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Author: Evan Carton
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 312
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Book Description
"The formalistic application of the term romance to a species of nineteenth-century narrative fiction fails to do justice to the range and concerns of American romance writers, argues Evan Carton. The Rhetoric of American Romance redefines romance as a self consciously dialectical enactment of critical and philosophic concerns about the relation of words to things and about the nature of the self. For Evan Carton, the distinctive features of the American romance are its rhetorical transgression of generic boundaries, its exploration of the divide--and its fabrication of connections--between the real and the ideal, and its ambivalent attitude toward the powers and limitations of language and imagination. The book demonstrates its theoretical claims through new readings of Emerson, Dickinson, Poe, and Hawthorne that are both independently convincing and mutually supportive. From the works of these four writers, Carton identifies the strategies and structures of romance in four different formal genres. The essays, poems, and stories of Emerson, Dickinson, and Poe exemplify the predicament of romance, which "must imagine the highest reality but which, in doing so, cannot help but see its achievement as merely imaginary, metaphorical, and linguistic." In the novelistic career of Hawthorne (which Carton discusses most extensively), these tensions culminate in The Marble Faun's exploration of the problem of a meaning in world where foundations--conceptual, moral, architectural, aesthetic--have crumbled but where the models they have supported remain powerful. In its paradoxical quest to locate the real by means of imagination and language, the American romance expresses an epistemological dialectic that informs our culture. As a creative mode that highlights the act of interpretation, it suggestively embodies the problem of meaning in contemporary criticism." -- Publisher's description
Author: Evan Carton
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 312
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Book Description
"The formalistic application of the term romance to a species of nineteenth-century narrative fiction fails to do justice to the range and concerns of American romance writers, argues Evan Carton. The Rhetoric of American Romance redefines romance as a self consciously dialectical enactment of critical and philosophic concerns about the relation of words to things and about the nature of the self. For Evan Carton, the distinctive features of the American romance are its rhetorical transgression of generic boundaries, its exploration of the divide--and its fabrication of connections--between the real and the ideal, and its ambivalent attitude toward the powers and limitations of language and imagination. The book demonstrates its theoretical claims through new readings of Emerson, Dickinson, Poe, and Hawthorne that are both independently convincing and mutually supportive. From the works of these four writers, Carton identifies the strategies and structures of romance in four different formal genres. The essays, poems, and stories of Emerson, Dickinson, and Poe exemplify the predicament of romance, which "must imagine the highest reality but which, in doing so, cannot help but see its achievement as merely imaginary, metaphorical, and linguistic." In the novelistic career of Hawthorne (which Carton discusses most extensively), these tensions culminate in The Marble Faun's exploration of the problem of a meaning in world where foundations--conceptual, moral, architectural, aesthetic--have crumbled but where the models they have supported remain powerful. In its paradoxical quest to locate the real by means of imagination and language, the American romance expresses an epistemological dialectic that informs our culture. As a creative mode that highlights the act of interpretation, it suggestively embodies the problem of meaning in contemporary criticism." -- Publisher's description
Author: Evan Carton
Publisher:
ISBN: 9780608036458
Category :
Languages : en
Pages : 301
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Book Description
Author: Ian Balfour
Publisher: Stanford University Press
ISBN: 9780804745062
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
The Romantic era in England and Germany saw a sudden renewal of prophetic modes of writing. Biblical prophecy and, to a lesser extent, classical oracle again became viable models for poetry and even for journalistic prose. Notably, this development arose out of the new-found freedom of biblical interpretation that began in the mid-eighteenth century, as the Bible was increasingly seen to be a literary and mythical text. Taking Walter Benjamin’s thinking about history as a point of departure, the author shows how the model for Romantic prophecy emerges less as a prediction of the future than as a call to change in the present, even as it quotes, at key turns, texts from the past. After surveying developments in eighteenth-century biblical hermeneutics, as well as the numerous instances of prophetic eruption in Romantic poetry, the book culminates in close readings of works by Blake, Hölderlin, and Coleridge. Each of these writers interpreted the Bible in strong, variously radical and conservative ways, and each reworked prophetic texts in often startling fashion. The author’s reading of Blake focuses on the complex temporal and rhetorical dynamics at work in a prophetic tradition, with attention paid to the key mediating figure of Milton. The chapter on Hölderlin investigates the truth-claim of poetry and the consequences of Hölderlin’s insight into the necessarily figural character of poetry. The analysis of Coleridge correlates his theory of allegory and symbol with his theory and practice of political writing, which often relies on mobilizing prophetic authority. Together, the readings force us to reexamine the claims and practices of Romantic poets and thinkers and their ideas and ideologies, not without engendering some allegorical resonance with issues in our own time.
Author: James Darsey
Publisher: NYU Press
ISBN: 0814719244
Category : History
Languages : en
Pages : 291
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Book Description
This expansive volume traces the rhetoric of reform across American history, examining such pivotal periods as the American Revolution, slavery, McCarthyism, and today's gay liberation movement. At a time when social movements led by religious leaders, from Louis Farrakhan to Pat Buchanan, are playing a central role in American politics, James Darsey connects this radical tradition with its prophetic roots. Public discourse in the West is derived from the Greek principles of civility, diplomacy, compromise, and negotiation. On this model, radical speech is often taken to be a sympton of social disorder. Not so, contends Darsey, who argues that the rhetoric of reform in America represents the continuation of a tradition separate from the commonly accepted principles of the Greeks. Though the links have gone unrecognized, the American radical tradition stems not from Aristotle, he maintains, but from the prophets of the Hebrew Bible.
Author: Magnus Ullén
Publisher: Peter Lang
ISBN: 9783039102006
Category : Language Arts & Disciplines
Languages : en
Pages : 458
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Book Description
This book takes issue with the tendency in twentieth-century Hawthorne-criticism to blur the distinction between symbolism and allegory. Rejecting the long-standing notion that Hawthorne is a symbolist in allegorical disguise, Ullén argues that allegory is the key to understanding how religion, sexuality, aesthetics and politics are interwoven in Hawthorne's writings. The study presents a model for allegorical interpretation of general applicability, which is brought to bear on each of Hawthorne's mature romances, and on the oft-neglected Wonder Books written for children. An unparalleled analysis of the formal intricacies of Hawthorne's writings, this book is an eloquent plea for the necessity of grounding ideological analysis in aesthetical considerations.
Author: Michelle Sizemore
Publisher: Oxford University Press
ISBN: 0190627549
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
The demise of the monarchy and the bodily absence of a King caused a representational crisis in the early republic, forcing the American people to reconstruct the social symbolic order in a new and unfamiliar way. Social historians have routinely understood the Revolution and the early republic as projects dedicated to and productive of reason, with "the people" as an orderly and sensible collective at odds with the volatile and unthinking crowd. American Enchantment rejects this traditionally held vision of a rational public sphere, arguing that early Americans dealt with the post-monarchical crisis by engaging in "civil mysticism," not systematic discussion and debate. By evaluating a wide range of social and political rituals and literary and cultural discourses, Sizemore shows how "enchantment" becomes a vital mode of enacting the people after the demise of traditional monarchical forms. In works by Charles Brockden Brown, Washington Irving, Catharine Sedgwick, and Nathaniel Hawthorne--as well as in Delaware oral histories, accounts of George Washington's inauguration, and Methodist conversion narratives--enchantment is an experience uniquely capable of producing new forms of popular power and social affiliation. Recognizing the role of enchantment in constituting the people overturns some of the most common-sense assumptions in the post-revolutionary world: above all, that the people are not simply a flesh-and-blood substance, but also a mystical force.
Author: Ramos-Garcia Maria
Publisher:
ISBN: 1498589391
Category :
Languages : en
Pages : 173
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Book Description
Author: Craig R. Smith
Publisher: Cambridge Scholars Publishing
ISBN: 1527592928
Category : Music
Languages : en
Pages : 356
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Book Description
Relying on the author’s established expertise in rhetoric and political communication, this book re-contextualizes Romantic rhetorical theory from the late 18th and early 19th centuries to provide a foundation for a Neo-Romantic rhetorical theory for our own time. In the process, it uses a unique methodology to correct misconceptions about the rhetorical theories of many writers. Using a dialectical approach, the early chapters trace Romanticism through its opposition to the industrial revolution and the Enlightenment, back through Humanism and its opposition to Scholasticism, to its roots in St. Augustine’s writing. These chapters include a revisionist analysis of the church’s treatment of Galileo in the course of showing how difficult it was for scientific study to be accepted in Scholastic circles. The study goes on to argue that Jean-Jacques Rousseau, David Hume, and Edmund Burke were bridge figures to the Romantic Era. This move throws new light on exemplary painters, composers, writers and orators of the Romantic Era, who are examined in chapters eight and nine. Chapter ten focuses on Percy Bysshe Shelley and his development of the rhetorical poem, and thereby provides a new genre in the Romantic catalogue. Chapter Eleven turns to the Romantic rhetorical theories of Hugh Blair and Thomas De Quincey to empower those seeking to save the environment. The concluding chapter then synthesizes their theories with relevant contemporary rhetorical theories thereby constructing a Neo-Romantic theory for our own time. In the process, the book links the Romantics’ love of nature to the current environmental crisis.
Author: Marilee Lindemann
Publisher: Columbia University Press
ISBN: 9780231113250
Category : Biography & Autobiography
Languages : en
Pages : 226
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Book Description
An enlightening unpacking of Cather's writings, from her controversial love letters of the 1890s--in which "queer" is employed to denote sexual deviance--to her epic novels, short stories, and critical writings.
Author: Lee Skinner
Publisher: University Press of Florida
ISBN: 0813063817
Category : History
Languages : en
Pages : 211
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Book Description
This ambitious volume shows how nineteenth-century Spanish American writers used the discourses of modernity to envision the place of women at all levels of social and even political life in the modern, utopian nation. Looking at texts ranging from novels and essays to newspaper articles and advertisements, and with special attention to public and private space, domesticity, education, technology, and work, Skinner identifies gender as a central concern at every level of society.
