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Author: Daniel Henry Kahnweiler
Publisher:
ISBN:
Category : Cubism
Languages : en
Pages : 56
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Book Description
Author: Daniel Henry Kahnweiler
Publisher:
ISBN:
Category : Cubism
Languages : en
Pages : 56
Get Book Here
Book Description
Author: Daniel-Henry Kahnweiler
Publisher: Forgotten Books
ISBN: 9781528564496
Category : Art
Languages : en
Pages : 50
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Book Description
Excerpt from Rise of Cubism Impressionism rejuvenated painting; it brightened the palette and broke with old superfluous laws. Its goal, however, was too limited to suffice for more than one generation. With it, illusionism appeared as one last burst of color pyro technics, sputtered and extinguished itself. The period following Impressionism must be described as lyric, not lyric in the literary sense of mood, but lyric in the pain'terly sense of form. The purpose of recording history, which painting had fulfilled before Masaccio in a narrative fashion and after him in a dramatic fashion, had vanished. And for that reason painting in our time has become lyric, its stimulus the pure intense delight in the beauty of things. Lyric painting celebrates this beauty without epic or dramatic overtones. It strives to capture this beauty in the unity of the work of art. The nature of the new painting is clearly characterized as representational as well as structural: representational in that it tries to repro duce the formal beauty of things; structural in its attempt to grasp the meaning of this formal beauty in the painting. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Kahnweiler Daniel-Henry
Publisher:
ISBN: 9780243830206
Category :
Languages : en
Pages :
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Author: Arthur Jerome Eddy
Publisher:
ISBN: 9781330714751
Category : Art
Languages : en
Pages : 330
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Book Description
Excerpt from Cubists and Post-Impressionism This book was written in 1913 and published in March, 1914. Six months later Europe was in war. The academic historian will seek the cause or causes of the war in more or less concrete events and more or less obvious ambitions and aspirations of this or that nation. The profounder and more philosophical searcher after the motives and forces that control the destinies of man may reach the conclusion that the development of the western world had reached a condition where an explosion was inevitable, or, as one might say, an equilibrium so unstable a crash could not be avoided. The assassination of a Grand Duke could not plunge a world into war unless the world was on the verge of war. Princes, Grand-dukes, Kings and Queens have been assassinated with no results other than a few headlines and messages of condolence, but when Europe is ready for war and war is inevitable one excuse is as good as another. For a long time prior to the assassination of the Grand Duke at Sarajevo, 1914, the nations of not only Europe but the Orient were on edge. A war spirit was prevalent in even this country. In 1912 a the writer published a book which dealt with the existing competitive conditions in the industrial and commercial world. On pages 41-42 of that book I said: "The history of nations shows how the pendulum of progress swings to and fro from perfection in little things to perfection in big things. At the same period one nation may be doing things intensively, while another is doing things in a spirit of extension; one may be living a life of extraordinary fullness within its gates, another may find satisfaction only in conquering the earth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Henry R. Poore
Publisher: Forgotten Books
ISBN: 9780260375322
Category :
Languages : en
Pages : 86
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Book Description
Excerpt from The New Tendency, in Art: Post Impressionism, Cubism, Futurism In the New Movement in art we can detect the same protesting spirit in which Luther nailed his theses upon the Church door of Wittenberg when he tried to raise formalism to the higher power of faith. Here likewise is a protest that demands the eye of faith, with its ability to see the spirit. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Max Weber
Publisher: Forgotten Books
ISBN: 9780267236770
Category : Poetry
Languages : en
Pages : 68
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Book Description
Excerpt from Cubist Poems Max weber is an American of Russian descent. He received his first art training at the Pratt Institute of Brooklyn, New York, became a teacher of art for several years, and on his savings went to Paris to study. Here he came in touch with Matisse, and became one of his first pupils. El Greco, Cezanne, Henri Rousseau, and Picasso, are the painters with whose work he is most in sympathy; but best of all he likes to study the art of primitive peoples, the sculptures of Egypt and Assyria, the great simple things that have come down to us in stone from the past. Recently, within the last year or so, he has written poetry, and this is his first published. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Willard Bohn
Publisher: State University of New York Press
ISBN: 079148971X
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
In The Rise of Surrealism, Willard Bohn examines the various literary and artistic developments that prepared the way for the international Surrealist movement—including Cubism, Metaphysical Art, and Dada—as well as the triumph of Surrealism itself. In an analysis that spans the first two-thirds of the twentieth century, Bohn surveys writers and artists from France, Italy, Germany, Spain, Argentina, Mexico, Chile, and the United States, examining both their aversion to mimesis and the solutions they devised to replace it. Much of the book is concerned with competing artistic models and with different strategies for creating avant-garde works, and focuses on such figures as Guillaume Apollinaire, Max Weber, Marius de Zayas, Francis Picabia, Giorgio de Chirico, André Breton, J. V. Foix, and Joan Miró. The dynamics of the imagery that painters and poets chose to employ and the new roles this imagery assumed in their compositions are also discussed.
Author: David Cottington
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 352
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Book Description
Cubism was the most influential artistic movement that emerged in the twentieth century. The hallmarks of its style were stamped on the art, design and architecture and its aesthetic principles governed the representation of modernity across all the arts. Yet just what cubism was, or stood for, at the time of its emergence is still in dispute, while the explanations offered for its importance for twentieth-century art, and its legacy for the present, are bewildering in their variety.This fascinating book offers a way beyond this confusion: a narrative of its beginnings, consolidation and dissemination that takes into account not only what the style and the movement signified at the time of its emergence but also the principal writings through which cubism's significance for modernism has been established. Visually stunning with over 100 illustrations, this is an essential work for all students and teachers of modern art history.
Author: Emily Braun
Publisher: Metropolitan Museum of Art
ISBN: 0300208073
Category : Art
Languages : en
Pages : 394
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Book Description
This beautifully illustrated volume tells the story of Cubism through twenty-two essays that explore the most significant private holding of Cubist art in the world today, the Leonard A. Lauder Collection, now a promised gift to The Metropolitan Museum of Art. The eighty works featured in this volume—by Georges Braque, Juan Gris, Fernand Léger, and Pablo Picasso‐are among the most important and visually arresting in the movement’s history. These masterpieces, critical to the development of Cubism, include such groundbreaking paintings as Braque’s Trees at L’Estaque, considered one of the very first Cubist pictures; Picasso’s Still Life with Fan: “L’Indépendant,” one of the first to introduce typography; Gris’s noirish, uncanny The Man at the Café, one of his most celebrated collages; and Léger’s uniquely ambitious Composition (The Typographer). Written by renowned experts on this subject, the essays trace the evolution of Cubism from its origins in the still lifes, portraits, and collages of Braque and Picasso through the precisely delineated compositions by Gris that prefigure the Synthetic Cubism of the war years to Léger’s distinctive intersections of spherical, cylindrical, and cubic forms that evoke the syncopated rhythms of modern life. Also included are a fascinating interview in which Leonard Lauder discusses his approach to collecting, an investigative essay on the information gleaned from the backs of the works themselves, and an authoritative catalogue that further establishes the lives of these magnificent objects. A publication to place alongside the great histories of Modernism, this comprehensive book will stand as the resource for understanding Cubism for many years to come. -
Author:
Publisher: Univ. Press of Mississippi
ISBN: 9781604737752
Category : Art, American
Languages : en
Pages : 230
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