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Author: Heinrich Heine
Publisher: A&C Black
ISBN: 9780826402912
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
The German Library is a new series of the major works of German literature and thought from medieval times to the present. The volumes have forewords by internationally known writers and introductions by prominent scholars. Here the English-speaking reader can find the broadest possible collection of poetic and intellectual achievements in new as well as great classic translations. Convenient and accessible in format, the volumes of The German Library will form the core of any growing library of European literature for years to come.
Author: Heinrich Heine
Publisher: A&C Black
ISBN: 9780826402912
Category : Literary Criticism
Languages : en
Pages : 324
Get Book Here
Book Description
The German Library is a new series of the major works of German literature and thought from medieval times to the present. The volumes have forewords by internationally known writers and introductions by prominent scholars. Here the English-speaking reader can find the broadest possible collection of poetic and intellectual achievements in new as well as great classic translations. Convenient and accessible in format, the volumes of The German Library will form the core of any growing library of European literature for years to come.
Author: Heinrich Heine
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 486
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Book Description
Author: Peter France
Publisher: Oxford University Press, USA
ISBN: 9780199247844
Category : Language Arts & Disciplines
Languages : en
Pages : 692
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Book Description
This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).
Author: David E. Wellbery
Publisher: Harvard University Press
ISBN: 9780674015036
Category : Education
Languages : en
Pages : 1038
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Book Description
'A New History of German Literature' offers some 200 essays on events in German literary history.
Author: Franz Kafka
Publisher: A&C Black
ISBN: 9780826414212
Category : Literary Collections
Languages : en
Pages : 264
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Book Description
This essential collection of Franz Kafka's writings includes classic as well as new translations: "The Metamorphosis" "The Judgment" "A Country Doctor "In the Penal Colony" From A Hunger Artist ("First Sorrow," "A Little Woman," "A Hunger Artist," "Josephine, the Singer; or, The Mouse People") "The Hunter Gracchus" "The Great Wall of China" "Letter to His Father">
Author: Gabriela Cruz
Publisher:
ISBN: 0190915056
Category : Music
Languages : en
Pages : 313
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Book Description
A new and groundbreaking historical narrative, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera explores how technical innovations in Paris transformed the grand opera into a transcendent, dream-like audio-visual spectacle.
Author: Holly Watkins
Publisher: Cambridge University Press
ISBN: 1139501593
Category : Music
Languages : en
Pages : 351
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Book Description
What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation.
Author: Jeremy Begbie
Publisher: Oxford University Press
ISBN: 019258569X
Category : Religion
Languages : en
Pages : 398
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Book Description
Theology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music—and discourse about music—has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom—especially religious and political freedom-became a burning matter of concern in virtually every stratum of Western society. The collection is divided into four sections, each section focusing on a key phenomenon of this period—the rise of the concept of 'revolutionary' freedom; the move of music from church to concert hall; the cry for eschatological justice in the work of black hymn-writer and church leader Richard Allen; and the often fierce tensions between music and language. There is a particular concern to draw on a distinctively 'Scriptural imagination' (especially the theme of New Creation) in order to elicit the key issues at stake, and to suggest constructive ways forward for a contemporary Christian theological engagement with the legacies of modernity today.
Author: Eric Ziolkowski
Publisher: Northwestern University Press
ISBN: 0810127822
Category : Literary Criticism
Languages : en
Pages : 446
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Book Description
"Eric Ziolkowski's monumental study examines Kierkegaard's whole "prolix literature" - including the pseudonymous and the signed published writings as well as his private journals, papers, and letters - in relation to works by five other literary giants. Kierkegaard himself stresses the essentially literary as opposed to the strictly theological or philosophical nature of his writings. Uncovering this neglected aspect of Kierkegaard's oeuvre, Ziolkowski first considers the notions of aesthetics and the aesthetic as Kierkegaard adapted them, then his posture as a poet and his self-conception as "a weed in literature". After taking account of the history of the critical recognition of Kierkegaard as a literary artist, Ziolkowski looks at an important characteristic of Kierkegaard's literary craft that has received relatively little attention: the manner by which he and his pseudonyms read and quoted other authors. Ziolkowski explores the connections between the philosopher's writings and those of other literary masters who directly influenced him, such as Aristophanes, Cervantes, and Shakespeare, and those such as Wolfram von Eschenbach and Carlyle, who, while not direct influences, gave paradigmatic expression to some of the same aspects of aesthetic, ethical, and religious existence that Kierkegaard portrayed. A necessary resource for Kierkegaard scholars, philosophers, and students of religion and literature alike, 'The literary Kierkegaard' corrects a significant lack in our understanding of one of the most significant thinkers of the modern era." -- dust jacket.
Author: Don Dombowsky
Publisher: University of Wales Press
ISBN: 1783160977
Category : Philosophy
Languages : en
Pages : 219
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Book Description
This book argues that Nietzsche's political thought and his own proposed model of governance is Bonapartist in conception: autocratic will in the guise of popular rule. Bonaparte is the model for the Nietzschean commander; not only his virtu, his ethics of martial valour, but his political institutions and techniques of power. Nietzsche understood that Napoleon manipulated the democratic process, abandoned the concept of popular sovereignty and undermined the principle of equality, that he was opposed to parliamentary politics but maintained their simulacra, a manoeuvre Nietzsche admired in respect of tactics. Nietzsche desired a revaluation of all values which endorsed many features of the Bonapartist regime. One can see Nietzsche not merely situated in the Napoleonic historiography of the cult of personality, but also situated ideologically in terms of a Napoleonic political policy and theory of government, in so far as he affirms certain political structures of the Napoleonic Empire. Nietzsche moves beyond the Napoleonic cult of personality to an analysis of the underlying structures of the Napoleonic empire. Nietzsche admires the 'artist of government' Napoleon (Napoleonic Caesarism) not only for his force of will but also for his political policies and tactics or political techniques. Contents Introduction: The Dionysian Conspiracy 1. Sources, Cults and Criticism: Nietzsche’s Portrait of Napoleon 1.) In the Gilded Orbit of the ‘Ideal Artists’ 2.) Nietzsche’s Napoleon: Against Thomas Carlyle’s Cult of the Hero 3.) Nietzsche’s Napoleon: A Polemic 4.) The Artist of Government 2. Aristocratic Radicalism as a Species of Bonapartism 1.) From Character-type to Structure 2.) Nietzsche’s Understanding of Bonapartism 3.) Nietzsche and the Underlying Structures of the Bonapartist Empire (1799–1815) 4.) Aristocratic Radicalism 3. Napoleon III: ‘déshonneur’ 1.) Caesarism 2.) Nietzsche and the Underlying Structures of the Second Empire (1851–1870) 3.) Nietzsche’s Rejection of Napoleon III 4.) Nietzsche’s Immanent Critique of Bonapartism 5.) Nietzsche’s Radical Bonapartist Alliance Conclusion: The Imperial European Future
