Author: Rev. John Collingwood Bruce
Publisher: JOHN RUSSELL SMITH
ISBN:
Category : England
Languages : en
Pages : 298
Book Description
The famous Roman Wall, which, in former times, protected southern Britain from the ravages of the northern tribes, exhibits, at this day, remains more entire, and forms a subject of study more interesting than is generally supposed. Two authors of great learning have treated of this renowned structure—Horsley, in the Britannia Romana, and Hodgson, in the last volume of his History of Northumberland. Both are treatises of considerable size, and both are, to a certain extent, rare. The Britannia Romana, moreover, describes the Wall, not as it is, but as it was more than a century ago. Hodgson’s work is of recent date, and forms a valuable storehouse of nearly all that is known upon the subject. The mind, however, of that amiable man and zealous antiquary was, at the time of its preparation, bending under the weight of his ill-requited labours, and he has failed to present his ample materials to the reader in that condensed and well-arranged form which distinguishes his previous volumes, and without which a book on antiquities will not arrest the attention of the general reader. The following work may be regarded as introductory to the elaborate productions of Horsley and Hodgson. The reader is not assumed to be acquainted with the technicalities of archæology; and, at each advancing step the information is supplied which may render his course easy. I have not attempted, in the last part of the work, to enumerate all the altars and inscribed stones which have been found upon the line of the Wall, but have made a selection of those which are most likely to interest the general reader, and to give him a correct idea of the nature and value of these remains. In the body of the work I have endeavoured to furnish a correct delineation of the present condition of the Wall and its outworks. All my descriptions are the result of personal observation. To secure as great accuracy as possible, I have read over many of my proof sheets on the spot which they describe. The pictorial illustrations have been prepared with care, and will give the reader, who is not disposed to traverse the ground, a correct idea of the state of the Barrier. The wood-cuts and plates, illustrative of the antiquities found on the line, have, with the exception of a few coins introduced into the first Part of the volume, and copied from the Monumenta Historica, been prepared from original drawings, taken for this work from the objects themselves. I am not without hope that the well-read antiquary will value these delineations for their beauty and accuracy. To be continue in this ebook...
The Roman Wall (Illustrations)
Author: Rev. John Collingwood Bruce
Publisher: JOHN RUSSELL SMITH
ISBN:
Category : England
Languages : en
Pages : 298
Book Description
The famous Roman Wall, which, in former times, protected southern Britain from the ravages of the northern tribes, exhibits, at this day, remains more entire, and forms a subject of study more interesting than is generally supposed. Two authors of great learning have treated of this renowned structure—Horsley, in the Britannia Romana, and Hodgson, in the last volume of his History of Northumberland. Both are treatises of considerable size, and both are, to a certain extent, rare. The Britannia Romana, moreover, describes the Wall, not as it is, but as it was more than a century ago. Hodgson’s work is of recent date, and forms a valuable storehouse of nearly all that is known upon the subject. The mind, however, of that amiable man and zealous antiquary was, at the time of its preparation, bending under the weight of his ill-requited labours, and he has failed to present his ample materials to the reader in that condensed and well-arranged form which distinguishes his previous volumes, and without which a book on antiquities will not arrest the attention of the general reader. The following work may be regarded as introductory to the elaborate productions of Horsley and Hodgson. The reader is not assumed to be acquainted with the technicalities of archæology; and, at each advancing step the information is supplied which may render his course easy. I have not attempted, in the last part of the work, to enumerate all the altars and inscribed stones which have been found upon the line of the Wall, but have made a selection of those which are most likely to interest the general reader, and to give him a correct idea of the nature and value of these remains. In the body of the work I have endeavoured to furnish a correct delineation of the present condition of the Wall and its outworks. All my descriptions are the result of personal observation. To secure as great accuracy as possible, I have read over many of my proof sheets on the spot which they describe. The pictorial illustrations have been prepared with care, and will give the reader, who is not disposed to traverse the ground, a correct idea of the state of the Barrier. The wood-cuts and plates, illustrative of the antiquities found on the line, have, with the exception of a few coins introduced into the first Part of the volume, and copied from the Monumenta Historica, been prepared from original drawings, taken for this work from the objects themselves. I am not without hope that the well-read antiquary will value these delineations for their beauty and accuracy. To be continue in this ebook...
Publisher: JOHN RUSSELL SMITH
ISBN:
Category : England
Languages : en
Pages : 298
Book Description
The famous Roman Wall, which, in former times, protected southern Britain from the ravages of the northern tribes, exhibits, at this day, remains more entire, and forms a subject of study more interesting than is generally supposed. Two authors of great learning have treated of this renowned structure—Horsley, in the Britannia Romana, and Hodgson, in the last volume of his History of Northumberland. Both are treatises of considerable size, and both are, to a certain extent, rare. The Britannia Romana, moreover, describes the Wall, not as it is, but as it was more than a century ago. Hodgson’s work is of recent date, and forms a valuable storehouse of nearly all that is known upon the subject. The mind, however, of that amiable man and zealous antiquary was, at the time of its preparation, bending under the weight of his ill-requited labours, and he has failed to present his ample materials to the reader in that condensed and well-arranged form which distinguishes his previous volumes, and without which a book on antiquities will not arrest the attention of the general reader. The following work may be regarded as introductory to the elaborate productions of Horsley and Hodgson. The reader is not assumed to be acquainted with the technicalities of archæology; and, at each advancing step the information is supplied which may render his course easy. I have not attempted, in the last part of the work, to enumerate all the altars and inscribed stones which have been found upon the line of the Wall, but have made a selection of those which are most likely to interest the general reader, and to give him a correct idea of the nature and value of these remains. In the body of the work I have endeavoured to furnish a correct delineation of the present condition of the Wall and its outworks. All my descriptions are the result of personal observation. To secure as great accuracy as possible, I have read over many of my proof sheets on the spot which they describe. The pictorial illustrations have been prepared with care, and will give the reader, who is not disposed to traverse the ground, a correct idea of the state of the Barrier. The wood-cuts and plates, illustrative of the antiquities found on the line, have, with the exception of a few coins introduced into the first Part of the volume, and copied from the Monumenta Historica, been prepared from original drawings, taken for this work from the objects themselves. I am not without hope that the well-read antiquary will value these delineations for their beauty and accuracy. To be continue in this ebook...
The Splendor of Roman Wall Painting
Author: Umberto Pappalardo
Publisher: Getty Publications
ISBN: 0892369582
Category : Architecture
Languages : en
Pages : 244
Book Description
"Thanks to this volume, the reader can visit the Roman houses of Pompeii, Herculaneum, Boscoreale, Oplontis, and Rome that display superb Roman frescoes on their walls ... An essay by Donatella Mazzoleni highlights the connections between Roman architecture and the programs of illusionistic wall paintings employed in these magnificent structures. Umberto Pappalardo examines the Roman domestic ideal and its realization in wall painting and through other elements of interior decoration. The two essays precede a sumptuously illustrated guide to twenty-eight of the most beautiful houses - among them, the Villa of the Mysteries, the House of the Vettii, and the House of the Faun in Pompeii; the House of Livia, the Villa Farnesina, and the Domus Aurea in Rome; the House of the Grand Portal in Herculaneum; and the Villa of Publius Fannius Synistor in Boscoreale."--BOOK JACKET.
Publisher: Getty Publications
ISBN: 0892369582
Category : Architecture
Languages : en
Pages : 244
Book Description
"Thanks to this volume, the reader can visit the Roman houses of Pompeii, Herculaneum, Boscoreale, Oplontis, and Rome that display superb Roman frescoes on their walls ... An essay by Donatella Mazzoleni highlights the connections between Roman architecture and the programs of illusionistic wall paintings employed in these magnificent structures. Umberto Pappalardo examines the Roman domestic ideal and its realization in wall painting and through other elements of interior decoration. The two essays precede a sumptuously illustrated guide to twenty-eight of the most beautiful houses - among them, the Villa of the Mysteries, the House of the Vettii, and the House of the Faun in Pompeii; the House of Livia, the Villa Farnesina, and the Domus Aurea in Rome; the House of the Grand Portal in Herculaneum; and the Villa of Publius Fannius Synistor in Boscoreale."--BOOK JACKET.
Roman Painting
Author: Roger Ling
Publisher: Cambridge University Press
ISBN: 9780521315951
Category : Art
Languages : en
Pages : 284
Book Description
A general survey of Roman wall painting from the second century B.C. through the fourth century A.D., traces the origins, chronological development, subjects, techniques, and social context of the influential art form.
Publisher: Cambridge University Press
ISBN: 9780521315951
Category : Art
Languages : en
Pages : 284
Book Description
A general survey of Roman wall painting from the second century B.C. through the fourth century A.D., traces the origins, chronological development, subjects, techniques, and social context of the influential art form.
Greek Myths in Roman Art and Culture
Author: Zahra Newby
Publisher: Cambridge University Press
ISBN: 1107072247
Category : Art
Languages : en
Pages : 409
Book Description
A new reading of the portrayal of Greek myths in Roman art, revealing important shifts in Roman values and identities.
Publisher: Cambridge University Press
ISBN: 1107072247
Category : Art
Languages : en
Pages : 409
Book Description
A new reading of the portrayal of Greek myths in Roman art, revealing important shifts in Roman values and identities.
Hadrian's Wall
Author: Frank Graham
Publisher:
ISBN: 9780905778853
Category : Great Britain
Languages : en
Pages : 320
Book Description
Publisher:
ISBN: 9780905778853
Category : Great Britain
Languages : en
Pages : 320
Book Description
Roman Art
Author: Nancy Lorraine Thompson
Publisher: Metropolitan Museum of Art
ISBN: 1588392228
Category : Art, Roman
Languages : en
Pages : 218
Book Description
A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.
Publisher: Metropolitan Museum of Art
ISBN: 1588392228
Category : Art, Roman
Languages : en
Pages : 218
Book Description
A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.
Painting, Ethics, and Aesthetics in Rome
Author: Nathaniel B. Jones
Publisher: Cambridge University Press
ISBN: 1108420125
Category : Art
Languages : en
Pages : 311
Book Description
Demonstrates how ancient Roman mural paintings stood at the intersection of contemporary social, ethical, and aesthetic concerns.
Publisher: Cambridge University Press
ISBN: 1108420125
Category : Art
Languages : en
Pages : 311
Book Description
Demonstrates how ancient Roman mural paintings stood at the intersection of contemporary social, ethical, and aesthetic concerns.
A History of Roman Art
Author: Steven L. Tuck
Publisher: John Wiley & Sons
ISBN: 1444330268
Category : Literary Criticism
Languages : en
Pages : 406
Book Description
A History of Roman Art provides a wide-ranging survey of the subject from the founding of Rome to the rule of Rome's first Christian emperor, Constantine. Incorporating the most up-to-date information available on the topic, this new textbook explores the creation, use, and meaning of art in the Roman world. Extensively illustrated with 375 color photographs and line drawings Broadly defines Roman art to include the various cultures that contributed to the Roman system Focuses throughout on the overarching themes of Rome's cultural inclusiveness and art's important role in promoting Roman values Discusses a wide range of Roman painting, mosaic, sculpture, and decorative arts, as well as architecture and associated sculptures within the cultural contexts they were created and developed Offers helpful and instructive pedagogical features for students, such as timelines; key terms defined in margins; a glossary; sidebars with key lessons and explanatory material on artistic technique, stories, and ancient authors; textboxes on art and literature, art from the provinces, and important scholarly perspectives; and primary sources in translation A book companion website is available at www.wiley.com/go/romanart with the following resources: PowerPoint slides, glossary, and timeline Steven Tuck is the 2014 recipient of the American Archaeological Association's Excellence in Undergraduate Teaching Award.
Publisher: John Wiley & Sons
ISBN: 1444330268
Category : Literary Criticism
Languages : en
Pages : 406
Book Description
A History of Roman Art provides a wide-ranging survey of the subject from the founding of Rome to the rule of Rome's first Christian emperor, Constantine. Incorporating the most up-to-date information available on the topic, this new textbook explores the creation, use, and meaning of art in the Roman world. Extensively illustrated with 375 color photographs and line drawings Broadly defines Roman art to include the various cultures that contributed to the Roman system Focuses throughout on the overarching themes of Rome's cultural inclusiveness and art's important role in promoting Roman values Discusses a wide range of Roman painting, mosaic, sculpture, and decorative arts, as well as architecture and associated sculptures within the cultural contexts they were created and developed Offers helpful and instructive pedagogical features for students, such as timelines; key terms defined in margins; a glossary; sidebars with key lessons and explanatory material on artistic technique, stories, and ancient authors; textboxes on art and literature, art from the provinces, and important scholarly perspectives; and primary sources in translation A book companion website is available at www.wiley.com/go/romanart with the following resources: PowerPoint slides, glossary, and timeline Steven Tuck is the 2014 recipient of the American Archaeological Association's Excellence in Undergraduate Teaching Award.
The hand-book to the Roman wall
Author: John Collingwood Bruce
Publisher:
ISBN:
Category : Hadrian's Wall (England)
Languages : en
Pages : 320
Book Description
Publisher:
ISBN:
Category : Hadrian's Wall (England)
Languages : en
Pages : 320
Book Description
The Frame in Classical Art
Author: Verity Platt
Publisher: Cambridge University Press
ISBN: 1316943275
Category : Art
Languages : en
Pages : 737
Book Description
The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.
Publisher: Cambridge University Press
ISBN: 1316943275
Category : Art
Languages : en
Pages : 737
Book Description
The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.