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Author: Charles E. Larmore
Publisher: Columbia University Press
ISBN: 9780231101349
Category : Literary Criticism
Languages : en
Pages : 126
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Book Description
Finding more to irony than a frivolous lack of commitment and uncovering a greater meaning in authenticity than contrived efforts to flout social convention, The Romantic Legacy points out how these two central themes have shaped our modern sense of individuality.
Author: Charles E. Larmore
Publisher: Columbia University Press
ISBN: 9780231101349
Category : Literary Criticism
Languages : en
Pages : 126
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Book Description
Finding more to irony than a frivolous lack of commitment and uncovering a greater meaning in authenticity than contrived efforts to flout social convention, The Romantic Legacy points out how these two central themes have shaped our modern sense of individuality.
Author: Peter Cook
Publisher: Springer
ISBN: 3319967916
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
This book explores the relationship between Dickens and canonical Romantic authors: Blake, Wordsworth, Coleridge, Byron, Percy and Mary Shelley, and Keats. Addressing a significant gap in Dickens studies, four topics are identified: Childhood, Time, Progress, and Outsiders, which together constitute the main aspects of Dickens’s debt to the Romantics. Through close readings of key Romantic texts, and eight of Dickens’s novels, Peter Cook investigates how Dickens utilizes Romantic tropes to express his responses to the exponential growth of post-revolutionary industrial, technological culture and its effects on personal life and relationships. In this close study of Dickensian Romanticism, Cook demonstrates the enduring relevance of Dickens and the Romantics to contemporary culture.
Author: Jonathon Shears
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754662532
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The Romantic Legacy of Paradise Lost offers a new critical insight into the relationship between Milton and the Romantic poets. Shears devotes a chapter to each of the six major Romantics, contextualizing their 'misreadings' of Milton's Paradise Lost within a range of historical, aesthetic, and theoretical contexts. Shears argues that the Romantic inclination towards fragmentation and a polysemous aesthetic leads to disrupted readings of Paradise Lost that obscure the theme, or warp the 'grain', of the poem.
Author: Michael Ferber
Publisher: OUP Oxford
ISBN: 0191614262
Category : Art
Languages : en
Pages : 168
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Book Description
What is Romanticism? In this Very Short Introduction Michael Ferber answers this by considering who the romantics were and looks at what they had in common — their ideas, beliefs, commitments, and tastes. He looks at the birth and growth of Romanticism throughout Europe and the Americas, and examines various types of Romantic literature, music, painting, religion, and philosophy. Focusing on topics, Ferber looks at the 'Sensibility' movement, which preceded Romanticism; the rising prestige of the poet; Romanticism as a religious trend; Romantic philosophy and science; Romantic responses to the French Revolution; and the condition of women. Using examples and quotations he presents a clear insight into this very diverse movement, and offers a definition as well as a discussion of the word 'Romantic' and where it came from. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Anoop Gupta
Publisher: University of Ottawa Press
ISBN: 077661861X
Category : Philosophy
Languages : en
Pages : 144
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Book Description
In Kierkegaard's Romantic Legacy, Anoop Gupta develops an original theory of the self based on Kierkegaard's writings. Gupta proceeds by historical exegesis and considers several important ways of thinking about self outside of the natural sciences. His study moves theories of the self from theology toward sociology, from a God-relationship to a social one, and illustrates how a loss in theological underpinnings partly contributes to the rise in the popularity of cultural relativism. By drawing on Kierkegaard's writings, Gupta develops a metaphysical account of the self that provides an alternative to the idea that there is no such thing as human nature. Keywords: Kierkegaard; Philosophy; Theory of self; Metaphysics; Theology; Sociology
Author: Robert M. Brain
Publisher: Springer Science & Business Media
ISBN: 1402029799
Category : Education
Languages : en
Pages : 454
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Book Description
This fascinating text is an exploration of the relationship between science and philosophy in the early nineteenth century. This subject remains one of the most misunderstood topics in modern European intellectual history. By taking the brilliant career of Danish physicist-philosopher Hans Christian Ørsted as their organizing theme, leading international philosophers and historians of science reveal illuminating new perspectives on the intellectual map of Europe in the age of revolution and romanticism.
Author: Carmen Casaliggi
Publisher: Routledge
ISBN: 041589008X
Category : Art
Languages : en
Pages : 310
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Book Description
Taking into account key movements, such as late 19th century aestheticism, early 20th century Modernism, postmodernism and post-colonialism, the book shows how these developments were not only informed by Romanticism, but also revealed it to be a more plural and less stable concept.
Author: Dr Britta Martens
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478874
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Taking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methods of self-representation, often critically and ironically exposing the biases and limitations of the seemingly authoritative speaker 'Browning'. The poems thus become devices for Browning's detached evaluation of his own and of others' poetics, an evaluation never fully explicit but presented with elusive economy for the astute reader to interpret. The confrontation between the personal authorial voice and the dramatic voice in these poems provides revealing insights into the poet's highly self-conscious, conflicted and sustained engagement with the Romantic tradition and the diversely challenging reader expectations that he faces in a post-Romantic age. As the Victorian most rigorous in his rejection of Romantic self-expression, Browning is a key transitional figure between the sharply antagonistic periods of Romanticism and Modernism. He is also, as Martens persuasively demonstrates, a poet of complex contradictions and an illuminating case study for addressing the perennial issues of voice, authorial authority and self-reference.
Author: James Q. Whitman
Publisher: Princeton University Press
ISBN: 1400860989
Category : History
Languages : en
Pages : 300
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Book Description
Well after the process of codification had begun elsewhere in nineteenth-century Europe, ancient Roman law remained in use in Germany, expounded by brilliant scholars and applied in both urban and rural courts. The survival of this flourishing Roman legal culture into the industrial era is a familiar fact, but until now little effort has been made to explain it outside the province of specialized legal history. James Whitman seeks to remedy this neglect by exploring the broad political and cultural significance of German Roman law, emphasizing the hope on the part of German Roman lawyers that they could in some measure revive the Roman social order in their own society. Discussing the background of Romantic era law in the law of the Reformation, Whitman makes the great German tradition of legal scholarship more accessible to all those interested in German history. Drawing on treatises already known to legal historians as well as on previously unexploited records of legal practice, Whitman traces the traditions that allowed nineteenth-century German lawyers like Savigny to present themselves as uniquely "impartial" and "unpolitical." This book will be of particular interest to students of the many German thinkers who were trained as Roman lawyers, among them Marx and Weber. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Paul Coates
Publisher: Taylor & Francis
ISBN: 135195153X
Category : Religion
Languages : en
Pages : 225
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Book Description
Cinema, Religion and the Romantic Legacy surveys the ways in which notions of religion and spirituality have impinged upon the cinema. Cinema is conceived as a post-Romantic form for which religion and spirituality can be unified only problematically. While inspecting many of the well-established themes and topoi of writing on religion and film (such as films about priests and 'Christ-figures') it also seeks to problematize them, focusing primarily upon the issues of religious representation foregrounded by such European directors as Kieslowski and Godard. Coates draws on theories of theologians, philosophers and cultural and literary critics including: Otto, Kant, Schiller and Girard. Addressing the relationship between religion and spirituality from a film studies specialist's perspective, this book offers all those concerned with film, media or religious studies an invaluable examination of artistic interaction with the theological and aesthetic issues of representation and representability. Paul Coates is Reader in Film Studies at the University of Aberdeen, Scotland, and author of many books including: The Gorgon's Gaze (CUP), Film at the Intersection of High and Mass Culture (CUP), The Story of the Lost Reflection (Verso).
