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Author: James Morgat
Publisher:
ISBN: 9783656540199
Category :
Languages : en
Pages : 26
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Book Description
Essay from the year 2010 in the subject Communications - Movies and Television, language: English, comment: author is james morgart, abstract: Most scholarship on the horror film has assumed that males are the primary spectators of horror; however, there have been developments, both in scholarship as well as in mainstream media, to contradict this point. In 2009, journalist Michelle Orange pointed out, in an article written for the New York Times, "Recent box office receipts show that women have an even bigger appetite for these [horror] films than men." Furthermore, Brigid Cherry has continually underscored the point that horror has its roots in the Gothic, a traditionally female genre whose roots are traced back to the sexually transgressive Horace Walpole and female writer Mary Shelley. Cherry also points out that a 1996 market survey "found that Madame Tussaud's Chamber of Horrors was 'more popular with women than men, with over twice as many women than men liking it, '" and that despite claims by Linda Williams that women "refuse to look" at scenes of horror, the gratuitous shows played at the renown Grand Guignol often resulted in women assisting men from walking out of the theater after the men had fainted at the scenes of blood and gore. Cherry's implication, obviously, is that women have always enjoyed horror, but their enjoyment of the genre has gone unnoticed, and perhaps this is true, however, both Cherry and Orange have missed an even more significant emergent trend in horror.
Author: James Morgat
Publisher:
ISBN: 9783656540199
Category :
Languages : en
Pages : 26
Get Book Here
Book Description
Essay from the year 2010 in the subject Communications - Movies and Television, language: English, comment: author is james morgart, abstract: Most scholarship on the horror film has assumed that males are the primary spectators of horror; however, there have been developments, both in scholarship as well as in mainstream media, to contradict this point. In 2009, journalist Michelle Orange pointed out, in an article written for the New York Times, "Recent box office receipts show that women have an even bigger appetite for these [horror] films than men." Furthermore, Brigid Cherry has continually underscored the point that horror has its roots in the Gothic, a traditionally female genre whose roots are traced back to the sexually transgressive Horace Walpole and female writer Mary Shelley. Cherry also points out that a 1996 market survey "found that Madame Tussaud's Chamber of Horrors was 'more popular with women than men, with over twice as many women than men liking it, '" and that despite claims by Linda Williams that women "refuse to look" at scenes of horror, the gratuitous shows played at the renown Grand Guignol often resulted in women assisting men from walking out of the theater after the men had fainted at the scenes of blood and gore. Cherry's implication, obviously, is that women have always enjoyed horror, but their enjoyment of the genre has gone unnoticed, and perhaps this is true, however, both Cherry and Orange have missed an even more significant emergent trend in horror.
Author: Alison Peirse
Publisher: Rutgers University Press
ISBN: 197880511X
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
Women Make Horror studies women practitioners in the film industry and sets right the assumptions about women and the horror genre. It explores narrative and experimental cinema, short, anthology and feature-filmmaking, and offers case studies of North American, Latin American, European, East Asian and Australian filmmakers, films and festivals. With this book we can transform how we think about women filmmakers and genre.
Author: Carol J. Clover
Publisher: Princeton University Press
ISBN: 0691166293
Category : Performing Arts
Languages : en
Pages : 276
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Book Description
Examining the popularity of low-budget cinema, particularly slasher, occult, and rape-revenge films, the author argues that, while such films have been traditionally understood as offering only sadistic pleasure to their mostly male audiences, in actuality they align spectators not with the male tormentor but with the females being tormented--particularly the slasher movie's "final girls"--Who endure fear and degradation before rising to save themselves.--Adapted from publisher description.
Author: Alison Peirse
Publisher: Rutgers University Press
ISBN: 1978805136
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
Winner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body. Women Make Horror explores narrative and experimental cinema; short, anthology, and feature filmmaking; and offers case studies of North American, Latin American, European, East Asian, and Australian filmmakers, films, and festivals. With this book we can transform how we think about women filmmakers and genre.
Author: Heidi Honeycutt
Publisher: SCB Distributors
ISBN: 1915316308
Category : Performing Arts
Languages : en
Pages : 584
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Book Description
Slumber Party Massacre. Pet Sematary. Near Dark. American Psycho... These horror movies have heavily contributed to pop culture and are loved by horror fans everywhere. But so many others have been forgotten by history. From the first silent reels to modern independent films, in this book you’ll discover the creepy, horrible, grotesque, beautiful, wrong, good, and fantastic — and the one thing they share in common. This is the true history of women directing horror movies. Having conducted hundreds of interviews and watched thousands of horror films, Heidi Honeycutt defines the political and cultural forces that shape the way modern horror movies are made by women. The women’s rights and civil rights movements, new distribution technology, digital cameras, the destruction of the classic studio system, and the abandonment of the Hays code have significantly impacted women directors and their movies. So, too, social media, modern ideas of gender and racial equality, LGBTQ acceptance, and a new generation of provocative, daring films that take shocking risks in the genre. Includes short films, anthologies, documentaries, animated horror, horror pornography, pink films, and experimental horror. I Spit on Your Celluloid is a first-of-its-kind celebration, study, and “a book that needed to be written” (says cult filmmaker Stephanie Rothman). You will never look at horror movies the same way again!
Author: Amanda Howell
Publisher: Springer Nature
ISBN: 3031128443
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
This book focuses on how the abject spectacle of the ‘monstrous feminine’ has been reimagined by recent and contemporary screen horrors focused on the desires and subjectivities of female monsters who, as anti-heroic protagonists of revisionist and reflexive texts, exemplify gendered possibility in altered cultures of 21st century screen production and reception. As Barbara Creed notes in a recent interview, the patriarchal stereotype of horror that she named ‘the monstrous-feminine’ has, decades later, ‘embarked on a life of her own’. Focused on this altered and renewed form of female monstrosity, this study engages with an international array of recent and contemporary screen entertainments, from arthouse and indie horror films by emergent female auteurs, to the franchised products of multimedia conglomerates, to 'quality' television horror, to the social media-based creations of horror fans working as ‘pro-sumers’. In this way, the monograph in its organisation and scope maps the converged and rapidly changing environment of 21st century screen cultures in order to situate the monstrous female anti-hero as one of its distinctive products.
Author: Isabel Cristina Pinedo
Publisher: State University of New York Press
ISBN: 1438416164
Category : Social Science
Languages : en
Pages : 198
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Book Description
In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female spectators. She challenges the conventional wisdom that violent horror films can only degrade women and incite violence, and contends instead that the contemporary horror film speaks to the cultural need to express rage and terror in the midst of social upheaval.
Author: Cher Martinetti
Publisher: Running Press Adult
ISBN: 0762498528
Category : Biography & Autobiography
Languages : en
Pages : 420
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Book Description
Celebrate the empowering and inspiring women who helped create, shape, and make pop culture great, from the creator of SYFY WIRE's FANGRRLS and the podcast "Forgotten Women of Genre"! In every medium in popular culture—from books, films, and video games to comics, television, and animation—women have been instrumental in creating and shaping the worlds, characters, and genres that we know and love. However, much of their hard work and innovation has gone largely unrecognized—until now. With a foreword by American Gods actress Yetide Badaki and essays exploring the history and transformation of pop culture's genres and mediums, Pop Culture Pioneers explores and pays respect to the women who played a crucial role in creating and influencing of some of the most famous worlds and characters in pop culture including: Directors & Producers like Karyn Kusama (Aeon Flux, Jennifer's Body), Denise Di Novi (co-producer of Batman Returns, The Nightmare Before Christmas), and Jean MacCurdy (producer of Batman: The Animated Series, Animaniacs) Writers & Editors like Jeanette Khan (editor and publisher of DC Comics), Alice Bradley Sheldon (writing as James Tiptree Jr.), and Alison Bechdel (Fun Home) Animators & Artists like Rebecca Sugar (Steven Universe), Noelle Stevenson (She-Ra and the Princesses of Power) and Brenda Chapman (animator and director of Brave) As well as Marlene Clark (Blaxploitation actress), Roberta Williams (creator of the adventure game genre), Yvonne Blake (costume designer for Superman), Bonnie Erickson (co-creator of Miss Piggy), and many more.
Author: Samantha Holland
Publisher: Emerald Group Publishing
ISBN: 1787698971
Category : Social Science
Languages : en
Pages : 272
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Book Description
This edited collection focuses on gender and contemporary horror in film, examining how and if representations of gender in horror have changed.
Author: Alyse Wax
Publisher:
ISBN: 9781629337487
Category :
Languages : en
Pages : 204
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Book Description
The scope of Creepy Bitches covers all areas of the horror genre, film industry, and fandom.
