The Runenberg PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Runenberg PDF full book. Access full book title The Runenberg by Ludwig Tieck. Download full books in PDF and EPUB format.
Author: Ludwig Tieck
Publisher: DigiCat
ISBN:
Category : Nature
Languages : en
Pages : 32
Get Book Here
Book Description
"The Runenberg" is a fascinating fairy tale with a religious bend by German writer Ludwig Tieck. It tells the story of a gloomy hunter named Christian whose life takes an unexpected turn after meeting a stranger in the mountains.
Author: Ludwig Tieck
Publisher: Good Press
ISBN:
Category : Nature
Languages : en
Pages : 31
Get Book Here
Book Description
"The Runenberg" is a fascinating fairy tale with a religious bend by German writer Ludwig Tieck. It tells the story of a gloomy hunter named Christian whose life takes an unexpected turn after meeting a stranger in the mountains.
Author: Robert Browning
Publisher: A&C Black
ISBN: 9780826402776
Category : Literary Criticism
Languages : en
Pages : 332
Get Book Here
Book Description
The German Library is a new series of the major works of German literature and thought from medieval times to the present. The volumes have forewords by internationally known writers and introductions by prominent scholars. Here the English-speaking reader can find the broadest possible collection of poetic and intellectual achievements in new as well as great classic translations. Convenient and accessible in format, the volumes of The German Library will form the core of any growing library of European literature for years to come.
Author: Ludwig Tieck
Publisher: DigiCat
ISBN:
Category : Nature
Languages : en
Pages : 32
Get Book Here
Book Description
"The Runenberg" is a fascinating fairy tale with a religious bend by German writer Ludwig Tieck. It tells the story of a gloomy hunter named Christian whose life takes an unexpected turn after meeting a stranger in the mountains.
Author: Thomas Carlyle
Publisher:
ISBN:
Category : German fiction
Languages : en
Pages : 340
Get Book Here
Book Description
Author: Ludwig Tieck
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 139
Get Book Here
Book Description
"The Pictures; The Betrothing" by Ludwig Tieck (translated by Connop Thirlwall). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: Ludwig Tieck
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 191
Get Book Here
Book Description
"The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of Tieck" by Ludwig Tieck This collection of Tieck's three most cherished stories has helped make him a more commonly-known literary figure around the world. As one of the leading poets of the Romantic movement, his writing shows the romance of life. From love to the love of nature, Tieck shows that there's beauty and magic all over the world.
Author: Elizabeth Allen
Publisher: Stanford University Press
ISBN: 9780804768030
Category : Literary Criticism
Languages : en
Pages : 318
Get Book Here
Book Description
A Fallen Idol Is Still a God elucidates the historical distinctiveness and significance of the seminal nineteenth-century Russian poet, playwright, and novelist Mikhail Iurevich Lermontov (1814-1841). It does so by demonstrating that Lermontov's works illustrate the condition of living in an epoch of transition. Lermontov's particular epoch was that of post-Romanticism, a time when the twilight of Romanticism was dimming but the dawn of Realism had yet to appear. Through close and comparative readings, the book explores the singular metaphysical, psychological, ethical, and aesthetic ambiguities and ambivalences that mark Lermontov's works, and tellingly reflect the transition out of Romanticism and the nature of post-Romanticism. Overall, the book reveals that, although confined to his transitional epoch, Lermontov did not succumb to it; instead, he probed its character and evoked its historical import. And the book concludes that Lermontov's works have resonance for our transitional era in the early twenty-first century as well.
Author: Ludwig Tieck
Publisher: BoD – Books on Demand
ISBN: 3732631443
Category : Fiction
Languages : en
Pages : 174
Get Book Here
Book Description
Reproduction of the original: Select Works by Ludwig Tieck
Author: Paola Mayer
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228000254
Category : Literary Criticism
Languages : en
Pages : 501
Get Book Here
Book Description
Enlightenment – both the phenomenon specific to the eighteenth century and the continuing trend in Western thought – is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff's critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann – the father of the modern fantastic – with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought.
Author: Gerald Ernest Paul Gillespie
Publisher: John Benjamins Publishing
ISBN: 9789027234568
Category : Literary Criticism
Languages : en
Pages : 772
Get Book Here
Book Description
In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both in Europe and in the New World. Through its combination of chapters on thematic, generic, and discursive features, Romantic Prose Fiction achieves a unique theoretical stance, by considering the opinions of primary Romantics and their successors not as guiding truths by which to define the permanent meaning of Romanticism, but as data of cultural history that shed important light on an evolving civilization.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
