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Author: Rolf Toman
Publisher: H.F.Ullmann Publishing
ISBN: 9783848008407
Category : Architecture, Romanesque
Languages : en
Pages : 0
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Book Description
This volume helps us understand and even experience the manifold aspects of Romanesque artistic composition.
Author: Rolf Toman
Publisher: H.F.Ullmann Publishing
ISBN: 9783848008407
Category : Architecture, Romanesque
Languages : en
Pages : 0
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Book Description
This volume helps us understand and even experience the manifold aspects of Romanesque artistic composition.
Author:
Publisher: Penn State Press
ISBN: 9780271048352
Category :
Languages : en
Pages : 420
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Book Description
Author: Walter Cahn
Publisher: NYU Press
ISBN: 9780814713570
Category : Architecture
Languages : en
Pages : 232
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Book Description
Author: Joan Evans
Publisher: CUP Archive
ISBN: 9781001288185
Category : Art, Romanesque
Languages : en
Pages : 396
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Book Description
Author: Pamela Anne Patton
Publisher: Peter Lang
ISBN: 9780820472683
Category : Architecture
Languages : en
Pages : 322
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Book Description
Praised as paradisiacal or denounced as impious fantasy, the sculpture of Romanesque cloisters played a powerful role in medieval monastic life. This book demonstrates how sculpture in the cloister, the physical and spiritual heart of the religious foundation, could be shrewdly configured to articulate the most influential ideals and experiences of its individual community. Taking as its focus the visually rich, highly organized narrative programs of three twelfth-century Spanish cloisters, this book reveals the power of such imagery to reflect and reinforce the social and spiritual preoccupations of its age.
Author: Carolyn Heighway
Publisher: Oxbow Books
ISBN: 1789254175
Category : Social Science
Languages : en
Pages : 128
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Book Description
This book was inspired by the records made by Carolyn Heighway during the thirty years when she was archaeological consultant at Gloucester Cathedral. The survival of so much of the abbey of 1089 is remarkable, and often not appreciated by the casual visitor since it is ingeniously overlaid by Gothic alterations. Since 2000, surveys have been produced which enable accurate plans and elevations to be made which clarify the late 11th and early 12th century appearance of the building; deductions have also been made from archaeological observations. Since there are almost no documents for the abbey before the 15th century which relate to construction matters, the building itself is primary evidence, and archaeology is an important element. The book is lavishly illustrated with photographs, plans and measured drawings including accurate reconstructions; comparative scale plans of Worcester and Tewkesbury are also included. The late 11th-12th century church is described in detail, along with the surviving claustral buildings. There is a chapter on polychromy and on the surviving 11th-12th century sculpture, and a full bibliography. The whole is set in context by Malcolm Thurlby, who comments on the wider sources and associations.
Author: Philip Schuyler Allen
Publisher:
ISBN:
Category : Classical poetry
Languages : en
Pages : 404
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Book Description
Author: Meyer Schapiro
Publisher: University of Chicago Press
ISBN: 0226750639
Category : Architecture
Languages : en
Pages : 278
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Book Description
Meyer Schapiro (1904-96), renowned for his critical essays on 19th and 20th century painting, also played a decisive role as a young scholar in defining the style of art and architecture known as Romanesque. This is a transcribed and edited version of his Charles Eliot Norton Lectures.
Author: Thomas E. A. Dale
Publisher: Penn State Press
ISBN: 0271085185
Category : Art
Languages : en
Pages : 428
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Book Description
Pushed to the height of its illusionistic powers during the first centuries of the Roman Empire, sculpture was largely abandoned with the ascendancy of Christianity, as the apparent animation of the material image and practices associated with sculpture were considered both superstitious and idolatrous. In Pygmalion’s Power, Thomas E. A. Dale argues that the reintroduction of architectural sculpture after a hiatus of some seven hundred years arose with the particular goal of engaging the senses in a Christian religious experience. Since the term “Romanesque” was coined in the nineteenth century, the reintroduction of stone sculpture around the mid-eleventh century has been explained as a revivalist phenomenon, one predicated on the desire to claim the authority of ancient Rome. In this study, Dale proposes an alternative theory. Covering a broad range of sculpture types—including autonomous cult statuary in wood and metal, funerary sculpture, architectural sculpture, and portraiture—Dale shows how the revitalized art form was part of a broader shift in emphasis toward spiritual embodiment and affective piety during the late eleventh and twelfth centuries. Adding fresh insight to scholarship on the Romanesque, Pygmalion’s Power borrows from trends in cultural anthropology to demonstrate the power and potential of these sculptures to produce emotional effects that made them an important sensory part of the religious culture of the era.
Author: Philip Schuyler Allen
Publisher:
ISBN:
Category : Latin poetry
Languages : en
Pages : 404
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Book Description
