Author: Simon Morrison
Publisher: Liveright Publishing
ISBN: 0871408309
Category : Performing Arts
Languages : en
Pages : 391
Book Description
In this “incredibly rich” (New York Times) definitive history of the Bolshoi Ballet, visionary performances onstage compete with political machinations backstage. A critical triumph, Simon Morrison’s “sweeping and authoritative” (Guardian) work, Bolshoi Confidential, details the Bolshoi Ballet’s magnificent history from its earliest tumults to recent scandals. On January 17, 2013, a hooded assailant hurled acid into the face of the artistic director, making international headlines. A lead soloist, enraged by institutional power struggles, later confessed to masterminding the crime. Morrison gives the shocking violence context, describing the ballet as a crucible of art and politics beginning with the disreputable inception of the theater in 1776, through the era of imperial rule, the chaos of revolution, the oppressive Soviet years, and the Bolshoi’s recent $680 million renovation. With vibrant detail including “sex scandals, double-suicide pacts, bribery, arson, executions, prostitution rings, embezzlement, starving orphans, [and] dead cats in lieu of flowers” (New Republic), Morrison makes clear that the history of the Bolshoi Ballet mirrors that of Russia itself.
Bolshoi Confidential: Secrets of the Russian Ballet from the Rule of the Tsars to Today
Author: Simon Morrison
Publisher: Liveright Publishing
ISBN: 0871408309
Category : Performing Arts
Languages : en
Pages : 391
Book Description
In this “incredibly rich” (New York Times) definitive history of the Bolshoi Ballet, visionary performances onstage compete with political machinations backstage. A critical triumph, Simon Morrison’s “sweeping and authoritative” (Guardian) work, Bolshoi Confidential, details the Bolshoi Ballet’s magnificent history from its earliest tumults to recent scandals. On January 17, 2013, a hooded assailant hurled acid into the face of the artistic director, making international headlines. A lead soloist, enraged by institutional power struggles, later confessed to masterminding the crime. Morrison gives the shocking violence context, describing the ballet as a crucible of art and politics beginning with the disreputable inception of the theater in 1776, through the era of imperial rule, the chaos of revolution, the oppressive Soviet years, and the Bolshoi’s recent $680 million renovation. With vibrant detail including “sex scandals, double-suicide pacts, bribery, arson, executions, prostitution rings, embezzlement, starving orphans, [and] dead cats in lieu of flowers” (New Republic), Morrison makes clear that the history of the Bolshoi Ballet mirrors that of Russia itself.
Publisher: Liveright Publishing
ISBN: 0871408309
Category : Performing Arts
Languages : en
Pages : 391
Book Description
In this “incredibly rich” (New York Times) definitive history of the Bolshoi Ballet, visionary performances onstage compete with political machinations backstage. A critical triumph, Simon Morrison’s “sweeping and authoritative” (Guardian) work, Bolshoi Confidential, details the Bolshoi Ballet’s magnificent history from its earliest tumults to recent scandals. On January 17, 2013, a hooded assailant hurled acid into the face of the artistic director, making international headlines. A lead soloist, enraged by institutional power struggles, later confessed to masterminding the crime. Morrison gives the shocking violence context, describing the ballet as a crucible of art and politics beginning with the disreputable inception of the theater in 1776, through the era of imperial rule, the chaos of revolution, the oppressive Soviet years, and the Bolshoi’s recent $680 million renovation. With vibrant detail including “sex scandals, double-suicide pacts, bribery, arson, executions, prostitution rings, embezzlement, starving orphans, [and] dead cats in lieu of flowers” (New Republic), Morrison makes clear that the history of the Bolshoi Ballet mirrors that of Russia itself.
The Russian Ballet
Author: A. E. Johnson
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 186
Book Description
This book is intended to be an introduction to the layperson of the Russian ballet scene of 1913, and the history behind such developments. It includes an overview of Vaslav Nijinsky's contributions to the art form, a Polish ballet dancer and choreographer cited as the greatest male dancer of the early 20th century.
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 186
Book Description
This book is intended to be an introduction to the layperson of the Russian ballet scene of 1913, and the history behind such developments. It includes an overview of Vaslav Nijinsky's contributions to the art form, a Polish ballet dancer and choreographer cited as the greatest male dancer of the early 20th century.
Basic Principles of Classical Ballet
Author: Agrippina Vaganova
Publisher: Courier Corporation
ISBN: 0486121054
Category : Performing Arts
Languages : en
Pages : 203
Book Description
Discusses all basic principles of ballet, grouping movement by fundamental types. Diagrams show clearly the exact foot, leg, arm, and body positions for the proper execution of many steps and movements. 118 illustrations.
Publisher: Courier Corporation
ISBN: 0486121054
Category : Performing Arts
Languages : en
Pages : 203
Book Description
Discusses all basic principles of ballet, grouping movement by fundamental types. Diagrams show clearly the exact foot, leg, arm, and body positions for the proper execution of many steps and movements. 118 illustrations.
The Russian Ballet
Author: Ellen Terry
Publisher: Library of Alexandria
ISBN: 1465602062
Category : Fiction
Languages : en
Pages : 73
Book Description
Publisher: Library of Alexandria
ISBN: 1465602062
Category : Fiction
Languages : en
Pages : 73
Book Description
The great history of Russian ballet
Author: Evdokia Belova
Publisher: Parkstone International
ISBN: 1646999630
Category : Performing Arts
Languages : en
Pages : 439
Book Description
Although the techniques of classical ballets were invented by French and Italian masters two hundred years ago, the Russian Ballet refined these techniques, thus enhancing its already superb performances. This book uncovers the Great History of Russian Ballet, its art and choreography.
Publisher: Parkstone International
ISBN: 1646999630
Category : Performing Arts
Languages : en
Pages : 439
Book Description
Although the techniques of classical ballets were invented by French and Italian masters two hundred years ago, the Russian Ballet refined these techniques, thus enhancing its already superb performances. This book uncovers the Great History of Russian Ballet, its art and choreography.
The Master of the Russian Ballet (the Memoirs of Cav. Enrico Cecchetti)
Author: Olga Racster
Publisher: London : Hutchinson & Company
ISBN:
Category : Ballet
Languages : en
Pages : 346
Book Description
Publisher: London : Hutchinson & Company
ISBN:
Category : Ballet
Languages : en
Pages : 346
Book Description
The Russian Ballet
Author: Aleksandr Demidov
Publisher: A & C Black
ISBN:
Category : Performing Arts
Languages : en
Pages : 264
Book Description
Publisher: A & C Black
ISBN:
Category : Performing Arts
Languages : en
Pages : 264
Book Description
A Century of Russian Ballet
Author:
Publisher: Dance Books Limited
ISBN:
Category : Performing Arts
Languages : en
Pages : 472
Book Description
Ballet.
Publisher: Dance Books Limited
ISBN:
Category : Performing Arts
Languages : en
Pages : 472
Book Description
Ballet.
Ballet in the Cold War
Author: Anne Searcy
Publisher:
ISBN: 0190945109
Category : History
Languages : en
Pages : 199
Book Description
This book tells the full story of the earliest Soviet-American ballet exchanges, in which the governments of the USSR and the United States sent their most prestigious ballet companies on tours to the other country. Author Anne Searcy draws on Soviet- and American- archival sources and shows the spectacular misunderstandings that happened when audiences trained to view one type of ballet saw a very different style.
Publisher:
ISBN: 0190945109
Category : History
Languages : en
Pages : 199
Book Description
This book tells the full story of the earliest Soviet-American ballet exchanges, in which the governments of the USSR and the United States sent their most prestigious ballet companies on tours to the other country. Author Anne Searcy draws on Soviet- and American- archival sources and shows the spectacular misunderstandings that happened when audiences trained to view one type of ballet saw a very different style.
Swans of the Kremlin
Author: Christina Ezrahi
Publisher: University of Pittsburgh Pre
ISBN: 0822978075
Category : History
Languages : en
Pages : 338
Book Description
Classical ballet was perhaps the most visible symbol of aristocratic culture and its isolation from the rest of Russian society under the tsars. In the wake of the October Revolution, ballet, like all of the arts, fell under the auspices of the Soviet authorities. In light of these events, many feared that the imperial ballet troupes would be disbanded. Instead, the Soviets attempted to mold the former imperial ballet to suit their revolutionary cultural agenda and employ it to reeducate the masses. As Christina Ezrahi's groundbreaking study reveals, they were far from successful in this ambitious effort to gain complete control over art. Swans of the Kremlin offers a fascinating glimpse at the collision of art and politics during the volatile first fifty years of the Soviet period. Ezrahi shows how the producers and performers of Russia's two major troupes, the Mariinsky (later Kirov) and the Bolshoi, quietly but effectively resisted Soviet cultural hegemony during this period. Despite all controls put on them, they managed to maintain the classical forms and traditions of their rich artistic past and to further develop their art form. These aesthetic and professional standards proved to be the power behind the ballet's worldwide appeal. The troupes soon became the showpiece of Soviet cultural achievement, as they captivated Western audiences during the Cold War period. Based on her extensive research into official archives, and personal interviews with many of the artists and staff, Ezrahi presents the first-ever account of the inner workings of these famed ballet troupes during the Soviet era. She follows their struggles in the postrevolutionary period, their peak during the golden age of the 1950s and 1960s, and concludes with their monumental productions staged to celebrate the fiftieth anniversary of the revolution in 1968.
Publisher: University of Pittsburgh Pre
ISBN: 0822978075
Category : History
Languages : en
Pages : 338
Book Description
Classical ballet was perhaps the most visible symbol of aristocratic culture and its isolation from the rest of Russian society under the tsars. In the wake of the October Revolution, ballet, like all of the arts, fell under the auspices of the Soviet authorities. In light of these events, many feared that the imperial ballet troupes would be disbanded. Instead, the Soviets attempted to mold the former imperial ballet to suit their revolutionary cultural agenda and employ it to reeducate the masses. As Christina Ezrahi's groundbreaking study reveals, they were far from successful in this ambitious effort to gain complete control over art. Swans of the Kremlin offers a fascinating glimpse at the collision of art and politics during the volatile first fifty years of the Soviet period. Ezrahi shows how the producers and performers of Russia's two major troupes, the Mariinsky (later Kirov) and the Bolshoi, quietly but effectively resisted Soviet cultural hegemony during this period. Despite all controls put on them, they managed to maintain the classical forms and traditions of their rich artistic past and to further develop their art form. These aesthetic and professional standards proved to be the power behind the ballet's worldwide appeal. The troupes soon became the showpiece of Soviet cultural achievement, as they captivated Western audiences during the Cold War period. Based on her extensive research into official archives, and personal interviews with many of the artists and staff, Ezrahi presents the first-ever account of the inner workings of these famed ballet troupes during the Soviet era. She follows their struggles in the postrevolutionary period, their peak during the golden age of the 1950s and 1960s, and concludes with their monumental productions staged to celebrate the fiftieth anniversary of the revolution in 1968.