Author: Elizabeth Sussex
Publisher: Berkeley : University of California Press
ISBN: 9780520028692
Category : Performing Arts
Languages : en
Pages : 219

Get Book Here

Book Description

Author: Elizabeth Sussex
Publisher:
ISBN:
Category :
Languages : en
Pages : 219

Get Book Here

Book Description

Author: Brendan Simms
Publisher: Basic Books
ISBN: 0786727225
Category : History
Languages : en
Pages : 836

Get Book Here

Book Description
In the eighteenth century, Britain became a world superpower through a series of sensational military strikes. Traditionally, the Royal Navy has been seen as Britain's key weapon, but in Three Victories and a Defeat Brendan Simms argues that Britain's true strength lay with the German aristocrats who ruled it at the time. The House of Hanover superbly managed a complex series of European alliances that enabled Britain to keep the continental balance of power in check while dramatically expanding her own empire. These alliances sustained the nation through the War of the Spanish Succession, the War of the Austrian Succession, and the Seven Years' War. But in 1776, Britain lost the American continent by alienating her European allies. An extraordinary reinterpretation of British and American history, Three Victories and a Defeat is a masterwork by a rising star of the historical profession.

Author: J. Chapman
Publisher: Springer
ISBN: 0230392873
Category : Performing Arts
Languages : en
Pages : 531

Get Book Here

Book Description
A New History of British Documentary is the first comprehensive overview of documentary production in Britain from early film to the present day. It covers both the film and television industries and demonstrates how documentary practice has adapted to changing institutional and ideological contexts.

Author: Richard Barsam
Publisher: Indiana University Press
ISBN: 9780253207067
Category : Performing Arts
Languages : en
Pages : 508

Get Book Here

Book Description
"Richard Barsam has given us as comprehensive a study of the origins and development of the nonfiction mode in motion pictures as we are ever likely to have in one volume. He draws on all the major written sources and many which are little known, and he shares with us many eloquent descriptions of the films themselves, giving us a valuable textbook." --Richard Dyer MacCann "... superb work... " --Historical Journal of Film, Radio, and Television

Author: Peter L. Bergen
Publisher: Simon and Schuster
ISBN: 1982170530
Category : Biography & Autobiography
Languages : en
Pages : 416

Get Book Here

Book Description
The world’s leading expert on Osama bin Laden delivers for the first time the “riveting” (The New York Times) definitive biography of a man who set the course of American foreign policy for the 21st century and whose ideological heirs we continue to battle today. In The Rise and Fall of Osama bin Laden, Peter Bergan provides the first reevaluation of the man responsible for precipitating America’s long war with al-Qaeda and its decedents, capturing bin Laden in all the dimensions of his life: as a family man, as a zealot, as a battlefield commander, as a terrorist leader, and as a fugitive. The book sheds light on his many contradictions: he was the son of a billionaire yet insisted his family live like paupers. He adored his wives and children, depending on his two wives, both of whom had PhDs, to make critical strategic decisions. Yet, he also brought ruin to his family. He was fanatically religious but willing to kill thousands of civilians in the name of Islam. He inspired deep loyalty, yet, in the end, his bodyguards turned against him. And while he inflicted the most lethal act of mass murder in United States history, he failed to achieve any of his strategic goals. In his final years, the lasting image we have of bin Laden is of an aging man with a graying beard watching old footage of himself, just as another dad flipping through the channels with his remote. In the end, bin Laden died in a squalid suburban compound, far from the front lines of his holy war. And yet, despite that unheroic denouement, his ideology lives on. Thanks to exclusive interviews with family members and associates, and documents unearthed only recently, Bergen’s “comprehensive, authoritative, and compelling” (H.R. McMaster, author of Dereliction of Duty and Battlegrounds: The Fight to Defend the Free World) portrait of Osama bin Laden reveals for the first time who he really was and why he continues to inspire a new generation of jihadists.

Author: James G. Mansell
Publisher: Bloomsbury Publishing
ISBN: 183902044X
Category : Performing Arts
Languages : en
Pages : 352

Get Book Here

Book Description
The General Post Office (GPO) Film Unit sat at the creative epicentre of Britain in the 1930s. It nurtured a vital crop of artistic talent, built a forum for a new kind of cinematic address and created Britain's first self-consciously national cinema. In 2011, UNESCO added its work to the UK Memory of the World Register, recognising its status as part of Britain's cultural heritage. Elements of the GPO Film Unit's story are well known: John Grierson's development of documentary cinema; the influence of Mass Observation and Surrealism on its cinematic vision; the Watt–Auden–Britten collaboration Night Mail. The Projection of Britain: A History of the GPO Film Unit brings together primary materials and critical appraisals to revisit, re-contextualise and revitalise these seminal moments in British cinema. Here, the insights of an archivist, a musicologist, a design historian, a sports historian, a geographer and a postman – among others – have been edited into a rich critical archaeology of a compelling moment in cinematic history. Interspersed with these essays are primary materials – memoirs, magazine articles, posters and government documents – that detail everything from Alberto Cavalcanti's vision for the documentary movement to a claim for the clothes Humphrey Jennings lost while shooting on location. In recent years there has been a resurgence of interest in the GPO Film Unit and its work, on the big screen, in DVD boxsets and on the web. The Projection of Britain ties together the Unit's diverse artistic, historical and cultural threads into an essential one-stop resource. Provocative, imaginative and ambitious, this expansive study is the definitive companion to an extraordinary episode in cinematic history.

Author: Denis Judd
Publisher: Oxford University Press, USA
ISBN: 9780192803580
Category : History
Languages : en
Pages : 290

Get Book Here

Book Description
An authoritative and lively account of the long and controversial history of the British in India, from the foundation of the East India Company in 1600; to Ghandi's innovative leadership of the increasingly militant Indian Nationalist movement: and finally to Lord Mountbatten's 'swift surgeryof partition', leaving behind the Independent states of India and Pakistan.Against this epic backdrop, Judd explores the consequences of British control for both Indians and the British in India.What was the effect on their daily lives, and on the lives they were effectively controlling? Were the British intent on development or exploitation? Were they a 'civilizing'force? Easy answers are avoided, and difficult questions provoked in this fascinating book.

Author: Philip C. Logan
Publisher: Routledge
ISBN: 131711938X
Category : Performing Arts
Languages : en
Pages : 400

Get Book Here

Book Description
Humphrey Jennings ranks amongst the greatest film makers of twentieth century Britain. Although a relatively unknown figure to the wider public, his war-time documentaries are regarded by many (including Lord Puttnam, Lindsay Anderson and Mike Leigh) as amongst the finest films of their time. Groundbreaking both in terms of their technique and their interest in, and respect for, the everyday experiences of ordinary people, these films are much more than mere government propaganda. Instead, Jennings work offers an unparalleled window into the British home-front, and the hopes, fears and expectations of a nation fighting for its survival. Yet until now, Jennings has remained a shadowy figure; with his life and work lacking the sustained scholarly investigation and reassessment they deserve. As such film and social historians will welcome this new book which provides an up-to-date and thorough exploration of the relationships between Jennings life, ideas and films. Arguing that Jennings's film output can be viewed as part of a coherent intellectual exercise rather than just one aspect of the artistic interests of a wide ranging intellectual, Philip Logan, paints a much fuller and more convincing picture of the man than has previously been possible. He shows for the first time exactly how Jennings's artistic expression was influenced by the fundamental intellectual, social and cultural changes that shook British society during the first decades of the twentieth century. Combining biography, social history and international artistic thought, the book offers a fascinating insight into Jennings, his work, the wider British documentary film movement and the interaction between art and propaganda. Bringing together assessments of his tragically short life and his films this book is essential reading for anyone with an interest in British cinema or the social history of Britain in the 1930s and 40s.

Author: Gregor Muir
Publisher: Aurum
ISBN: 1845138333
Category : Art
Languages : en
Pages : 200

Get Book Here

Book Description
These days artists like Damien Hirst and Tracey Emin are major celebrities. But Gregor Muir knew them at the start; his unique memoir chronicles the birth of Young British Art. Muir, YBA’s ‘embedded journalist’, happened to be in Shoreditch and Hoxton before Jay Jopling arrived with his White Cube Gallery, when this was still a semi-derelict landscape of grotty pubs and squats. There he witnessed, amid a whirl of drunkenness, scrapes and riotous hedonism, the coming-together of a remarkable array of young artists – Hirst, the Chapman brothers, Rachel Whiteread, Sam Taylor-Wood, Angus Fairhurst - who went on to produce a fresh, irreverent, often notorious form of art - Hirst’s shark, Sarah Lucas’s two fried eggs and a kebab. By the time of the seminal Sensation show at the Royal Academy YBA had changed the art world for ever.