The Salon Industry Business Artist PDF Download
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Author: Eric Charles Mokotoff
Publisher: Lulu.com
ISBN: 0557183510
Category : Business & Economics
Languages : en
Pages : 104
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Book Description
Repairing the relationship of salon owners and salon professionals. Tackling the common problems that prevent success for hairdressers and salon owners. Breaking the stereotypes that have a negative impact on the salon indsutry.
Author: Eric Charles Mokotoff
Publisher: Lulu.com
ISBN: 0557183510
Category : Business & Economics
Languages : en
Pages : 104
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Book Description
Repairing the relationship of salon owners and salon professionals. Tackling the common problems that prevent success for hairdressers and salon owners. Breaking the stereotypes that have a negative impact on the salon indsutry.
Author: Stephanie Henderson
Publisher: Nelson Thornes
ISBN: 9780748770823
Category : Business & Economics
Languages : en
Pages : 302
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Book Description
This edition of the best-selling coursebook for all hairdressing trainees at NVQ Level 2 has been fully revised to incorporate the changes to the Hairdressing NVQs. Each chapter covers a complete NVQ unit, providing all necessary knowledge and help with the essential preparation of portfolios. Key terms are highlighted to help with preparation for assessment. Using Basic Hairdressing together with salon practice is the proven route to achieving success at Level 2.
Author: Antoine Lilti
Publisher: Oxford University Press, USA
ISBN: 0199772347
Category : History
Languages : en
Pages : 345
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Book Description
The World of the Salons is a revisionist study of the French salon of the eighteenth century, arguing that it was a place governed by social hierarchy, not equality, connected to the world of the Court, and not the fount of the Enlightenment as has traditionally been believed.
Author: Amy Prendergast
Publisher: Springer
ISBN: 1137512717
Category : Literary Criticism
Languages : en
Pages : 347
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Book Description
The eighteenth-century salon played an important role in shaping literary culture, while both creating and sustaining transnational intellectual networks. Focusing on archival materials, this book is the first detailed examination of the literary salon in Ireland, considered in the wider contexts of contemporary salon culture in Britain and France.
Author: Sisley Huddleston
Publisher:
ISBN:
Category : Paris
Languages : en
Pages : 378
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Book Description
Author: Faith E. Beasley
Publisher: Routledge
ISBN: 1351902210
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
The first half of the book is a detailed study of how the salons influenced the development of literature. Beasley argues that many women were not only writers, they also served as critics for the literary sphere as a whole. In the second half of the book Beasley examines how historians and literary critics subsequently portrayed the seventeenth century literary realm, which became identified with the great reign of Louis XIV and designated the official canon of French literature. Beasley argues that in a rewriting of this past, the salons were reconfigured in order to advance an alternative view of this premier moment of French culture and of the literary masterpieces that developed out of it. Through her analysis of how the seventeenth century salon has been defined and transmitted to posterity, Beasley illuminates facets of France's collective memory, and the powers that constituted it in the past and that are still working to define it today.
Author: Heinrich Heine
Publisher:
ISBN:
Category :
Languages : en
Pages : 480
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Book Description
Author: Rebecca Cypess
Publisher: University of Chicago Press
ISBN: 022681792X
Category : Music
Languages : en
Pages : 388
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Book Description
A study of musical salons in Europe and North America between 1760 and 1800 and the salon hostesses who shaped their musical worlds. In eighteenth-century Europe and America, musical salons—and the women who hosted and made music in them—played a crucial role in shaping their cultural environments. Musical salons served as a testing ground for new styles, genres, and aesthetic ideals, and they acted as a mediating force, bringing together professional musicians and their audiences of patrons, listeners, and performers. For the salonnière, the musical salon offered a space between the public and private spheres that allowed her to exercise cultural agency. In this book, musicologist and historical keyboardist Rebecca Cypess offers a broad overview of musical salons between 1760 and 1800, placing the figure of the salonnière at its center. Cypess then presents a series of in-depth case studies that meet the salonnière on her own terms. Women such as Anne-Louise Brillon de Jouy in Paris, Marianna Martines in Vienna, Sara Levy in Berlin, Angelica Kauffman in Rome, and Elizabeth Graeme in Philadelphia come to life in multidimensional ways. Crucially, Cypess uses performance as a tool for research, and her interpretations draw on her experience with the instruments and performance practices used in eighteenth-century salons. In this accessible, interdisciplinary book, Cypess explores women’s agency and authorship, reason and sentiment, and the roles of performing, collecting, listening, and conversing in the formation of eighteenth-century musical life.
Author: Daniel Raposo
Publisher: Springer Nature
ISBN: 3031749758
Category :
Languages : en
Pages : 747
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Book Description
Author: Fae Brauer
Publisher: Cambridge Scholars Publishing
ISBN: 144386370X
Category : Art
Languages : en
Pages : 457
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Book Description
Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.
