The Roman Garden of Agostino Chigi PDF Download
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Author: Ingrid Drake Rowland
Publisher:
ISBN:
Category : Gardens
Languages : en
Pages : 56
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Book Description
Author: Ingrid Drake Rowland
Publisher:
ISBN:
Category : Gardens
Languages : en
Pages : 56
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Book Description
Author: Alexis R. Culotta
Publisher: BRILL
ISBN: 9004430482
Category : Art
Languages : en
Pages : 238
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Book Description
In Tracing the Visual Language of Raphael’s Circle to 1527, Alexis Culotta examines how the Renaissance master’s style – one infused with borrowed visual quotations from other artists both past and present – proved influential in his relationship with associate Baldassare Peruzzi and in the development of the artists within his thriving workshop. Shedding new light on the important, yet often-overshadowed, figures within this network, this book calls upon key case studies to convincingly illustrate how this visual language and its recombination evolved during Raphael’s Roman career and subsequently served as a springboard for artistic innovation for these close associates as they collaborated in the years following Raphael’s death.
Author: Elisabeth B. MacDougall
Publisher: Dumbarton Oaks
ISBN: 9780884022169
Category : Architecture
Languages : en
Pages : 400
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Book Description
Resource added for the Landscape Horticulture Technician program 100014.
Author: Luba Freedman
Publisher: Cambridge University Press
ISBN: 1107001196
Category : Art
Languages : en
Pages : 321
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Book Description
"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.
Author: Marcello Fagiolo
Publisher:
ISBN:
Category : Architecture, Baroque
Languages : en
Pages : 296
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Book Description
Author: Andrew Dalby
Publisher: Bloomsbury Publishing
ISBN: 1350259314
Category : History
Languages : en
Pages : 265
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Book Description
A Cultural History of Plants in the Early Modern Era covers the period from 1400 to 1650, a time of discovery and rediscovery, of experiment and innovation. Renaissance learning brought ancient knowledge to modern European consciousness whilst exploration placed all the continents in contact with one another. The dissemination of knowledge was further speeded by the spread of printing. New staples and spices, new botanical medicines, and new garden plants all catalysed agriculture, trade, and science. The great medical botanists of the period attempted no less than what Marlowe's Dr Faustus demanded - a book “wherein I might see all plants, herbs, and trees that grow upon the earth.” Human impact on plants and our botanical knowledge had irrevocably changed. The 6 volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants. Andrew Dalby is an independent scholar and writer, based in France. Annette Giesecke is Professor of Classics at the University of Delaware, USA. Volume 3 in the Cultural History of Plants set. General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.
Author: Frederick Kiefer
Publisher: Anthem Press
ISBN: 1839992816
Category : Architecture
Languages : en
Pages : 213
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Book Description
Palaces, villas and churches. These were the highlights of my first visit to Italy. I took a lot of photos and looked forward to sharing them with friends and family. Back home, though, I found that I didn’t recall much about the places that impressed me. Although I had the benefit of a half-day guide in Rome, Florence and Venice, I sometimes had difficulty hearing what was said on crowded streets and busy interiors. The guides were capable but had only enough time to mention a few major features. As a rule, they skimped on actually describing buildings that intrigued me. And so they were not especially helpful in providing the insights I wanted. Upon my return, I found myself wondering: Where did the architects actually find their ideas? What did they want to accomplish? And what do their choices tell us about their time? My sojourn in Italy would have been more satisfying if I had come away with a fuller account of what I had seen. What I most needed was context. This book supplies that context. Contemplation of antiquity and the exchange of views among architects released a surge of intellectual energy not seen for a millennium, a development that would never have happened so quickly were it not for Johannes Gutenberg’s invention of printing with movable type. This development, in turn, led to architects’ heightened self-awareness of their collective enterprise. They read what their fellow architects wrote and thereby gained in sophistication. They were no longer merely masons. They became architects in the modern sense. They took pride in their achievements and shared a conviction that the visual culture they created was far superior to that of the previous thousand years. Their embrace of classical civilisation had a visceral urgency. Rome, after all, was a culture with a storied past, peopled by larger-than-life figures. To learn what the ancients had created in word or stone could supply a shortcut to wisdom. And emulating the Romans would provide new models of aesthetic excellence. This endeavour became known as the Renaissance, or rebirth. The Reformation, however, changed everything. Martin Luther brought to issue a quandary: How exactly was Christianity to be reconciled with the pagan past, if at all? Could one source of inspiration be sustained without compromising the other? Religious reform questioned the aesthetic achievements of the previous hundred years. The story of Renaissance architecture represents the effort to find an accommodation.
Author: Marcello Fagiolo
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 296
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Book Description
A companion to Roman Gardens: Villas of the Countryside, this extraordinary volume documents the tradition of gardens and villas within the city of Rome. Roberto Schezen's exquisite photographs capture the atmosphere and lush surroundings of the villas, many of which are closed to the public and seen here for the first time. The richest and most cultured cardinals and princes of the sixteenth and seventeenth centuries built urban retreats with elaborate gardens throughout the city. The area, featured in the texts of many ancient writers, has remained legendary. The luscious photographs highlight both the architecture and the landscape; great artistic treasures as well as wonderful gardens with fountains and monumental sculpture are featured. The twelve villas included are Il Palatino, Villa Chigi Farnesina, Villa Madama, Villa Lante on the Janiculum, Villa Giulia, the Casina of Pope Pius IV in Vatican City, the fountains of Vatican City, Villa Medici, Villa Ludovisi, Villa Doria Pamphili, Villa Chigi -- Sala della Tebaide, and Villa Borghese. Marcello Fagiolo's accompanying text traces the history of the Roman garden and the special conditions surrounding villas built in an urban context. The companion volume, Roman Gardens: Villas of the Countryside, explores villas and gardens of the Campagna Romana and Tuscia, and extends to a thirty-mile radius around Rome. Together, Roman Gardens: Villas of the Countryside form a rich and exceptional set.
Author:
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : en
Pages : 780
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Book Description
Author: Jean MacIntosh Turfa
Publisher: Routledge
ISBN: 1134055307
Category : History
Languages : en
Pages : 2021
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Book Description
The Etruscans can be shown to have made significant, and in some cases perhaps the first, technical advances in the central and northern Mediterranean. To the Etruscan people we can attribute such developments as the tie-beam truss in large wooden structures, surveying and engineering drainage and water tunnels, the development of the foresail for fast long-distance sailing vessels, fine techniques of metal production and other pyrotechnology, post-mortem C-sections in medicine, and more. In art, many technical and iconographic developments, although they certainly happened first in Greece or the Near East, are first seen in extant Etruscan works, preserved in the lavish tombs and goods of Etruscan aristocrats. These include early portraiture, the first full-length painted portrait, the first perspective view of a human figure in monumental art, specialized techniques of bronze-casting, and reduction-fired pottery (the bucchero phenomenon). Etruscan contacts, through trade, treaty and intermarriage, linked their culture with Sardinia, Corsica and Sicily, with the Italic tribes of the peninsula, and with the Near Eastern kingdoms, Greece and the Greek colonial world, Iberia, Gaul and the Punic network of North Africa, and influenced the cultures of northern Europe. In the past fifteen years striking advances have been made in scholarship and research techniques for Etruscan Studies. Archaeological and scientific discoveries have changed our picture of the Etruscans and furnished us with new, specialized information. Thanks to the work of dozens of international scholars, it is now possible to discuss topics of interest that could never before be researched, such as Etruscan mining and metallurgy, textile production, foods and agriculture. In this volume, over 60 experts provide insights into all these aspects of Etruscan culture, and more, with many contributions available in English for the first time to allow the reader access to research that may not otherwise be available to them. Lavishly illustrated, The Etruscan World brings to life the culture and material past of the Etruscans and highlights key points of development in research, making it essential reading for researchers, academics and students of this fascinating civilization.
