Author: Andre von Gronicka
Publisher: University of Pennsylvania Press
ISBN: 1512808237
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
The University of Pennsylvania Press is pleased to reissue in two volumes von Gronicka's study. The first volume discusses the early Russian reaction to Goethe and his work and his effect on Zhukovski (Goethe's translator and interpreter), Pushkin, Lermontov, the Pushkin Pleiade and the Decembrists, the Russian Romanticists, and the Westerners (Stankevich, Belinksi, and Herzen).
The Russian Image of Goethe, Volume 1
Author: Andre von Gronicka
Publisher: University of Pennsylvania Press
ISBN: 1512808237
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
The University of Pennsylvania Press is pleased to reissue in two volumes von Gronicka's study. The first volume discusses the early Russian reaction to Goethe and his work and his effect on Zhukovski (Goethe's translator and interpreter), Pushkin, Lermontov, the Pushkin Pleiade and the Decembrists, the Russian Romanticists, and the Westerners (Stankevich, Belinksi, and Herzen).
Publisher: University of Pennsylvania Press
ISBN: 1512808237
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
The University of Pennsylvania Press is pleased to reissue in two volumes von Gronicka's study. The first volume discusses the early Russian reaction to Goethe and his work and his effect on Zhukovski (Goethe's translator and interpreter), Pushkin, Lermontov, the Pushkin Pleiade and the Decembrists, the Russian Romanticists, and the Westerners (Stankevich, Belinksi, and Herzen).
The Russian Image of Goethe, Volume 2
Author: Andre von Gronicka
Publisher: University of Pennsylvania Press
ISBN: 1512808245
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
The two volumes of The Russian Image of Goethe constitute the only study in a Western language on Goethe's reception in Russia. Volume II is a seamless continuation of the earlier book, covering the second half of the nineteenth century and the first two decades of the twentieth. Von Gronicka examines the attitudes toward Goethe and his work of, among others, Turgenev, Dostoevski, Tolstoi, and the Russian symbolists. He draws on the Russian writers' diaries, letters, and essays, quoting from them extensively in faithful translation or felicitous paraphrase. In developing The Russian image of Goethe, von Gronicka traces the course of Russian literature in the nineteenth and early twentieth centuries and provides not only a clear idea of how Russian writers viewed Goethe, but an excellent introduction to that literature. Both volumes of The Russian Image of Goethe are of interest to scholars of Russian, German, and comparative literature.
Publisher: University of Pennsylvania Press
ISBN: 1512808245
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
The two volumes of The Russian Image of Goethe constitute the only study in a Western language on Goethe's reception in Russia. Volume II is a seamless continuation of the earlier book, covering the second half of the nineteenth century and the first two decades of the twentieth. Von Gronicka examines the attitudes toward Goethe and his work of, among others, Turgenev, Dostoevski, Tolstoi, and the Russian symbolists. He draws on the Russian writers' diaries, letters, and essays, quoting from them extensively in faithful translation or felicitous paraphrase. In developing The Russian image of Goethe, von Gronicka traces the course of Russian literature in the nineteenth and early twentieth centuries and provides not only a clear idea of how Russian writers viewed Goethe, but an excellent introduction to that literature. Both volumes of The Russian Image of Goethe are of interest to scholars of Russian, German, and comparative literature.
The Russian Image of Goethe: Goethe in Russian literature of the second half of the nineteenth century
Author: André Von Gronicka
Publisher: University of Pennsylvania Press Anniversary Collection
ISBN:
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
The two volumes of The Russian Image of Goethe constitute the only study in a Western language on Goethe's reception in Russia. Volume II is a seamless continuation of the earlier book, covering the second half of the nineteenth century and the first two decades of the twentieth. Von Gronicka examines the attitudes toward Goethe and his work of, among others, Turgenev, Dostoevski, Tolstoi, and the Russian symbolists. He draws on the Russian writers' diaries, letters, and essays, quoting from them extensively in faithful translation or felicitous paraphrase. In developing The Russian image of Goethe, von Gronicka traces the course of Russian literature in the nineteenth and early twentieth centuries and provides not only a clear idea of how Russian writers viewed Goethe, but an excellent introduction to that literature. Both volumes of The Russian Image of Goethe are of interest to scholars of Russian, German, and comparative literature.
Publisher: University of Pennsylvania Press Anniversary Collection
ISBN:
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
The two volumes of The Russian Image of Goethe constitute the only study in a Western language on Goethe's reception in Russia. Volume II is a seamless continuation of the earlier book, covering the second half of the nineteenth century and the first two decades of the twentieth. Von Gronicka examines the attitudes toward Goethe and his work of, among others, Turgenev, Dostoevski, Tolstoi, and the Russian symbolists. He draws on the Russian writers' diaries, letters, and essays, quoting from them extensively in faithful translation or felicitous paraphrase. In developing The Russian image of Goethe, von Gronicka traces the course of Russian literature in the nineteenth and early twentieth centuries and provides not only a clear idea of how Russian writers viewed Goethe, but an excellent introduction to that literature. Both volumes of The Russian Image of Goethe are of interest to scholars of Russian, German, and comparative literature.
The Imperial Russian Project
Author: Alfred J. Rieber
Publisher: University of Toronto Press
ISBN: 1487511213
Category : History
Languages : en
Pages : 524
Book Description
A pioneer in the field of Russian and Soviet studies in the West, Alfred J. Rieber’s five decade career has focused on increasing our understanding of the Russian Empire from Peter the Great to the coming of the First World War. The Imperial Russian Project is a collection of Rieber’s lifetime of work, focusing on three interconnected themes of this time period: the role of reform in the process of state building, the interaction of state and social movements, and alternative visions of economic development. This volume contains Rieber’s previously published, classic essays, edited and updated, as well as newly written works that together provide a well-integrated framework for reflection on this topic. Rieber argues that Russia’s style of autocratic governance not only reflected the personalities of the rulers but also the challenges of overcoming economic backwardness in a society lacking common citizenship and a cohesive ruling class. The Imperial Russian Project reveals how during the nineteenth century the tsar was obliged to operate within a changing and more complex world, reducing his options and restricting his freedom of action.
Publisher: University of Toronto Press
ISBN: 1487511213
Category : History
Languages : en
Pages : 524
Book Description
A pioneer in the field of Russian and Soviet studies in the West, Alfred J. Rieber’s five decade career has focused on increasing our understanding of the Russian Empire from Peter the Great to the coming of the First World War. The Imperial Russian Project is a collection of Rieber’s lifetime of work, focusing on three interconnected themes of this time period: the role of reform in the process of state building, the interaction of state and social movements, and alternative visions of economic development. This volume contains Rieber’s previously published, classic essays, edited and updated, as well as newly written works that together provide a well-integrated framework for reflection on this topic. Rieber argues that Russia’s style of autocratic governance not only reflected the personalities of the rulers but also the challenges of overcoming economic backwardness in a society lacking common citizenship and a cohesive ruling class. The Imperial Russian Project reveals how during the nineteenth century the tsar was obliged to operate within a changing and more complex world, reducing his options and restricting his freedom of action.
A Writer's Diary Volume 1
Author: Fyodor Dostoevsky
Publisher: Northwestern University Press
ISBN: 0810115166
Category : Biography & Autobiography
Languages : en
Pages : 821
Book Description
Winner of the AATSEEL Outstanding Translation Award This is the first paperback edition of the complete collection of writings that has been called Dostoevsky's boldest experiment with literary form; it is a uniquely encyclopedic forum of fictional and nonfictional genres. The Diary's radical format was matched by the extreme range of its contents. In a single frame it incorporated an astonishing variety of material: short stories; humorous sketches; reports on sensational crimes; historical predictions; portraits of famous people; autobiographical pieces; and plans for stories, some of which were never written while others appeared in the Diary itself.
Publisher: Northwestern University Press
ISBN: 0810115166
Category : Biography & Autobiography
Languages : en
Pages : 821
Book Description
Winner of the AATSEEL Outstanding Translation Award This is the first paperback edition of the complete collection of writings that has been called Dostoevsky's boldest experiment with literary form; it is a uniquely encyclopedic forum of fictional and nonfictional genres. The Diary's radical format was matched by the extreme range of its contents. In a single frame it incorporated an astonishing variety of material: short stories; humorous sketches; reports on sensational crimes; historical predictions; portraits of famous people; autobiographical pieces; and plans for stories, some of which were never written while others appeared in the Diary itself.
One Hundred Years of Masochism
Author:
Publisher: BRILL
ISBN: 9004502939
Category : Social Science
Languages : en
Pages : 227
Book Description
Just over a century has passed since the sexologist Richard von Krafft-Ebing coined the term “masochism” in a revised edition of his Psychopathia Sexualis (1890). Put into circulation as part of the fin-de-siècle process through which sexuality and sexual practices considered deviant became medicalized, this suspicious concept grew in significance and explanatory power in the expanding new context of psychoanalytic discourse. Today the study of masochism shows signs of becoming a discipline in its own right, the political, social, and cultural ramifications of which exceed and, indeed, render problematic, traditional psychoanalytic perspectives on the phenomenon. The essays in this volume demonstrate, however, that the concept of masochism still offers a point of entry into psychoanalytic theory that, while revealing a number of its most vexing insufficiencies and problematic constructions, evokes also a sometimes surprising illuminative potential and capacity to adapt to changing social realities. And as the volume's title is meant to suggest, the authors represented here tend to agree that the continued rich viability of psychoanalytic theory in cultural analysis is best appreciated and ensured through engaging the theory's own social-historical and cultural contexts. The volume includes clinical perspectives on masochism, and articles on medieval romance, Goethe, Sacher-Masoch, Krafft-Ebing's Psychopathia Sexualis, Turgenev, Tolstoy, Multatuli, Fassbinder, and masochism and postmodernism.
Publisher: BRILL
ISBN: 9004502939
Category : Social Science
Languages : en
Pages : 227
Book Description
Just over a century has passed since the sexologist Richard von Krafft-Ebing coined the term “masochism” in a revised edition of his Psychopathia Sexualis (1890). Put into circulation as part of the fin-de-siècle process through which sexuality and sexual practices considered deviant became medicalized, this suspicious concept grew in significance and explanatory power in the expanding new context of psychoanalytic discourse. Today the study of masochism shows signs of becoming a discipline in its own right, the political, social, and cultural ramifications of which exceed and, indeed, render problematic, traditional psychoanalytic perspectives on the phenomenon. The essays in this volume demonstrate, however, that the concept of masochism still offers a point of entry into psychoanalytic theory that, while revealing a number of its most vexing insufficiencies and problematic constructions, evokes also a sometimes surprising illuminative potential and capacity to adapt to changing social realities. And as the volume's title is meant to suggest, the authors represented here tend to agree that the continued rich viability of psychoanalytic theory in cultural analysis is best appreciated and ensured through engaging the theory's own social-historical and cultural contexts. The volume includes clinical perspectives on masochism, and articles on medieval romance, Goethe, Sacher-Masoch, Krafft-Ebing's Psychopathia Sexualis, Turgenev, Tolstoy, Multatuli, Fassbinder, and masochism and postmodernism.
The Ultimate Book Club: 180 Books You Should Read (Vol.1)
Author: Jules Verne
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 19145
Book Description
This summer, during these strange strange times, immerse yourself in words that have touched all of us and will always get to the core of all of us, of every single person. Books that have made us think, change, relate, cry and laugh: Leaves of Grass (Walt Whitman) Siddhartha (Herman Hesse) Middlemarch (George Eliot) The Madman (Kahlil Gibran) Ward No. 6 (Anton Chekhov) Moby-Dick (Herman Melville) The Picture of Dorian Gray (Oscar Wilde) Crime and Punishment (Dostoevsky) The Overcoat (Gogol) Ulysses (James Joyce) Walden (Henry David Thoreau) Hamlet (Shakespeare) Romeo and Juliet (Shakespeare) Macbeth (Shakespeare) The Waste Land (T. S. Eliot) Odes (John Keats) The Flowers of Evil (Charles Baudelaire) Pride and Prejudice (Jane Austen) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) Anna Karenina (Leo Tolstoy) Vanity Fair (Thackeray) Swann's Way (Marcel Proust) Sons and Lovers (D. H. Lawrence) Great Expectations (Charles Dickens) Little Women (Louisa May Alcott) Jude the Obscure (Thomas Hardy) Two Years in the Forbidden City (Princess Der Ling) Les Misérables (Victor Hugo) The Count of Monte Cristo (Alexandre Dumas) Pepita Jimenez (Juan Valera) The Red Badge of Courage (Stephen Crane) A Room with a View (E. M. Forster) Sister Carrie (Theodore Dreiser) The Jungle (Upton Sinclair) The Republic (Plato) Meditations (Marcus Aurelius) Art of War (Sun Tzu) Candide (Voltaire) Don Quixote (Cervantes) Decameron (Boccaccio) Narrative of the Life of Frederick Douglass Dream Psychology (Sigmund Freud) The Einstein Theory of Relativity The Mysterious Affair at Styles (Agatha Christie) A Study in Scarlet (Arthur Conan Doyle) Heart of Darkness (Joseph Conrad) The Call of Cthulhu (H. P. Lovecraft) Frankenstein (Mary Shelley) The War of the Worlds (H. G. Wells) The Raven (Edgar Allan Poe) The Sun Also Rises (Ernest Hemingway) The Wonderful Wizard of Oz The Adventures of Huckleberry Finn The Call of the Wild Alice in Wonderland The Fairytales of Brothers Grimm The Fairytales of Hans Christian Andersen
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 19145
Book Description
This summer, during these strange strange times, immerse yourself in words that have touched all of us and will always get to the core of all of us, of every single person. Books that have made us think, change, relate, cry and laugh: Leaves of Grass (Walt Whitman) Siddhartha (Herman Hesse) Middlemarch (George Eliot) The Madman (Kahlil Gibran) Ward No. 6 (Anton Chekhov) Moby-Dick (Herman Melville) The Picture of Dorian Gray (Oscar Wilde) Crime and Punishment (Dostoevsky) The Overcoat (Gogol) Ulysses (James Joyce) Walden (Henry David Thoreau) Hamlet (Shakespeare) Romeo and Juliet (Shakespeare) Macbeth (Shakespeare) The Waste Land (T. S. Eliot) Odes (John Keats) The Flowers of Evil (Charles Baudelaire) Pride and Prejudice (Jane Austen) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) Anna Karenina (Leo Tolstoy) Vanity Fair (Thackeray) Swann's Way (Marcel Proust) Sons and Lovers (D. H. Lawrence) Great Expectations (Charles Dickens) Little Women (Louisa May Alcott) Jude the Obscure (Thomas Hardy) Two Years in the Forbidden City (Princess Der Ling) Les Misérables (Victor Hugo) The Count of Monte Cristo (Alexandre Dumas) Pepita Jimenez (Juan Valera) The Red Badge of Courage (Stephen Crane) A Room with a View (E. M. Forster) Sister Carrie (Theodore Dreiser) The Jungle (Upton Sinclair) The Republic (Plato) Meditations (Marcus Aurelius) Art of War (Sun Tzu) Candide (Voltaire) Don Quixote (Cervantes) Decameron (Boccaccio) Narrative of the Life of Frederick Douglass Dream Psychology (Sigmund Freud) The Einstein Theory of Relativity The Mysterious Affair at Styles (Agatha Christie) A Study in Scarlet (Arthur Conan Doyle) Heart of Darkness (Joseph Conrad) The Call of Cthulhu (H. P. Lovecraft) Frankenstein (Mary Shelley) The War of the Worlds (H. G. Wells) The Raven (Edgar Allan Poe) The Sun Also Rises (Ernest Hemingway) The Wonderful Wizard of Oz The Adventures of Huckleberry Finn The Call of the Wild Alice in Wonderland The Fairytales of Brothers Grimm The Fairytales of Hans Christian Andersen
Nikolay Myaskovsky
Author: Gregor Tassie
Publisher: Rowman & Littlefield
ISBN: 1442231335
Category : Biography & Autobiography
Languages : en
Pages : 439
Book Description
Gregor Tassie describes Nikolay Myaskovsky as “one of the great enigmas of 20th-century Russian music.” Between the two world wars, the symphonies of Myaskovsky enjoyed great popularity and were performed by all major American and European orchestras; they were some of the most inspiring symphonic works of the last hundred years and prolonged the symphonic genre. But accusations of “formalism” at the 1948 USSR Composers Congress resulted in the purposeful neglect of his music until the collapse of the Soviet Union. Myaskovsky wrote some of the most inspiring symphonic works of the last hundred years and prolonged and extended the symphonic genre. In Nikolay Myaskovsky: The Conscience of Russian Music, Tassie gives readers the first modern English-language biography of this Russian composer since his death in 1950. Tassie draws together information from the composer’s diaries and letters, as well as the memoirs of friends and colleagues—even his secret police files—to chronicle Myaskovsky’s early life, subsequent far-reaching influence as a composer, teacher, and journalist, and his final persecution by the Soviet government. This biography will surely rekindle interest in Myaskovsky’s remarkable body of work and will interest aficionados, students, and scholars of the modern classical music tradition and history of the arts in Russia.
Publisher: Rowman & Littlefield
ISBN: 1442231335
Category : Biography & Autobiography
Languages : en
Pages : 439
Book Description
Gregor Tassie describes Nikolay Myaskovsky as “one of the great enigmas of 20th-century Russian music.” Between the two world wars, the symphonies of Myaskovsky enjoyed great popularity and were performed by all major American and European orchestras; they were some of the most inspiring symphonic works of the last hundred years and prolonged the symphonic genre. But accusations of “formalism” at the 1948 USSR Composers Congress resulted in the purposeful neglect of his music until the collapse of the Soviet Union. Myaskovsky wrote some of the most inspiring symphonic works of the last hundred years and prolonged and extended the symphonic genre. In Nikolay Myaskovsky: The Conscience of Russian Music, Tassie gives readers the first modern English-language biography of this Russian composer since his death in 1950. Tassie draws together information from the composer’s diaries and letters, as well as the memoirs of friends and colleagues—even his secret police files—to chronicle Myaskovsky’s early life, subsequent far-reaching influence as a composer, teacher, and journalist, and his final persecution by the Soviet government. This biography will surely rekindle interest in Myaskovsky’s remarkable body of work and will interest aficionados, students, and scholars of the modern classical music tradition and history of the arts in Russia.
How Divine Images Became Art
Author: Oleg Tarasov
Publisher: Open Book Publishers
ISBN: 1805111612
Category : Art
Languages : en
Pages : 171
Book Description
How Divine Images Became Art tells the story of the parallel ‘discovery’ of Russian medieval art and of the Italian ‘primitives’ at the beginning of the twentieth century. While these two developments are well-known, they are usually studied in isolation. Tarasov’s study has the great merit of showing the connection between the art world in Russia and the West, and its impact in the cultural history of the continent in the pre-war period. Drawing on a profound familiarity with Russian sources, some of which are little known to Western scholars, and on equally expert knowledge of Western material and scholarship, Oleg Tarasov presents a fresh perspective on early twentieth-century Russian and Western art. The author demonstrates that during the Belle Époque, the interest in medieval Russian icons and Italian ‘primitives’ lead to the recognition of both as distinctive art forms conveying a powerful spiritual message. Formalist art theory and its influence on art collecting played a major role in this recognition of aesthetic and moral value of ‘primitive’ paintings, and was instrumental in reshaping the perception of divine images as artworks. Ultimately, this monograph represents a significant contribution to our understanding of early twentieth-century art; it will be of interest to art scholars, students and anyone interested in the spiritual and aesthetic revival of religious paintings in the Belle Époque.
Publisher: Open Book Publishers
ISBN: 1805111612
Category : Art
Languages : en
Pages : 171
Book Description
How Divine Images Became Art tells the story of the parallel ‘discovery’ of Russian medieval art and of the Italian ‘primitives’ at the beginning of the twentieth century. While these two developments are well-known, they are usually studied in isolation. Tarasov’s study has the great merit of showing the connection between the art world in Russia and the West, and its impact in the cultural history of the continent in the pre-war period. Drawing on a profound familiarity with Russian sources, some of which are little known to Western scholars, and on equally expert knowledge of Western material and scholarship, Oleg Tarasov presents a fresh perspective on early twentieth-century Russian and Western art. The author demonstrates that during the Belle Époque, the interest in medieval Russian icons and Italian ‘primitives’ lead to the recognition of both as distinctive art forms conveying a powerful spiritual message. Formalist art theory and its influence on art collecting played a major role in this recognition of aesthetic and moral value of ‘primitive’ paintings, and was instrumental in reshaping the perception of divine images as artworks. Ultimately, this monograph represents a significant contribution to our understanding of early twentieth-century art; it will be of interest to art scholars, students and anyone interested in the spiritual and aesthetic revival of religious paintings in the Belle Époque.
Edition
Author:
Publisher:
ISBN:
Category : Booksellers and bookselling
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category : Booksellers and bookselling
Languages : en
Pages : 200
Book Description