Author: Robert BREMNER (Music Publisher.)
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 84
Book Description
The Rudiments of Music: or a Short and easy treatise on that subject. To which is added, a collection of the best church-tunes, canons, and anthems
Author: Robert BREMNER (Music Publisher.)
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 84
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 84
Book Description
The Rudiment of Music ; Or, a Short and Easy Treatise on that Subject. To which is Annexed a Collection of the Best Church-tunes, Canons and Anthems
Author: Robert Bremner
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Rudiments of Music: or a Short and easy treatise on that subject. To which is added, a collection of the best church-tunes, canons, and anthems
Author: Robert BREMNER (Music Publisher.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
The Rudiments of Music
Author: Robert Bremner
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 64
Book Description
The Rudiments of Music: Or, A Short and Easy Treatise on that Subject. To which is Annexed, a Collection of the Best Church-tunes, Canons, and Anthems. The Second Edition. With Considerable Additions; Particularly, Instructions for Song; And, a Plan for Teaching a Croud. By Rober Bremner
Author: Robert Bremner
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
A catalogue of a miscellaneous collection of music ... on sale
Author: Calkin and Budd
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
Book Description
The Rudiments of Music, Or, A Short and Easy Treatise on that Subject
Author: Robert Bremner
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 72
Book Description
Catalogue of Early Books on Music (before 1800)
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 326
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 326
Book Description
The Cashaway Psalmody
Author: Stephen A. Marini
Publisher: University of Illinois Press
ISBN: 025205170X
Category : Music
Languages : en
Pages : 446
Book Description
Singing master Durham Hills created The Cashaway Psalmody to give as a wedding present in 1770. A collection of tenor melody parts for 152 tunes and sixty-three texts, the Psalmody is the only surviving tunebook from the colonial-era South and one of the oldest sacred music manuscripts from the Carolinas. It is all the more remarkable for its sophistication: no similar document of the period matches Hills's level of musical expertise, reportorial reach, and calligraphic skill. Stephen A. Marini, discoverer of The Cashaway Psalmody, offers the fascinating story of the tunebook and its many meanings. From its musical, literary, and religious origins in England, he moves on to the life of Durham Hills; how Carolina communities used the book; and the Psalmody's significance in understanding how ritual song—transmitted via transatlantic music, lyrics, and sacred singing—shaped the era's development. Marini also uses close musical and textual analyses to provide a critical study that offers music historians and musicologists valuable insights on the Pslamody and its period. Meticulous in presentation and interdisciplinary in scope, The Cashaway Psalmody unlocks an important source for understanding life in the Lower South in the eighteenth century.
Publisher: University of Illinois Press
ISBN: 025205170X
Category : Music
Languages : en
Pages : 446
Book Description
Singing master Durham Hills created The Cashaway Psalmody to give as a wedding present in 1770. A collection of tenor melody parts for 152 tunes and sixty-three texts, the Psalmody is the only surviving tunebook from the colonial-era South and one of the oldest sacred music manuscripts from the Carolinas. It is all the more remarkable for its sophistication: no similar document of the period matches Hills's level of musical expertise, reportorial reach, and calligraphic skill. Stephen A. Marini, discoverer of The Cashaway Psalmody, offers the fascinating story of the tunebook and its many meanings. From its musical, literary, and religious origins in England, he moves on to the life of Durham Hills; how Carolina communities used the book; and the Psalmody's significance in understanding how ritual song—transmitted via transatlantic music, lyrics, and sacred singing—shaped the era's development. Marini also uses close musical and textual analyses to provide a critical study that offers music historians and musicologists valuable insights on the Pslamody and its period. Meticulous in presentation and interdisciplinary in scope, The Cashaway Psalmody unlocks an important source for understanding life in the Lower South in the eighteenth century.
Music Entries at Stationers' Hall, 1710–1818
Author: Michael Kassler
Publisher: Routledge
ISBN: 1317092058
Category : Music
Languages : en
Pages : 764
Book Description
The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.
Publisher: Routledge
ISBN: 1317092058
Category : Music
Languages : en
Pages : 764
Book Description
The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.