Author: Amy Wiese Forbes
Publisher: Rowman & Littlefield
ISBN: 9780739129456
Category : History
Languages : en
Pages : 328
Book Description
"Where do democratic political practices originate? This issue has long concerned republics, but few historians have studied the process by which people learn the skills of rights-based government. In this illuminating history, Amy Wiese Forbes addresses these origins by analyzing how republicanism took shape through the political satire that flooded French newspapers, theaters, courtrooms, and even academic life in 1830. Forbes shows that satire was the chief source of the critical spirit of republicanism that erupted in the 1840s and sustained the Republic in the 1870s and argues against the notion that satire had no lasting political impact. This book will speak to historians of French politics, republicanism, popular culture, the July Monarchy, satire and political humor, class and gender formation, and legal history." --Book Jacket.
The Satiric Decade
Author: Amy Wiese Forbes
Publisher: Rowman & Littlefield
ISBN: 9780739129456
Category : History
Languages : en
Pages : 328
Book Description
"Where do democratic political practices originate? This issue has long concerned republics, but few historians have studied the process by which people learn the skills of rights-based government. In this illuminating history, Amy Wiese Forbes addresses these origins by analyzing how republicanism took shape through the political satire that flooded French newspapers, theaters, courtrooms, and even academic life in 1830. Forbes shows that satire was the chief source of the critical spirit of republicanism that erupted in the 1840s and sustained the Republic in the 1870s and argues against the notion that satire had no lasting political impact. This book will speak to historians of French politics, republicanism, popular culture, the July Monarchy, satire and political humor, class and gender formation, and legal history." --Book Jacket.
Publisher: Rowman & Littlefield
ISBN: 9780739129456
Category : History
Languages : en
Pages : 328
Book Description
"Where do democratic political practices originate? This issue has long concerned republics, but few historians have studied the process by which people learn the skills of rights-based government. In this illuminating history, Amy Wiese Forbes addresses these origins by analyzing how republicanism took shape through the political satire that flooded French newspapers, theaters, courtrooms, and even academic life in 1830. Forbes shows that satire was the chief source of the critical spirit of republicanism that erupted in the 1840s and sustained the Republic in the 1870s and argues against the notion that satire had no lasting political impact. This book will speak to historians of French politics, republicanism, popular culture, the July Monarchy, satire and political humor, class and gender formation, and legal history." --Book Jacket.
Man Bites Man
Author: Steven Heller
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 232
Book Description
This book is a collection of satirical drawings and cartoons ranging from 1960 to 1980.
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 232
Book Description
This book is a collection of satirical drawings and cartoons ranging from 1960 to 1980.
Satire and Dissent
Author: Amber Day
Publisher: Indiana University Press
ISBN: 0253005140
Category : Humor
Languages : en
Pages : 241
Book Description
In an age when Jon Stewart frequently tops lists of most-trusted newscasters, the films of Michael Moore become a dominant topic of political campaign analysis, and activists adopt ironic, fake personas to attract attention—the satiric register has attained renewed and urgent prominence in political discourse. Amber Day focuses on the parodist news show, the satiric documentary, and ironic activism to examine the techniques of performance across media, highlighting their shared objective of bypassing standard media outlets and the highly choreographed nature of current political debate.
Publisher: Indiana University Press
ISBN: 0253005140
Category : Humor
Languages : en
Pages : 241
Book Description
In an age when Jon Stewart frequently tops lists of most-trusted newscasters, the films of Michael Moore become a dominant topic of political campaign analysis, and activists adopt ironic, fake personas to attract attention—the satiric register has attained renewed and urgent prominence in political discourse. Amber Day focuses on the parodist news show, the satiric documentary, and ironic activism to examine the techniques of performance across media, highlighting their shared objective of bypassing standard media outlets and the highly choreographed nature of current political debate.
The Difference Satire Makes
Author: Fredric V. Bogel
Publisher: Cornell University Press
ISBN: 9780801438042
Category : Fiction
Languages : en
Pages : 280
Book Description
"Drawing on anthropological insights and the writings of Kenneth Burke, Bogel articulates a rigorous, richly developed theory of satire. While accepting the view that the mode is built on the tension between satirist and satiric object, he asserts that an equally crucial relationship between the two is that of intimacy and identification; satire does not merely register a difference and proceed to attack in light of that difference. Rather, it must establish or produce difference.".
Publisher: Cornell University Press
ISBN: 9780801438042
Category : Fiction
Languages : en
Pages : 280
Book Description
"Drawing on anthropological insights and the writings of Kenneth Burke, Bogel articulates a rigorous, richly developed theory of satire. While accepting the view that the mode is built on the tension between satirist and satiric object, he asserts that an equally crucial relationship between the two is that of intimacy and identification; satire does not merely register a difference and proceed to attack in light of that difference. Rather, it must establish or produce difference.".
The Sellout
Author: Paul Beatty
Publisher: Farrar, Straus and Giroux
ISBN: 0374712247
Category : Fiction
Languages : en
Pages : 305
Book Description
Winner of the Man Booker Prize Winner of the National Book Critics Circle Award in Fiction Winner of the John Dos Passos Prize for Literature New York Times Bestseller Los Angeles Times Bestseller Named One of the 10 Best Books of the Year by The New York Times Book Review Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.
Publisher: Farrar, Straus and Giroux
ISBN: 0374712247
Category : Fiction
Languages : en
Pages : 305
Book Description
Winner of the Man Booker Prize Winner of the National Book Critics Circle Award in Fiction Winner of the John Dos Passos Prize for Literature New York Times Bestseller Los Angeles Times Bestseller Named One of the 10 Best Books of the Year by The New York Times Book Review Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.
George III and the Satirists from Hogarth to Byron
Author: Vincent Carretta
Publisher: University of Georgia Press
ISBN: 0820331244
Category : History
Languages : en
Pages : 414
Book Description
King George III inherited two legacies from the restoration of the monarchy in 1660: his crown and a tradition of regal satire. As the last British monarch who fully ruled as well as reigned and as the last king of America, George III was the target of constant satiric attacks even before he came to the throne in 1760 and for years after his death in 1820. An interdisciplinary and intercontinental study, this book examines the political satiric poetry and political graphic prints of Britain and Colonial America during the late Georgian period--a tumultuous era that witnessed the American and French revolutions, the Napoleonic wars, and the birth of the Romantic movement. Using George III as his focal point, Vincent Carretta draws on a wide range of verbal and visual sources to illuminate the development of satire from the work of Charles Churchill and William Hogarth to Lord Byron and George Cruikshank. Extending the argument from his earlier book, The Snarling Muse, which dealt with satire during the first half of the eighteenth century, Carretta demonstrates that the satiric line of descent from the early decades of the 1700s through the 1820s is much more direct than most scholars have recognized. Throughout the book, Carretta examines not only how the monarchy was reflected in satire but how satire in turn may have influenced the regal institution. In the 1790s, for example, British satirists discovered that their earlier attacks on the king for not being kingly enough had brought an unanticipated consequence: they had created the basis for the fictional commoner-king, Farmer George, which the king's supporters used with great rhetorical effectiveness against the threat of revolutionary French ideas. Enhanced by more than 160 illustrations, George III and the Satirists effectively demonstrates how a wide range of materials, verbal and visual, literary and nonliterary, can be marshaled in an interdisciplinary pursuit that crosses conventional fields and periods, repositioning artists and authors who are too often approached outside their original contexts.
Publisher: University of Georgia Press
ISBN: 0820331244
Category : History
Languages : en
Pages : 414
Book Description
King George III inherited two legacies from the restoration of the monarchy in 1660: his crown and a tradition of regal satire. As the last British monarch who fully ruled as well as reigned and as the last king of America, George III was the target of constant satiric attacks even before he came to the throne in 1760 and for years after his death in 1820. An interdisciplinary and intercontinental study, this book examines the political satiric poetry and political graphic prints of Britain and Colonial America during the late Georgian period--a tumultuous era that witnessed the American and French revolutions, the Napoleonic wars, and the birth of the Romantic movement. Using George III as his focal point, Vincent Carretta draws on a wide range of verbal and visual sources to illuminate the development of satire from the work of Charles Churchill and William Hogarth to Lord Byron and George Cruikshank. Extending the argument from his earlier book, The Snarling Muse, which dealt with satire during the first half of the eighteenth century, Carretta demonstrates that the satiric line of descent from the early decades of the 1700s through the 1820s is much more direct than most scholars have recognized. Throughout the book, Carretta examines not only how the monarchy was reflected in satire but how satire in turn may have influenced the regal institution. In the 1790s, for example, British satirists discovered that their earlier attacks on the king for not being kingly enough had brought an unanticipated consequence: they had created the basis for the fictional commoner-king, Farmer George, which the king's supporters used with great rhetorical effectiveness against the threat of revolutionary French ideas. Enhanced by more than 160 illustrations, George III and the Satirists effectively demonstrates how a wide range of materials, verbal and visual, literary and nonliterary, can be marshaled in an interdisciplinary pursuit that crosses conventional fields and periods, repositioning artists and authors who are too often approached outside their original contexts.
The Magnetic Lady
Author: Ben Jonson
Publisher:
ISBN:
Category :
Languages : en
Pages : 300
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 300
Book Description
A Companion to Satire
Author: Ruben Quintero
Publisher: John Wiley & Sons
ISBN: 1405171995
Category : Literary Criticism
Languages : en
Pages : 624
Book Description
This collection of twenty-nine original essays, surveys satire fromits emergence in Western literature to the present. Tracks satire from its first appearances in the prophetic booksof the Old Testament through the Renaissance and the Englishtradition in satire to Michael Moore’s satirical movieFahrenheit 9/11. Highlights the important influence of the Bible in the literaryand cultural development of Western satire. Focused mainly on major classical and European influences onand works of English satire, but also explores the complex andfertile cultural cross-semination within the tradition of literarysatire.
Publisher: John Wiley & Sons
ISBN: 1405171995
Category : Literary Criticism
Languages : en
Pages : 624
Book Description
This collection of twenty-nine original essays, surveys satire fromits emergence in Western literature to the present. Tracks satire from its first appearances in the prophetic booksof the Old Testament through the Renaissance and the Englishtradition in satire to Michael Moore’s satirical movieFahrenheit 9/11. Highlights the important influence of the Bible in the literaryand cultural development of Western satire. Focused mainly on major classical and European influences onand works of English satire, but also explores the complex andfertile cultural cross-semination within the tradition of literarysatire.
No Billionaire Left Behind
Author: Angelique Haugerud
Publisher: Stanford University Press
ISBN: 0804786313
Category : Social Science
Languages : en
Pages : 289
Book Description
Growing economic inequality, corporate influence in politics, an eroding middle class. Many Americans leave it to politicians and the media to debate these topics in the public sphere. Yet other seemingly ordinary Americans have decided to enter the conversation of wealth in America by donning ball gowns, tiaras, tuxedos, and top hats and taking on the imagined roles of wealthy, powerful, and completely fictional characters. Why? In No Billionaire Left Behind, Angelique Haugerud, who embedded herself within the "Billionaires" and was granted the name "Ivana Itall," explores the inner workings of these faux billionaires and mines the depths of democracy's relationship to political humor, satire, and irony. No Billionaire Left Behind is a compelling investigation into how satirical activists tackle two of the most contentious topics in contemporary American political culture: the increasingly profound division of wealth in America, and the role of big money in electoral politics. Anthropologist and author Angelique Haugerud deftly charts the evolution of a group named the Billionaires—a prominent network of satirists and activists who make a mockery of wealth in America—along with other satirical groups and figures to puzzle out their impact on politics and public opinion. In the spirit of popular programs like The Colbert Report and The Daily Show, the Billionaires demonstrate a sophisticated knowledge of economics and public affairs through the lens of satire and humor. Through participant observation, interviews, and archival research, Haugerud provides the first ethnographic study of the power and limitations of this evolving form of political organizing in this witty exploration of one group's efforts to raise hope and inspire action in America's current political climate.
Publisher: Stanford University Press
ISBN: 0804786313
Category : Social Science
Languages : en
Pages : 289
Book Description
Growing economic inequality, corporate influence in politics, an eroding middle class. Many Americans leave it to politicians and the media to debate these topics in the public sphere. Yet other seemingly ordinary Americans have decided to enter the conversation of wealth in America by donning ball gowns, tiaras, tuxedos, and top hats and taking on the imagined roles of wealthy, powerful, and completely fictional characters. Why? In No Billionaire Left Behind, Angelique Haugerud, who embedded herself within the "Billionaires" and was granted the name "Ivana Itall," explores the inner workings of these faux billionaires and mines the depths of democracy's relationship to political humor, satire, and irony. No Billionaire Left Behind is a compelling investigation into how satirical activists tackle two of the most contentious topics in contemporary American political culture: the increasingly profound division of wealth in America, and the role of big money in electoral politics. Anthropologist and author Angelique Haugerud deftly charts the evolution of a group named the Billionaires—a prominent network of satirists and activists who make a mockery of wealth in America—along with other satirical groups and figures to puzzle out their impact on politics and public opinion. In the spirit of popular programs like The Colbert Report and The Daily Show, the Billionaires demonstrate a sophisticated knowledge of economics and public affairs through the lens of satire and humor. Through participant observation, interviews, and archival research, Haugerud provides the first ethnographic study of the power and limitations of this evolving form of political organizing in this witty exploration of one group's efforts to raise hope and inspire action in America's current political climate.
The Cambridge Introduction to Satire
Author: Jonathan Greenberg
Publisher: Cambridge University Press
ISBN: 1107030188
Category : Humor
Languages : en
Pages : 335
Book Description
Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.
Publisher: Cambridge University Press
ISBN: 1107030188
Category : Humor
Languages : en
Pages : 335
Book Description
Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.