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Author: Thomas Heywood
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 164
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Book Description
Author: Thomas Heywood
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 164
Get Book Here
Book Description
![The royall king, and the loyall subject [a play.]. PDF](https://books.google.com/books/content/images/frontcover/ZG-_zwEACAAJ?fife=w80-h100)
Author: Thomas Heywood
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Thomas Heywood
Publisher:
ISBN:
Category :
Languages : en
Pages : 668
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Book Description
Author: Sir Adolphus William Ward
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 548
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 558
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Book Description
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 174
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Book Description
Author: Tiffany Stern
Publisher: Clarendon Press
ISBN: 0191567183
Category : Drama
Languages : en
Pages : 354
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Book Description
Up until now, facts about theatrical rehearsal have been considered irrecoverable. But in this groundbreaking new study, Tiffany Stern gathers together two centuries' worth of historical material which shows how actors received and responded to their parts, and how rehearsal affected the creation and revision of plays. Plotting theatrical change over time, from the mid-sixteenth to the late eighteenth century, this book will revolutionize the fields of textual and theatre history alike.
Author: A. Zucker
Publisher: Springer
ISBN: 0230601618
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
This book redefines the plays and theatrical culture of the years 1625 to 1642 as something more than simply post-Shakespearean in character. Scholars reveal the drama's mixture of political engagement, urbane cosmopolitanism, and commercial ingenuity. They urge us to recalibrate our histories to account for the innovations of the Caroline period.
Author: Marie-Helene Davies
Publisher: Wipf and Stock Publishers
ISBN: 1725241676
Category : Religion
Languages : en
Pages : 462
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Book Description
This long-standing series provides the guild of religion scholars a venue for publishing aimed primarily at colleagues. It includes scholarly monographs, revised dissertations, Festschriften, conference papers, and translations of ancient and medieval documents. Works cover the sub-disciplines of biblical studies, history of Christianity, history of religion, theology, and ethics. Festschriften for Karl Barth, Donald W. Dayton, James Luther Mays, Margaret R. Miles, and Walter Wink are among the seventy-five volumes that have been published. Contributors include: C. K. Barrett, Francois Bovon, Paul S. Chung, Marie-Helene Davies, Frederick Herzog, Ben F. Meyer, Pamela Ann Moeller, Rudolf Pesch, D. Z. Phillips, Rudolf Schnackenburgm Eduard Schweizer, John Vissers
Author: Richard Rowland
Publisher: Routledge
ISBN: 1351879162
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
In this major reassessment of his subject, Richard Rowland restores Thomas Heywood-playwright, miscellanist and translator-to his rightful place in early modern theatre history. Rowland contextualizes and historicizes this important contemporary of Shakespeare, locating him on the geographic and cultural map of London through the business Heywood conducts in his writing. Arguing that Heywood's theatrical output deserves the same attention and study that has been directed towards Shakespeare, Jonson, and more recently Middleton, this book looks at three periods of Heywood's creativity: the end of the Elizabethan era and the beginning of the Jacobean, the mid 1620s, and the mid to late 1630s. By locating the works of those years precisely in the political and cultural conflicts to which they respond, Rowland initiates a major reassessment of the remarkable achievements of this playwright. Rowland also pays attention to Heywood in performance, seeing this writer as a jobbing playwright working in an industry that depended on making writing work. Finally, the author explores how Heywood participated in the civic life of London in his writings beyond the playhouse. Here Rowland examines pamphlets, translations, and the sequence of lord mayor's pageants that Heywood produced as the political crisis deepened. Offering close readings of Heywood that establish the range, quality and theatrical significance of the writing, Thomas Heywood's Theatre, 1599-1639 fits a fascinating piece into the emerging picture of the 'complete' early modern English theatre.
