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Author: Alexander Wight
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
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Author: Alexander Wight
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
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Author: Perth (W.A.). Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 618
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Author: Walter Scott
Publisher: e-artnow
ISBN: 807583383X
Category : Fiction
Languages : en
Pages : 15714
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This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: INTRODUCTION SIR WALTER SCOTT AND LADY MORGAN by Victor Hugo MEMORIES AND PORTRAITS by Robert Louis Stevenson SCOTT AND HIS PUBLISHERS by Charles Dickens WAVERLY NOVELS WAVERLEY GUY MANNERING THE ANTIQUARY ROB ROY IVANHOE KENILWORTH THE PIRATE THE FORTUNES OF NIGEL PEVERIL OF THE PEAK QUENTIN DURWARD ST. RONAN'S WELL WOODSTOCK THE FAIR MAID OF PERTH ANNE OF GEIERSTEIN Tales of My Landlord OLD MORTALITY BLACK DWARF THE HEART OF MIDLOTHIAN THE BRIDE OF LAMMERMOOR A LEGEND OF MONTROSE COUNT ROBERT OF PARIS CASTLE DANGEROUS Tales from Benedictine Sources THE MONASTERY THE ABBOT Tales of the Crusaders THE BETROTHED THE TALISMAN SHORT STORIES: Chronicles of the Canongate CHRONICLES OF THE CANONGATE - INTRODUCTORY THE HIGHLAND WIDOW THE TWO DROVERS THE SURGEON'S DAUGHTER The Keepsake Stories MY AUNT MARGARET'S MIRROR THE TAPESTRIED CHAMBER DEATH OF THE LAIRD'S JOCK CHRISTOPHER CORDUROY PHANTASMAGORIA THE INFERNO OF ALTISIDORA A HIGHLAND ANECDOTE DEPRAVITY AMONG ANIMALS Translation GOETZ OF BERLICHINGEN, WITH THE IRON HAND Plays HALIDON HILL MACDUFF'S CROSS THE DOOM OF DEVORGOIL AUCHINDRANE Poetry Journal Letters PAUL'S LETTERS TO HIS KINSFOLK LETTERS OF MALACHI MALAGROWTHER LETTERS ON DEMONOLOGY AND WITCHCRAFT Historical Works TALES OF A GRANDFATHER IN FIVE VOLUMES THE LIFE OF JOHN DRYDEN THE LIFE OF NAPOLEON BUONAPARTE Articles RELIQUES OF ROBERT BURNS LIFE AND WORKS OF JOHN HOME LIFE OF KEMBLE — KELLY'S REMINISCENCES SALMONIA ON PLANTING WASTE LANDS ON LANDSCAPE GARDENING TRIAL OF DUNCAN TERIG ALIAS CLERK, AND ALEXANDER BANE MACDONALD BIOGRAPHIES: SIR WALTER SCOTT by George Saintsbury SIR WALTER SCOTT by Richard H. Hutton THE LIFE OF SIR WALTER SCOTT by J. G. Lockhart ...
Author: Walter Scott
Publisher: Good Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 15722
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The Complete Works of Sir Walter Scott (Illustrated) is a comprehensive collection of the literary works by the acclaimed author Walter Scott. Known for his historical novels and poems, Scott's writing style is characterized by vivid descriptions, intricate plots, and rich character development. This collection includes his most famous works such as Ivanhoe, Rob Roy, and Waverley, all accompanied by illustrations that bring his stories to life. The book not only showcases Scott's mastery of storytelling but also provides a glimpse into the historical context and societal issues of the time in which he wrote. Readers can immerse themselves in the world of chivalry, adventure, and romance that Scott expertly crafted in his works. The Complete Works of Sir Walter Scott (Illustrated) is a must-read for literature enthusiasts, history buffs, and anyone who appreciates timeless storytelling that transcends generations.
Author: John Rosselli
Publisher: University of California Press
ISBN: 0520309197
Category : History
Languages : en
Pages : 386
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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
Author: Calcutta (India). Imperial library
Publisher:
ISBN:
Category : India
Languages : en
Pages : 384
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Author: Andrew Lang
Publisher: Library of Alexandria
ISBN: 1465527419
Category : Fiction
Languages : en
Pages : 18996
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When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with EuropeanMärchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis—“I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. “The deeds of men” were chanted by heroes, as by Achilles; stories were told in alternate verse and prose; girls, like Homer’s Nausicaa, accompanied dance and ball play, priests and medicine-men accompanied rites and magical ceremonies by songs. These practices are world-wide, and world-old. The thoroughly popular songs, thus evolved, became the rude material of a professional class of minstrels, when these arose, as in the heroic age of Greece. A minstrel might be attached to a Court, or a noble; or he might go wandering with song and harp among the people. In either case, this class of men developed more regular and ample measures. They evolved the hexameter; the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Léon Gautier’s Introduction to his Epopées Françaises) sang in Court and Camp. The poorer, less regular brethren of the art, harped and played conjuring tricks, in farm and grange, or at street corners. The foreign newer metres took the place of the old alliterative English verse. But unprofessional men and women did not cease to make and sing.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 820
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Author:
Publisher:
ISBN:
Category : Scotland
Languages : en
Pages : 514
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Author: George Douglas
Publisher:
ISBN:
Category : Peeblesshire
Languages : en
Pages : 516
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