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Author: Kerstin Majewski
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110785447
Category : History
Languages : en
Pages : 424
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Book Description
The Ruthwell Cross is one of the finest Anglo-Saxon high crosses that have come down to us. The longest epigraphic text in the Old English Runes Corpus is inscribed on two sides of the monument: it forms an alliterative poem, in which the Cross itself narrates the crucifixion episode. Parts of the inscription are irrevocably lost. This study establishes a historico-cultural context for the Ruthwell Cross’s texts and sculptures. It shows that The Ruthwell Crucifixion Poem is an integral part of a Christian artefact but also an independent text. Although its verses match closely with lines of The Dream of the Rood in the Vercelli Book, a comparative analysis gives new insight into their complex relationship. An annotated transliteration of the runes offers intriguing information for runologists. Detailed linguistic and metrical analyses finally yield a new reconstruction of the lost runes. All in all, this study takes a fresh look at the Ruthwell Cross and provides the first scholarly edition of the reconstructed Ruthwell Crucifixion Poem—one of the earliest religious poems of Anglo-Saxon England. It will be of interest to scholars and students of historical linguistics, medieval English literature and culture, art history, and archaeology.
Author: Kerstin Majewski
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110785447
Category : History
Languages : en
Pages : 424
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Book Description
The Ruthwell Cross is one of the finest Anglo-Saxon high crosses that have come down to us. The longest epigraphic text in the Old English Runes Corpus is inscribed on two sides of the monument: it forms an alliterative poem, in which the Cross itself narrates the crucifixion episode. Parts of the inscription are irrevocably lost. This study establishes a historico-cultural context for the Ruthwell Cross’s texts and sculptures. It shows that The Ruthwell Crucifixion Poem is an integral part of a Christian artefact but also an independent text. Although its verses match closely with lines of The Dream of the Rood in the Vercelli Book, a comparative analysis gives new insight into their complex relationship. An annotated transliteration of the runes offers intriguing information for runologists. Detailed linguistic and metrical analyses finally yield a new reconstruction of the lost runes. All in all, this study takes a fresh look at the Ruthwell Cross and provides the first scholarly edition of the reconstructed Ruthwell Crucifixion Poem—one of the earliest religious poems of Anglo-Saxon England. It will be of interest to scholars and students of historical linguistics, medieval English literature and culture, art history, and archaeology.
Author: Éamonn Ó Carragáin
Publisher: University of Toronto Press
ISBN: 9780802090089
Category : History
Languages : en
Pages : 492
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Book Description
In bringing together these scattered witnesses to the sustained brilliance of Anglo-Saxon artistic achievement across several centuries, ?amonn ? Carrag?in has produced a study of great significance to Anglo-Saxon history.
Author: Maidie Hilmo
Publisher: Routledge
ISBN: 1351918559
Category : Literary Criticism
Languages : en
Pages : 346
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Book Description
The function of images in the major illustrated English poetic works from the Anglo-Saxon period to the early fifteenth century is the primary concern of this book. Hilmo argues that the illustrations have not been sufficiently understood because modern judgments about their artistic merit and fidelity to the literary texts have got in the way of a historical understanding of their function. The author here proves that artists took their work seriously because images represented an invisible order of reality, that they were familiar with the vernacular poems, and that they were innovative in adapting existing iconographies to guide the ethical reading process of their audience. To provide a theoretical basis for the understanding of early monuments, artefacts, and texts, she examines patristic opinions on image-making, supported by the most authoritative modern sources. Fresh emphasis is given to the iconic nature of medieval images from the time of the iconoclastic debates of the 8th and 9th centuries to the renewed anxiety of image-making at the time of the Lollard attacks on images. She offers an important revision of the reading of the Ruthwell Cross, which changes radically the interpretation of the Cross as a whole. Among the manuscripts examined here are the Caedmon, Auchinleck, Vernon, and Pearl manuscripts. Hilmo's thesis is not confined to overtly religious texts and images, but deals also with historical writing, such as Layamon's Brut, and with poetry designed ostensibly for entertainment, such as the Canterbury Tales. This study convincingly demonstrates how the visual and the verbal interactively manifest the real "text" of each illustrated literary work. The artistic elements place vernacular works within a larger iconographic framework in which human composition is seen to relate to the activities of the divine Author and Artificer.Whether iconic or anti-iconic in stance, images, by their nature, were a potent means of influencing the way an English author's words, accessible in the vernacular, were thought about and understood within the context of the theology of the Incarnation that informed them and governed their aesthetic of spiritual function. This is the first study to cover the range of illustrated English poems from the Anglo-Saxon period to the early 15th century.
Author:
Publisher:
ISBN:
Category : Inscriptions, English (Old)
Languages : en
Pages : 72
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Book Description
Author: Brendan Cassidy
Publisher: Princeton Univ Department of Art &
ISBN: 9780691000381
Category : Art
Languages : en
Pages : 205
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Book Description
The Ruthwell Cross, a late seventh-or eighth-century high cross in the kirk at Ruthwell in the Scottish Borders, is one of the most intriguing examples of sculpture to survive from the early Middle Ages. With its Latin inscriptions, a Runic poem related to the "Dream of the Rood," and an extensive program of finely carved images, the cross has long attracted the interest of scholars from a variety of disciplines. Bringing together papers delivered at a conference sponsored by the Index of Christian Art in Princeton in 1990, this illustrated volume addresses some of the most debated issues surrounding this major literary and artistic monument of Anglo-Saxon culture. The volume begins with an introduction to the historiography of the cross by Brendan Cassidy. Robert T. Farrell discusses the fate of the cross from the seventeenth century, its current state of preservation, and its reconstruction; David Howlett uncovers patterns of significance in the Latin and Runic inscriptions; Douglas MacLean suggests the most likely date for the cross on the basis of contemporary historical events; Paul Meyvaert addresses the message of the iconographic program in the light of the theology and religious beliefs of the time. The volume also contains an extensive bibliography and the complete series of sixteenth-to nineteenth-century drawings and engravings of the entire cross and of its parts.
Author: Catherine E. Karkov
Publisher: Boydell Press
ISBN: 9781843831945
Category : Art
Languages : en
Pages : 198
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Book Description
The cross pervaded the whole of Anglo-Saxon culture, in art, in sculpture, in religion, in medicine. These new essays explore its importance and significance.
Author: Alastair J. Minnis
Publisher: Brepols Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 608
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Book Description
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. From dark corners of brilliant minds come the best mysteries and thrillers of our time. This book focuses on the detective fiction of Georges Simenon. Project Webster represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Project Webster continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge.
Author: Pauline E. Head
Publisher: SUNY Press
ISBN: 9780791432037
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Examines Old English poetry from the point of view of its interpretation, drawing on Anglo-Saxon pictorial art as a model for the interaction of representation and design.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 688
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Book Description
Author: Jennifer O'Reilly
Publisher: Routledge
ISBN: 100000872X
Category : History
Languages : en
Pages : 411
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Book Description
When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis. This volume brings together seventeen essays, published between 1984 and 2013, on the interplay of texts and images in medieval art. Most focus on the manuscript art of early medieval Ireland and England. The first section includes four studies of the Codex Amiatinus, produced in Northumbria in the monastic community of Bede. The second section contains seven essays on the iconography and text of the Book of Kells. In the third section there are five studies of Anglo-Saxon Art, examined in the context of the Benedictine Reform. A concluding essay, on the medieval iconography of the two trees in Eden, traces the development of a motif from Late Antiquity to the end of the Middle Ages.(CS1080)
