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Author: Eric Fernie
Publisher:
ISBN: 9780300203547
Category : Architecture, Romanesque
Languages : en
Pages : 0
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Book Description
Eric Fernie presents a chronological survey of Romanesque architecture and the political systems that gave rise to the style. It is known for its massiv quality, thick walls, round arches, piers, groin vaults, large towers, and decorative arcading, as well as the measured articulation of volumes and surfaces. Romanesque architecture was also, at the time of its greatest popularity in the 11th and 12th centuries, the first destinctive style to dominate western and central Europe. The book includes an exploration of the gestation of the style in the 9th and 10th centuries and its survival in competition with the Gothic up to the 14th century.
Author: Eric Fernie
Publisher:
ISBN: 9780300203547
Category : Architecture, Romanesque
Languages : en
Pages : 0
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Book Description
Eric Fernie presents a chronological survey of Romanesque architecture and the political systems that gave rise to the style. It is known for its massiv quality, thick walls, round arches, piers, groin vaults, large towers, and decorative arcading, as well as the measured articulation of volumes and surfaces. Romanesque architecture was also, at the time of its greatest popularity in the 11th and 12th centuries, the first destinctive style to dominate western and central Europe. The book includes an exploration of the gestation of the style in the 9th and 10th centuries and its survival in competition with the Gothic up to the 14th century.
Author: Charles B. McClendon
Publisher: Yale University Press
ISBN: 0300106882
Category : Architecture
Languages : en
Pages : 292
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Book Description
This book is the first devoted to the important innovations in architecture that took place in western Europe between the death of emperor Justinian in A.D. 565 and the tenth century. During this period of transition from Late Antiquity to the Middle Ages, the Early Christian basilica was transformed in both form and function.Charles B. McClendon draws on rich documentary evidence and archaeological data to show that the buildings of these three centuries, studied in isolation but rarely together, set substantial precedents for the future of medieval architecture. He looks at buildings of the so-called Dark Ages—monuments that reflected a new assimilation of seemingly antithetical “barbarian” and “classical” attitudes toward architecture and its decoration—and at the grand and innovative architecture of the Carolingian Empire. The great Romanesque and Gothic churches of subsequent centuries owe far more to the architectural achievements of the Early Middle Ages than has generally been recognized, the author argues.
Author: Conrad Rudolph
Publisher: John Wiley & Sons
ISBN: 1119077729
Category : Art
Languages : en
Pages : 1040
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Book Description
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
Author: Gerardo Boto Varela
Publisher: Brepols Publishers
ISBN: 9782503552507
Category : Architecture, Romanesque
Languages : en
Pages : 0
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Book Description
Gerardo Boto Varela & Justin Kroesen, Romanesque Cathedrals in Mediterranean Europe: Balance and Perspectives. I. Shaping Cathedrals in the Pre-Romanesque Era: Beat Brenk, The Cathedrals of Early Medieval Italy: The Impact of the Cult of the Saints and the Liturgy on Italian Cathedrals from 300 to 1200. Jean-Pierre Caillet, French Cathedrals around the Year 1000: Forms and Functions, Antecedents, and Future. II. Building Romanesque Cathedrals on Older Substrates: Matthias Untermann, Between 'Church Families' and Monumental Architecture: German Eleventh-Century Cathedrals and Mediterranean Traditions. Mauro Cortelazzo & Renato Perinetti, Aosta Cathedral from Bishop Anselm's Project to the Romanesque Church, 998-1200. Gerardo Boto Varela, Inter primas Hispaniarum urbes, Tarraconensis sedis insignissima: Morphogenesis and Spatial Organisation of Tarragona Cathedral (1150-1225). III. Romanesque Cathedrals in Urban Contexts: Quitterie Cazes, The Cathedral of Toulouse (1070-1120): An Ecclesiastical, Political, and Artistic Manifesto. Saverio Lomartire, The Renovation of Northern Italian Cathedrals during the Eleventh and Twelfth Centuries: The State of Current Research and Some Unanswered Questions. Xavier Barral i Altet, Medieval Cathedral Architecture as an Episcopal Instrument of Ideology and Urban Policy: The Example of Venice. Javier Martínez de Aguirre, The Architecture of Jaca Cathedral: The Project and its Impact. Jorge [Manuel de Oliveira] Rodrigues, The Portuguese Cathedrals and the Birth of a Kingdom: Braga, Oporto, Coimbra, and the Historical Arrival at Lisbon -- Capital City and Shrine of St Vincent. IV. Liturgical Layout and Spatial Organization: Michele Bacci, The Mise-en-Scène of the Holy in the Lateran Church in the Eleventh and Twelfth Centuries. Elisabetta Scirocco, Liturgical Installations in the Cathedral of Salerno: The Double Ambo in its Regional Context between Sicilian Models and Local Liturgy. Marc Sureda i Jubany, Romanesque Cathedrals in Catalonia as Liturgical Systems: A Functional and Symbolical Approach to the Cathedrals of Vic, Girona, and Tarragona (Eleventh-Fourteenth Centuries). V. Visual Discourses and Iconographic Programmes: Francesc Fité i Llevot, New Interpretation of the Thirteenth-Century Capitals of the Ancient Cathedral of Lleida ('Seu Vella'). Peter K. Klein, The Iconography of the Cloister of Gerona Cathedral and the Functionalist Interpretation of Romanesque Historiated Cloisters: Possibilities and Limitations. Marta Serrano Coll & Esther Lozano López, The Cloistral Sculpture at La Seu d'Urgell and the Problem of its Visual Repertoire. José Luis Hernando Garrido, Romanesque Sculpture in Zamora and Salamanca and its Connections to Santiago de Compostela.
Author: Linda Seidel
Publisher: University of Chicago Press
ISBN: 0226745155
Category : Art
Languages : en
Pages : 241
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Book Description
Whereas twelfth-century pilgrims flocked to the church of St-Lazare in Autun to visit the relics of its patron saint, present-day pilgrims journey there to admire its superb sculpture, said to have been created by the artist Gislebertus whose name is inscribed above one of the church doors. These two cults, of sculptor and of saint, form points of departure and arrival for Linda Seidel's study. Legends in Limestone reveals how "Gislebertus, sculptor" was discovered and subsequently sanctified over the course of the last century. Seidel makes a compelling case for the identification of the name with an ancestor of the local ducal family, invoked for his role in the acquisition of the precious relics. With the aid of evidence drawn from the richly carved decoration of the building, she demonstrates how medieval visitors would have read a different holy narrative in the church fabric, one that constructed before their eyes an account of their patron saint's life. Legends in Limestone, an absorbing study of one of France's most revered medieval monuments, provides fresh insights into modern and medieval interpretive practices.
Author: Diana Darke
Publisher: Hurst & Company
ISBN: 1787383059
Category : Architecture
Languages : en
Pages : 484
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Book Description
Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.
Author: R. A. Stalley
Publisher: Oxford University Press, USA
ISBN: 9780192842237
Category : Architecture
Languages : en
Pages : 276
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Book Description
Drawing on new work published over the past twenty years, the author offers a history of building in Western Europe from 300 to 1200. Medieval castles, church spires, and monastic cloisters are just some of the areas covered.
Author: Charles M. Radding
Publisher: Yale University Press
ISBN: 9780300061307
Category : History
Languages : en
Pages : 188
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Book Description
The 11th and 12th centuries witnessed a transformation of European culture, from architecture and the visual arts to history, philosophy, theology and even law.
Author:
Publisher: BRILL
ISBN: 9004378219
Category : Art
Languages : en
Pages : 818
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Book Description
This volume explores the various strategies by which appropriate pasts were construed in scholarship, literature, art, and architecture in order to create “national”, regional, or local identities in late medieval and early modern Europe. Because authority was based on lineage, political and territorial claims were underpinned by historical arguments, either true or otherwise. Literature, scholarship, art, and architecture were pivotal media that were used to give evidence of the impressive old lineage of states, regions, or families. These claims were related not only to classical antiquity but also to other periods that were regarded as antiquities, such as the Middle Ages, especially the chivalric age. The authors of this volume analyse these intriguing early modern constructions of “antiquity” and investigate the ways in which they were applied in political, intellectual and artistic contexts in the period of 1400–1700. Contributors include: Barbara Arciszewska, Bianca De Divitiis, Karl Enenkel, Hubertus Günther, Thomas Haye, Harald Hendrix, Stephan Hoppe, Marc Laureys, Frédérique Lemerle, Coen Maas, Anne-Françoise Morel, Kristoffer Neville, Konrad Ottenheym, Yves Pauwels, Christian Peters, Christoph Pieper, David Rijser, Bernd Roling, Nuno Senos, Paul Smith, Pieter Vlaardingerbroek, and Matthew Walker.
Author: Andreas Petzold
Publisher: Discontinued 3pd
ISBN: 9780131833418
Category :
Languages : en
Pages : 0
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Book Description
What is Romanesque? The art and culture of Europe between 1050 and 1200 have traditionally been viewed as meager and impoverished. Now a new book takes a fresh look at this period and reveals a world of unexpected beauty. Accomplished, ornate sculpture, intricate goldwork and enamel, brilliant manuscript illumination, dazzling mosaic and glass characterize the art of the so-called "Dark Ages." Andreas Petzold examines medieval European art in the broader context of its relationship to the art of Byzantium and Islam, tracing the influences among these cultures through trade and the Crusades. He views Romanesque art in terms of the social structures that organized the medieval world -- church, princely court, peasant society -- discovering on the way the important role of women as artists and patrons, the complex relationships among religious and secular institutions, and the ways that sculpture, architecture, painting, and other art forms developed in style and technique to express a world no longer Classical but not yet Gothic. Petzold reveals a culture that is rich and varied, sophisticated and refined. Splendid illustrations of architecture, metal-work, stained glass, painting, and textiles reveal that the art of Romanesque Europe is anything but dark. Book jacket.
