste), showing that there was far more to the senses and to sense experience than these five classical Aristotelian categories might suggest. A plentiful variety of sensory modes interacted, crossed, and permeated each other in mutually entangled and braided ways. The saturated sensorium nurtured the sacred and secular practices of mediation, representation, and consumption; the embodied and mental concepts of sanctity, memory, and imagery; the physical and spiritual spaces of environment, cult, and burial; the material and visual culture of sacraments, sensation, and incarnation.
Author: Hans Henrik Lohfert Jørgensen
Publisher:
ISBN: 9788771243130
Category : Civilization, Medieval
Languages : en
Pages : 0
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Book Description
The Middle Ages integrated the human senses and unified their media into a culture of saturated sensation. 'The saturated sensoriùm' nurtured principles of perception and mediation permeated with paradox, intersensorial entanglement, and multimodal interchange. This book addresses medieval modes of multi- and intermediality in material as well as immaterial culture and cultural history. It exemplifies the sensory and multisensory experiences sustained by medieval religion, art, archaeology, architecture, literature, liturgy, music, monasticism, miracles, cult, piety, love, eating, drinking, cognition, recollection, and burial. It ponders over perceptual practices performed as ritual, devotion, consumption (sacred or secular), memory, sanctity (in persons or percepts), church environment, sacramental imagery, romantic representation, and word-image-song-dance remediation. It illuminates the intertwined and compound character of the five Aristotelian categories of 'visus' (sight), 'auditus' (hearing), 'tactus' (touch), 'olfactus' (smell), and 'gustus' (taste), showing that there was indeed far more to the senses and to sense experience than this classical categorisation might suggest. It aims to saturate our sense of medieval mediation beyond established modern and classical categories of communication.
Author: Douglas Estes
Publisher: Rowman & Littlefield
ISBN: 1978712677
Category : Religion
Languages : en
Pages : 293
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Book Description
The works of J.R.R. Tolkien have not only redefined a genre of literature but also had a far-reaching impact on culture in the late twentieth and early twenty-first centuries. Tolkien’s name has joined the ranks of authors such as Shakespeare, Milton, Dostoevsky, Donne, and Dickens who make us think differently about the world. In Theology and Tolkien: Practical Theology, an international group of scholars consider what Tolkien’s works (and Jackson’s film interpretations) can teach us about living out our theology in the world. From essays on Tolkien’s insights into community, what we can learn about our spiritual senses from encounters with the Nazgûl, the pastoral wisdom of Treebeard, to the theological value of food—including second breakfasts—we invite you to journey with us through Middle-earth as we engage the applicability of Tolkien’s works for theology and our world.
Author:
Publisher: BRILL
ISBN: 9004395717
Category : History
Languages : en
Pages : 488
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Book Description
With many excellent books on medieval stained glass available, the reader of this anthology may well ask: “what is the contribution of this collection?” In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field. Contributors are: Wojciech Balus, Karine Boulanger, Sarah Brown, Elizabeth Carson Pastan, Madeline H. Caviness, Michael W. Cothren, Francesca Dell’Acqua, Uwe Gast, Françoise Gatouillat, Anne Granboulan, Anne F. Harris, Christine Hediger, Michel Hérold, Timothy B. Husband, Alyce A. Jordan, Herbert L. Kessler, David King, Brigitte Kurmann-Schwarz, Claudine Lautier, Ashley J. Laverock, Meredith P. Lillich, Isabelle Pallot-Frossard, Hartmut Scholz, Mary B. Shepard, Ellen M. Shortell, Nancy M. Thompson.
Author: Herbert L. Kessler
Publisher: University of Toronto Press
ISBN: 1442600748
Category : Art
Languages : en
Pages : 376
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Book Description
Across the nine thematic chapters of Experiencing Medieval Art, renowned art historian Herbert L. Kessler considers functional objects as well as paintings and sculptures; the circumstances, processes, and materials of production; the conflictual relationship between art objects and notions of an ineffable deity; the context surrounding medieval art; and questions of apprehension, aesthetics, and modern presentation. He also introduces the exciting discoveries and revelations that have revolutionized contemporary understanding of medieval art and identifies the vexing challenges that still remain. With 16 color plates and 81 images in all—including the stained glass of Chartres Cathedral, the mosaics of San Marco, and the Utrecht Psalter, as well as newly discovered works such as the frescoes in Rome’s aula gotica and a twelfth-century aquamanile in Hildesheim—Experiencing Medieval Art makes the complex history of medieval art accessible for students of art history and scholars of medieval history, theology, and literature.
Author: David Carrillo-Rangel
Publisher: Springer Nature
ISBN: 3030260291
Category : History
Languages : en
Pages : 300
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Book Description
This book addresses the history of the senses in relation to affective piety and its role in devotional practices in the late Middle Ages, focusing on the sense of touch. It argues that only by deeply analysing this specific context of perception can the full significance of sensory religious experience in the Late Middle Ages be understood. Considering the centrality of the body to medieval society and Christianity, this collection explores a range of devotional practices, mainly relating to the Passion of Christ, and features manuscripts, works of devotional literature, art, woodcuts and judicial records. It brings together a multidisciplinary group of scholars to offer a variety of methodological approaches, in order to understand how touch was encoded, evoked and purposefully used. The book further considers how touch was related to the medieval theory of perception, examining its relation to the inner and outer senses through the eyes of visionaries, mystics, theologians and confessors, not only as praxis but from different theoretical points of view. While considered the most basic of spiritual experience, the chapters in this book highlight the all-pervasive presence of touch and the significance of ‘affective piety’ to Late Medieval Christians. Chapter 3: Drama, Performance and Touch in the Medieval Convent and Beyond is Open Access under a CC BY 4.0 license at link.springer.com
Author: Kristin B. Aavitsland
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110636271
Category : Religion
Languages : en
Pages : 841
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Book Description
With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image – or rather the imagination – of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Jerusalem is conceived as a code to Christian cultures in Scandinavia. The first volume is dealing with the different notions of Jerusalem in the Middle Ages. Tracing the Jerusalem Code in three volumes Volume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100–1536) Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536–ca. 1750) Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750–ca. 1920)
Author: Catherine Pickstock
Publisher: Cambridge University Press
ISBN: 1108840329
Category : Philosophy
Languages : en
Pages : 345
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Book Description
This bold new work discusses truth, and the value of a metaphysical approach to truth, from philosophical and theological perspectives.
Author: Kaja Merete Haug Hagen
Publisher: Springer Nature
ISBN: 303170133X
Category :
Languages : en
Pages : 493
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Book Description
Author: Donna L. Sadler
Publisher: BRILL
ISBN: 9004364374
Category : Art
Languages : en
Pages : 271
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Book Description
In Touching the Passion — Seeing Late Medieval Altarpieces through the Eyes of Faith, Donna Sadler explores the manner in which worshipers responded to the carved and polychromed retables adorning the altars of their parish churches. Framed by the symbolic death of Christ re-enacted during the Mass, the historical account of the Passion on the retable situated Christ’s suffering and triumph over death in the present. The dramatic gestures, contemporary garb, and wealth of anecdotal detail on the altarpiece, invited the viewer’s absorption in the narrative. As in the Imitatio Christi, the worshiper imaginatively projected himself into the story like a child before a dollhouse. The five senses, the sculptural medium, the small scale, and the rhetoric of memory foster this immersion.
