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Author: Alain Silver
Publisher: Overlook
ISBN: 9780715636626
Category : Samurai films
Languages : en
Pages : 320
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Book Description
Alain Silver deconstructs the key aspects of the Samurai film, from its focus on violence and death as a means of understanding life and the significance of swords and weaponry, to key elements and motifs such as hara-kiri, rebellion and nostalgia for Japan's feudal past.
Author: Alain Silver
Publisher: Overlook
ISBN: 9780715636626
Category : Samurai films
Languages : en
Pages : 320
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Book Description
Alain Silver deconstructs the key aspects of the Samurai film, from its focus on violence and death as a means of understanding life and the significance of swords and weaponry, to key elements and motifs such as hara-kiri, rebellion and nostalgia for Japan's feudal past.
Author: Patrick Galloway
Publisher: Stone Bridge Press, Inc.
ISBN: 9781880656938
Category : History
Languages : en
Pages : 235
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Book Description
The first popular survey of Japan's samurai film genre and its heroes.
Author: Joan Mellen
Publisher: Macmillan
ISBN: 085170915X
Category : Performing Arts
Languages : en
Pages : 86
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Book Description
A classic account of a masterpiece by an author who knew Kurosawa.
Author: David Desser
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
Author: Warner Brothers
Publisher: Liberty Street
ISBN: 9781931933636
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
Already slated as one of the top movies of 2003, "The Last Samurai," starring Tom Cruise, will be released nationally on December 5, 2003. This book contains parts of the script, exclusive stills from the movie, and interviews from the actors, actresses, and the director.
Author: Helen DeWitt
Publisher: New Directions Publishing
ISBN: 0811225518
Category : Fiction
Languages : en
Pages : 371
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Book Description
Called “remarkable” (The Wall Street Journal) and “an ambitious, colossal debut novel” (Publishers Weekly), Helen DeWitt’s The Last Samurai is back in print at last Helen DeWitt’s 2000 debut, The Last Samurai, was “destined to become a cult classic” (Miramax). The enterprising publisher sold the rights in twenty countries, so “Why not just, ‘destined to become a classic?’” (Garth Risk Hallberg) And why must cultists tell the uninitiated it has nothing to do with Tom Cruise? Sibylla, an American-at-Oxford turned loose on London, finds herself trapped as a single mother after a misguided one-night stand. High-minded principles of child-rearing work disastrously well. J. S. Mill (taught Greek at three) and Yo Yo Ma (Bach at two) claimed the methods would work with any child; when these succeed with the boy Ludo, he causes havoc at school and is home again in a month. (Is he a prodigy, a genius? Readers looking over Ludo’s shoulder find themselves easily reading Greek and more.) Lacking male role models for a fatherless boy, Sibylla turns to endless replays of Kurosawa’s masterpiece Seven Samurai. But Ludo is obsessed with the one thing he wants and doesn’t know: his father’s name. At eleven, inspired by his own take on the classic film, he sets out on a secret quest for the father he never knew. He’ll be punched, sliced, and threatened with retribution. He may not live to see twelve. Or he may find a real samurai and save a mother who thinks boredom a fate worse than death.
Author: Alain Silver
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
The image of a lone hero, marked by a violent past and bound by honor, has exerted an endless fascination on film audiences the world over, but nowhere more than in Japan, where Samurai films have gained legions of passionate followers. Popularized and perfected by one of the greatest auteurs in the history of cinema, Akira Kurosawa, the themes of the Samurai film have consistently crossed over into western films, with blockbuster success in recent years of Crouching Tiger, Hidden Dragon and The Last Samurai. Long regarded as one of the world's most astute film analysts, Alain Silver deconstructs the key aspects of this vital film genre, from its focus on violence and death as a means of understanding life and the significance of swords and weaponry to key elements and motifs, such as hara-kiri, rebellion, and nostalgia for Japan's feudal past. With comprehensive filmographies of the major directors and films, a survey of the history and myths of the Samurai, a glossary of Japanese terms, and with more than two hundred photos, The Samurai Film is the ultimate resource for one of world cinema's most influential and compelling genres.
Author: Mitsuhiro Yoshimoto
Publisher: Duke University Press
ISBN: 9780822325192
Category : History
Languages : en
Pages : 500
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Book Description
This work will become not only the newly definitive study of Kurosawa, but will redefine the field of Japanese cinema studies, particularly as the field exists in the west.
Author: Akira Kurosawa
Publisher:
ISBN: 9780571126279
Category :
Languages : en
Pages :
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Book Description
Author: Mark Ravina
Publisher: Wiley + ORM
ISBN: 1118045564
Category : History
Languages : en
Pages : 222
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Book Description
The dramatic arc of Saigo Takamori's life, from his humble origins as a lowly samurai, to national leadership, to his death as a rebel leader, has captivated generations of Japanese readers and now Americans as well - his life is the inspiration for a major Hollywood film, The Last Samurai, starring Tom Cruise and Ken Watanabe. In this vibrant new biography, Mark Ravina, professor of history and Director of East Asian Studies at Emory University, explores the facts behind Hollywood storytelling and Japanese legends, and explains the passion and poignancy of Saigo's life. Known both for his scholarly research and his appearances on The History Channel, Ravina recreates the world in which Saigo lived and died, the last days of the samurai. The Last Samurai traces Saigo's life from his early days as a tax clerk in far southwestern Japan, through his rise to national prominence as a fierce imperial loyalist. Saigo was twice exiled for his political activities -- sent to Japan's remote southwestern islands where he fully expected to die. But exile only increased his reputation for loyalty, and in 1864 he was brought back to the capital to help his lord fight for the restoration of the emperor. In 1868, Saigo commanded his lord's forces in the battles which toppled the shogunate and he became and leader in the emperor Meiji's new government. But Saigo found only anguish in national leadership. He understood the need for a modern conscript army but longed for the days of the traditional warrior. Saigo hoped to die in service to the emperor. In 1873, he sought appointment as envoy to Korea, where he planned to demand that the Korean king show deference to the Japanese emperor, drawing his sword, if necessary, top defend imperial honor. Denied this chance to show his courage and loyalty, he retreated to his homeland and spent his last years as a schoolteacher, training samurai boys in frugality, honesty, and courage. In 1876, when the government stripped samurai of their swords, Saigo's followers rose in rebellion and Saigo became their reluctant leader. His insurrection became the bloodiest war Japan had seen in centuries, killing over 12,000 men on both sides and nearly bankrupting the new imperial government. The imperial government denounced Saigo as a rebel and a traitor, but their propaganda could not overcome his fame and in 1889, twelve years after his death, the government relented, pardoned Saigo of all crimes, and posthumously restored him to imperial court rank. In THE LAST SAMURAI, Saigo is as compelling a character as Robert E. Lee was to Americans-a great and noble warrior who followed the dictates of honor and loyalty, even though it meant civil war in a country to which he'd devoted his life. Saigo's life is a fascinating look into Japanese feudal society and a history of a country as it struggled between its long traditions and the dictates of a modern future.
