Author: Shirley Sharon-Zisser
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 400
Book Description
Desire has the structure of the similaic."--BOOK JACKET.
The Risks of Simile in Renaissance Rhetoric
Author: Shirley Sharon-Zisser
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 400
Book Description
Desire has the structure of the similaic."--BOOK JACKET.
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 400
Book Description
Desire has the structure of the similaic."--BOOK JACKET.
The Linguistic Turn of the English Renaissance
Author: Shirley Zisser
Publisher: Taylor & Francis
ISBN: 1003845886
Category : Art
Languages : en
Pages : 113
Book Description
The Linguistic Turn of the English Renaissance: A Lacanian Perspective examines a selection of cultural phenomena of the English Renaissance, all of which include a focus on language, from a Lacanian perspective. The book examines four inter-related cultural symptoms of the English Renaissance: the paucity of painting, the interest in rhetoric, the emergence of a literary style focusing on form and a fascination with the myth of Orpheus. The book argues that the English Renaissance, an apex of rhetorical theory, can offer psychoanalysis further knowledge concerning the intrication of language and flesh, especially where feminine jouissance is at stake. These language-centred phenomena emerge against the backdrop of a peculiar configuration of the visual field, which in contrast to other cultures of the European Renaissance is largely barren of painting other than portraiture. The book will be of interest to psychoanalysts, scholars of Renaissance culture and those interested in the psychoanalytic study of culture.
Publisher: Taylor & Francis
ISBN: 1003845886
Category : Art
Languages : en
Pages : 113
Book Description
The Linguistic Turn of the English Renaissance: A Lacanian Perspective examines a selection of cultural phenomena of the English Renaissance, all of which include a focus on language, from a Lacanian perspective. The book examines four inter-related cultural symptoms of the English Renaissance: the paucity of painting, the interest in rhetoric, the emergence of a literary style focusing on form and a fascination with the myth of Orpheus. The book argues that the English Renaissance, an apex of rhetorical theory, can offer psychoanalysis further knowledge concerning the intrication of language and flesh, especially where feminine jouissance is at stake. These language-centred phenomena emerge against the backdrop of a peculiar configuration of the visual field, which in contrast to other cultures of the European Renaissance is largely barren of painting other than portraiture. The book will be of interest to psychoanalysts, scholars of Renaissance culture and those interested in the psychoanalytic study of culture.
Controversies and Subjectivity
Author: Pierluigi Barrotta
Publisher: John Benjamins Publishing
ISBN: 9789027218810
Category : Philosophy
Languages : en
Pages : 434
Book Description
This collective volume focuses on two closely connected issues whose common denominator is the embattled notion of the subject. The first concerns the controversies on the nature of the subject and related notions, such as the concepts of 'I' and 'self'. From both theoretical and historical viewpoints, several of the contributors show how different and incompatible perspectives on the subject can help us understand today's world, its habits, style, power relations, and attitudes. For this purpose, use is made of insights in a broad range of disciplines, such as sociology, psychoanalysis, pragmatics, intellectual history, and anthropology. This interdisciplinary approach helps to clarify the multifaceted character of the subject and the role it plays nowadays as well as over the centuries. The second issue concerns the subject in inter-personal as well as in intra-personal controversies. The enquiry here focuses on the ways in which different aspects of the subject and subjective differences affect the conduct, content, and rationality of controversies with others as well as within oneself on a variety of topics. Among such aspects, the contributors analyse the subject's emotions, cognitive states, argumentative practices, and individual and collective identity. The interaction between the two issues, the controversies on the subject and the subject of controversies, sheds new light on the debate on modernity and its alleged crisis.
Publisher: John Benjamins Publishing
ISBN: 9789027218810
Category : Philosophy
Languages : en
Pages : 434
Book Description
This collective volume focuses on two closely connected issues whose common denominator is the embattled notion of the subject. The first concerns the controversies on the nature of the subject and related notions, such as the concepts of 'I' and 'self'. From both theoretical and historical viewpoints, several of the contributors show how different and incompatible perspectives on the subject can help us understand today's world, its habits, style, power relations, and attitudes. For this purpose, use is made of insights in a broad range of disciplines, such as sociology, psychoanalysis, pragmatics, intellectual history, and anthropology. This interdisciplinary approach helps to clarify the multifaceted character of the subject and the role it plays nowadays as well as over the centuries. The second issue concerns the subject in inter-personal as well as in intra-personal controversies. The enquiry here focuses on the ways in which different aspects of the subject and subjective differences affect the conduct, content, and rationality of controversies with others as well as within oneself on a variety of topics. Among such aspects, the contributors analyse the subject's emotions, cognitive states, argumentative practices, and individual and collective identity. The interaction between the two issues, the controversies on the subject and the subject of controversies, sheds new light on the debate on modernity and its alleged crisis.
Indecorous Thinking
Author: Colleen Ruth Rosenfeld
Publisher: Fordham Univ Press
ISBN: 0823277933
Category : Literary Criticism
Languages : en
Pages : 391
Book Description
Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent field of vernacular poesie. The classical ideal of decorum described the absence of visible art as a precondition for rhetoric, civics, and beauty: speaking well meant speaking as if off-the-cuff. Against this ideal, Rosenfeld argues that one of early modern literature's richest contributions to poetics is the idea that indecorous art—artifice that rings out with the bells and whistles of ornamentation—celebrates the craft of poetry even as it expands poetry’s range of activities. Rosenfeld details a lost legacy of humanism that contributes to contemporary debates over literary studies’ singular but deeply ambivalent commitment to form. Form, she argues, must be reexamined through the legacy of figure. Reading poetry by Philip Sidney, Edmund Spenser, and Mary Wroth alongside pedagogical debates of the period and the emergence of empiricism, with its signature commitment to the plain style, Rosenfeld offers a robust account of the triumphs and embarrassments that attended the conspicuous display of artifice. Drawing widely across the arts of rhetoric, dialectic, and poetics, Indecorous Thinking offers a defense of the epistemological value of form: not as a sign of the aesthetic but as the source of a particular kind of knowledge we might call poetic.
Publisher: Fordham Univ Press
ISBN: 0823277933
Category : Literary Criticism
Languages : en
Pages : 391
Book Description
Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent field of vernacular poesie. The classical ideal of decorum described the absence of visible art as a precondition for rhetoric, civics, and beauty: speaking well meant speaking as if off-the-cuff. Against this ideal, Rosenfeld argues that one of early modern literature's richest contributions to poetics is the idea that indecorous art—artifice that rings out with the bells and whistles of ornamentation—celebrates the craft of poetry even as it expands poetry’s range of activities. Rosenfeld details a lost legacy of humanism that contributes to contemporary debates over literary studies’ singular but deeply ambivalent commitment to form. Form, she argues, must be reexamined through the legacy of figure. Reading poetry by Philip Sidney, Edmund Spenser, and Mary Wroth alongside pedagogical debates of the period and the emergence of empiricism, with its signature commitment to the plain style, Rosenfeld offers a robust account of the triumphs and embarrassments that attended the conspicuous display of artifice. Drawing widely across the arts of rhetoric, dialectic, and poetics, Indecorous Thinking offers a defense of the epistemological value of form: not as a sign of the aesthetic but as the source of a particular kind of knowledge we might call poetic.
Many Pious Women
Author: Harry Fox
Publisher: Walter de Gruyter
ISBN: 3110262088
Category : Religion
Languages : en
Pages : 353
Book Description
This work is of importance to anyone with an interest in whether women, especially Jewish Ashkenazic women, had a Renaissance. It details the participation in the Querelle des Femmes and Power of Women topos as expressed in this hagiographic work on the lives of biblical women including the apocryphal Judith. The Power of Women topos is discussed in the context of the reception of the Amazon myth in Jewish literature and the domestication of powerful female figures. In the Querelle our author pleads with husbands for generosity and respect for their wives’ piety. Whether women living in the Renaissance experienced a renaissance is a debate raging since Joan Kelly raised the possibility that this historic phenomenon essentially did not affect women. The question is raised with reference to the women depicted in Many Pious Women. These topics find their expression in a richly annotated translation with extensive introductory essays of a unique 16th–century manuscript in Western Yiddish (Judeo–German) written in Italy. The text will also be useful to scholars of the history of Yiddish and theorists of its development. Women everywhere, gender and Renaissance scholars, Yiddishists and linguists will all welcome this work now available for the very first time in the original text with an English translation.
Publisher: Walter de Gruyter
ISBN: 3110262088
Category : Religion
Languages : en
Pages : 353
Book Description
This work is of importance to anyone with an interest in whether women, especially Jewish Ashkenazic women, had a Renaissance. It details the participation in the Querelle des Femmes and Power of Women topos as expressed in this hagiographic work on the lives of biblical women including the apocryphal Judith. The Power of Women topos is discussed in the context of the reception of the Amazon myth in Jewish literature and the domestication of powerful female figures. In the Querelle our author pleads with husbands for generosity and respect for their wives’ piety. Whether women living in the Renaissance experienced a renaissance is a debate raging since Joan Kelly raised the possibility that this historic phenomenon essentially did not affect women. The question is raised with reference to the women depicted in Many Pious Women. These topics find their expression in a richly annotated translation with extensive introductory essays of a unique 16th–century manuscript in Western Yiddish (Judeo–German) written in Italy. The text will also be useful to scholars of the history of Yiddish and theorists of its development. Women everywhere, gender and Renaissance scholars, Yiddishists and linguists will all welcome this work now available for the very first time in the original text with an English translation.
Seduction and Sacrilege
Author: Rebecca Haidt
Publisher: Bucknell University Press
ISBN: 9780838754443
Category : Literary Criticism
Languages : en
Pages : 172
Book Description
Yet decreasing numbers of late twentieth-century and early twenty-first-century readers are familiar with the novel, due to many factors including its length (six volumes), subject matter (preaching), and a legacy of critical evaluation as a narrative lacking plot and psychological depth."--BOOK JACKET.
Publisher: Bucknell University Press
ISBN: 9780838754443
Category : Literary Criticism
Languages : en
Pages : 172
Book Description
Yet decreasing numbers of late twentieth-century and early twenty-first-century readers are familiar with the novel, due to many factors including its length (six volumes), subject matter (preaching), and a legacy of critical evaluation as a narrative lacking plot and psychological depth."--BOOK JACKET.
Rhetorical Renaissance
Author: Kathy Eden
Publisher: University of Chicago Press
ISBN: 0226821269
Category : Language Arts & Disciplines
Languages : en
Pages : 207
Book Description
Kathy Eden reveals the unexplored classical rhetorical theory at the heart of iconic Renaissance literary works. Kathy Eden explores the intersection of early modern literary theory and practice. She considers the rebirth of the rhetorical art—resulting from the rediscovery of complete manuscripts of high-profile ancient texts about rhetoric by Plato, Aristotle, Cicero, Quintilian, and Tacitus, all unavailable before the early fifteenth century—and the impact of this art on early modern European literary production. This profound influence of key principles and practices on the most widely taught early modern literary texts remains largely and surprisingly unexplored. Devoting four chapters to these practices—on status, refutation, similitude, and style—Eden connects the architecture of the most widely read classical rhetorical manuals to the structures of such major Renaissance works as Petrarch’s Secret, Castiglione’s Book of the Courtier, Erasmus’s Antibarbarians and Ciceronianus, and Montaigne’s Essays. Eden concludes by showing how these rhetorical practices were understood to work together to form a literary masterwork, with important implications for how we read these texts today.
Publisher: University of Chicago Press
ISBN: 0226821269
Category : Language Arts & Disciplines
Languages : en
Pages : 207
Book Description
Kathy Eden reveals the unexplored classical rhetorical theory at the heart of iconic Renaissance literary works. Kathy Eden explores the intersection of early modern literary theory and practice. She considers the rebirth of the rhetorical art—resulting from the rediscovery of complete manuscripts of high-profile ancient texts about rhetoric by Plato, Aristotle, Cicero, Quintilian, and Tacitus, all unavailable before the early fifteenth century—and the impact of this art on early modern European literary production. This profound influence of key principles and practices on the most widely taught early modern literary texts remains largely and surprisingly unexplored. Devoting four chapters to these practices—on status, refutation, similitude, and style—Eden connects the architecture of the most widely read classical rhetorical manuals to the structures of such major Renaissance works as Petrarch’s Secret, Castiglione’s Book of the Courtier, Erasmus’s Antibarbarians and Ciceronianus, and Montaigne’s Essays. Eden concludes by showing how these rhetorical practices were understood to work together to form a literary masterwork, with important implications for how we read these texts today.
Impressive Shakespeare
Author: Harry Newman
Publisher: Routledge
ISBN: 1317118324
Category : Literary Collections
Languages : en
Pages : 326
Book Description
Impressive Shakespeare reassesses Shakespeare’s relationship with "print culture" in light of his plays’ engagement with the language and material culture of three interrelated "impressing technologies": wax sealing, coining, and typographic printing. It analyses the material and rhetorical forms through which drama was thought to "imprint" early modern audiences and readers with ideas, morals and memories, and—looking to our own cultural moment—shows how Shakespeare has been historically constructed as an "impressive" dramatist. Through material readings of four plays—Coriolanus, A Midsummer Night’s Dream, Measure for Measure and The Winter’s Tale—Harry Newman argues that Shakespeare deploys the imprint as a self-reflexive trope in order to advertise the value of his plays to audiences and readers, and that in turn the language of impression has shaped, and continues to shape, Shakespeare’s critical afterlife. The book pushes the boundaries of what we understand by "print culture", and challenges assumptions about the emergence of concepts now central to Shakespeare’s perceived canonical value, such as penetrating characterisation, poetic transformation, and literary fatherhood. Harry Newman’s suggestive analysis of techniques and tropes of sealing, coining and printing produces a revelatory account of Shakespearean creative poetics. It’s sustainedly startling in its rereading of familiar lines - but the chapter I found most original is on Measure for Measure: Newman is the first critic to attempt to interpret the play’s authorial status as part of its own thematic and linguistic interrogation of illegitimacy and counterfeiting. He makes authorship matter in a literary and creative, rather than a quantitative and statistical, sense. Impressive Shakespeare is a brilliant scholarly debut. - Emma Smith Editor, Shakespeare Survey Professor of Shakespeare Studies, Hertford College, Oxford
Publisher: Routledge
ISBN: 1317118324
Category : Literary Collections
Languages : en
Pages : 326
Book Description
Impressive Shakespeare reassesses Shakespeare’s relationship with "print culture" in light of his plays’ engagement with the language and material culture of three interrelated "impressing technologies": wax sealing, coining, and typographic printing. It analyses the material and rhetorical forms through which drama was thought to "imprint" early modern audiences and readers with ideas, morals and memories, and—looking to our own cultural moment—shows how Shakespeare has been historically constructed as an "impressive" dramatist. Through material readings of four plays—Coriolanus, A Midsummer Night’s Dream, Measure for Measure and The Winter’s Tale—Harry Newman argues that Shakespeare deploys the imprint as a self-reflexive trope in order to advertise the value of his plays to audiences and readers, and that in turn the language of impression has shaped, and continues to shape, Shakespeare’s critical afterlife. The book pushes the boundaries of what we understand by "print culture", and challenges assumptions about the emergence of concepts now central to Shakespeare’s perceived canonical value, such as penetrating characterisation, poetic transformation, and literary fatherhood. Harry Newman’s suggestive analysis of techniques and tropes of sealing, coining and printing produces a revelatory account of Shakespearean creative poetics. It’s sustainedly startling in its rereading of familiar lines - but the chapter I found most original is on Measure for Measure: Newman is the first critic to attempt to interpret the play’s authorial status as part of its own thematic and linguistic interrogation of illegitimacy and counterfeiting. He makes authorship matter in a literary and creative, rather than a quantitative and statistical, sense. Impressive Shakespeare is a brilliant scholarly debut. - Emma Smith Editor, Shakespeare Survey Professor of Shakespeare Studies, Hertford College, Oxford
Psychoanalysis in Context
Author: Alvin Henry
Publisher: Cambridge Scholars Publishing
ISBN: 1527551431
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Drawing on methods and approaches from various schools of psychoanalysis, comparative literature, and cultural studies, the contributors to Psychoanalysis in Context examine how the circulation of psychoanalysis across time and place reflects and shapes literature and literary criticism. The essays in this volume cover a wide geographic and thematic range while attending to the historical moment of the literature, the psychoanalysis, and the interpretations—and misinterpretations—of psychoanalysis. Adrienne Seely examines the psychoanalytic dimensions of narrative structure in light of masochistic aesthetics and of the situating of women and robots both beneath and beyond humanist ideology. Simon Porzak analyzes the reconfiguration of the father figure through poetry. Nicholas Ray examines the close historical and theoretical connections between Freud’s interpretative appeal to tragic drama and his professed abandonment of the seduction theory. Vera Profit asks how the question of evil challenges the limits of literary representation. Laura Dawkins examines the applicability of psychoanalytic paradigms to African American literature and culture. Brian Glaser questions how psychoanalysis helps to distinguish insight and wisdom from mechanism or defense in reading the poetry of modernist male subjectivity. Shirley Zisser explores unseen dimensions of psychosis and establishes the main symptom of culture. Michael Angelo Tata analyzes the transformation of Lacan’s objet a under Late Capitalism and the emergence of a new form of desire. Erica Galioto strives to produce an alliance across multiple psychoanalytic discourses by redefining Freud’s notion of transference. Hilary Thompson challenges the historical legacy of psychoanalysis in the colonial context to demonstrate the polarity yet compatibility of psychic and political models of melancholia in the postcolonial context. In the final chapter Maire Jaanus provides a definitive reading of Albert Camus’s The Stranger and traces Lacan’s shift from conceptualizing the unconscious as able to constantly register and interpret language to that of a Real Unconscious which is amorphous and formless jouissance. Jaanus analyzes the development of ordinary psychosis; she ends her reading with a stunning reply to Edward Said’s identity politics reading of the novel to reveal how a phallic reading cannot imagine a corporeal fantasy beyond the sexual. This collection of essays offers a series of fresh and critical insights into the literary history of both psychoanalysis and literature. Contributors: Laura Dawkins, Erica Galioto, Brian Glaser, Maire Jaanus, Simon Porzak, Vera Profit, Nicholas Ray, Adrienne Seely, Michael Angelo Tata, Hilary Thompson and Shirley Zisser.
Publisher: Cambridge Scholars Publishing
ISBN: 1527551431
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Drawing on methods and approaches from various schools of psychoanalysis, comparative literature, and cultural studies, the contributors to Psychoanalysis in Context examine how the circulation of psychoanalysis across time and place reflects and shapes literature and literary criticism. The essays in this volume cover a wide geographic and thematic range while attending to the historical moment of the literature, the psychoanalysis, and the interpretations—and misinterpretations—of psychoanalysis. Adrienne Seely examines the psychoanalytic dimensions of narrative structure in light of masochistic aesthetics and of the situating of women and robots both beneath and beyond humanist ideology. Simon Porzak analyzes the reconfiguration of the father figure through poetry. Nicholas Ray examines the close historical and theoretical connections between Freud’s interpretative appeal to tragic drama and his professed abandonment of the seduction theory. Vera Profit asks how the question of evil challenges the limits of literary representation. Laura Dawkins examines the applicability of psychoanalytic paradigms to African American literature and culture. Brian Glaser questions how psychoanalysis helps to distinguish insight and wisdom from mechanism or defense in reading the poetry of modernist male subjectivity. Shirley Zisser explores unseen dimensions of psychosis and establishes the main symptom of culture. Michael Angelo Tata analyzes the transformation of Lacan’s objet a under Late Capitalism and the emergence of a new form of desire. Erica Galioto strives to produce an alliance across multiple psychoanalytic discourses by redefining Freud’s notion of transference. Hilary Thompson challenges the historical legacy of psychoanalysis in the colonial context to demonstrate the polarity yet compatibility of psychic and political models of melancholia in the postcolonial context. In the final chapter Maire Jaanus provides a definitive reading of Albert Camus’s The Stranger and traces Lacan’s shift from conceptualizing the unconscious as able to constantly register and interpret language to that of a Real Unconscious which is amorphous and formless jouissance. Jaanus analyzes the development of ordinary psychosis; she ends her reading with a stunning reply to Edward Said’s identity politics reading of the novel to reveal how a phallic reading cannot imagine a corporeal fantasy beyond the sexual. This collection of essays offers a series of fresh and critical insights into the literary history of both psychoanalysis and literature. Contributors: Laura Dawkins, Erica Galioto, Brian Glaser, Maire Jaanus, Simon Porzak, Vera Profit, Nicholas Ray, Adrienne Seely, Michael Angelo Tata, Hilary Thompson and Shirley Zisser.
Time and Memory
Author: Jo Alyson Parker
Publisher: BRILL
ISBN: 904741117X
Category : Science
Languages : en
Pages : 339
Book Description
The nature of time has haunted humankind through the ages. Some conception of time has always entered into our ideas about mortality and immortality, and permanence and change, so that concepts of time are of fundamental importance in the study of religion, philosophy, literature, history, and mythology. On one aspect or another, the study of time cuts across all disciplines. The International Society for the Study of Time has as its goal the interdisciplinary and comparative study of time. This volume presents selected essays from the 12th triennial conference of the International Society for the Study of Time at Clare College, Cambridge. The essays are clustered around themes that pertain to the constructive and destructive nature of memory in representations and manipulations of time. The volume is divided into three sections Inscribing and Forgetting, Inventing, and Commemoration wherein the authors grapple with the nature of memory as a medium that reflects the passage of time.
Publisher: BRILL
ISBN: 904741117X
Category : Science
Languages : en
Pages : 339
Book Description
The nature of time has haunted humankind through the ages. Some conception of time has always entered into our ideas about mortality and immortality, and permanence and change, so that concepts of time are of fundamental importance in the study of religion, philosophy, literature, history, and mythology. On one aspect or another, the study of time cuts across all disciplines. The International Society for the Study of Time has as its goal the interdisciplinary and comparative study of time. This volume presents selected essays from the 12th triennial conference of the International Society for the Study of Time at Clare College, Cambridge. The essays are clustered around themes that pertain to the constructive and destructive nature of memory in representations and manipulations of time. The volume is divided into three sections Inscribing and Forgetting, Inventing, and Commemoration wherein the authors grapple with the nature of memory as a medium that reflects the passage of time.