Author: María Josefina Saldaña-Portillo
Publisher: Duke University Press
ISBN: 9780822331667
Category : Business & Economics
Languages : en
Pages : 406
Book Description
In The Revolutionary Imagination in the Americas and the Age of Development, María Josefina Saldaña-Portillo boldly argues that crucial twentieth-century revolutionary challenges to colonialism and capitalism in the Americas have failed to resist—and in fact have been constitutively related to—the very developmentalist narratives that have justified and naturalized postwar capitalism. Saldaña-Portillo brings the critique of development discourse to bear on such exemplars of revolutionary and resistant political thought and practice as Ernesto “Che” Guevara, Malcolm X, the Sandinista government of Nicaragua, and the Guatemalan guerrilla resistance. She suggests that for each of these, developmentalist constructions frame the struggle as a heroic movement from unconsciousness to consciousness, from a childlike backwardness toward a disciplined and self-aware maturity. Reading governmental reports, memos, and policies, Saldaña-Portillo traces the arc of development narratives from its beginnings in the 1944 Bretton Woods conference through its apex during Robert S. McNamara's reign at the World Bank (1968–1981). She compares these narratives with models of subjectivity and agency embedded in the autobiographical texts of three revolutionary icons of the 1960s and 1970s—those of Che Guevara, Guatemalan insurgent Mario Payeras, and Malcolm X—and the agricultural policy of the Sandinista National Liberation Front (FSLN). Saldaña-Portillo highlights a shared paradigm of a masculinist transformation of the individual requiring the "transcendence" of ethnic particularity for the good of the nation. While she argues that this model of progress often alienated the very communities targeted by the revolutionaries, she shows how contemporary insurgents such as Rigoberta Menchú, the Zapatista movement, and queer Aztlán have taken up the radicalism of their predecessors to retheorize revolutionary subjectivity for the twenty-first century.
The Revolutionary Imagination in the Americas and the Age of Development
Author: María Josefina Saldaña-Portillo
Publisher: Duke University Press
ISBN: 9780822331667
Category : Business & Economics
Languages : en
Pages : 406
Book Description
In The Revolutionary Imagination in the Americas and the Age of Development, María Josefina Saldaña-Portillo boldly argues that crucial twentieth-century revolutionary challenges to colonialism and capitalism in the Americas have failed to resist—and in fact have been constitutively related to—the very developmentalist narratives that have justified and naturalized postwar capitalism. Saldaña-Portillo brings the critique of development discourse to bear on such exemplars of revolutionary and resistant political thought and practice as Ernesto “Che” Guevara, Malcolm X, the Sandinista government of Nicaragua, and the Guatemalan guerrilla resistance. She suggests that for each of these, developmentalist constructions frame the struggle as a heroic movement from unconsciousness to consciousness, from a childlike backwardness toward a disciplined and self-aware maturity. Reading governmental reports, memos, and policies, Saldaña-Portillo traces the arc of development narratives from its beginnings in the 1944 Bretton Woods conference through its apex during Robert S. McNamara's reign at the World Bank (1968–1981). She compares these narratives with models of subjectivity and agency embedded in the autobiographical texts of three revolutionary icons of the 1960s and 1970s—those of Che Guevara, Guatemalan insurgent Mario Payeras, and Malcolm X—and the agricultural policy of the Sandinista National Liberation Front (FSLN). Saldaña-Portillo highlights a shared paradigm of a masculinist transformation of the individual requiring the "transcendence" of ethnic particularity for the good of the nation. While she argues that this model of progress often alienated the very communities targeted by the revolutionaries, she shows how contemporary insurgents such as Rigoberta Menchú, the Zapatista movement, and queer Aztlán have taken up the radicalism of their predecessors to retheorize revolutionary subjectivity for the twenty-first century.
Publisher: Duke University Press
ISBN: 9780822331667
Category : Business & Economics
Languages : en
Pages : 406
Book Description
In The Revolutionary Imagination in the Americas and the Age of Development, María Josefina Saldaña-Portillo boldly argues that crucial twentieth-century revolutionary challenges to colonialism and capitalism in the Americas have failed to resist—and in fact have been constitutively related to—the very developmentalist narratives that have justified and naturalized postwar capitalism. Saldaña-Portillo brings the critique of development discourse to bear on such exemplars of revolutionary and resistant political thought and practice as Ernesto “Che” Guevara, Malcolm X, the Sandinista government of Nicaragua, and the Guatemalan guerrilla resistance. She suggests that for each of these, developmentalist constructions frame the struggle as a heroic movement from unconsciousness to consciousness, from a childlike backwardness toward a disciplined and self-aware maturity. Reading governmental reports, memos, and policies, Saldaña-Portillo traces the arc of development narratives from its beginnings in the 1944 Bretton Woods conference through its apex during Robert S. McNamara's reign at the World Bank (1968–1981). She compares these narratives with models of subjectivity and agency embedded in the autobiographical texts of three revolutionary icons of the 1960s and 1970s—those of Che Guevara, Guatemalan insurgent Mario Payeras, and Malcolm X—and the agricultural policy of the Sandinista National Liberation Front (FSLN). Saldaña-Portillo highlights a shared paradigm of a masculinist transformation of the individual requiring the "transcendence" of ethnic particularity for the good of the nation. While she argues that this model of progress often alienated the very communities targeted by the revolutionaries, she shows how contemporary insurgents such as Rigoberta Menchú, the Zapatista movement, and queer Aztlán have taken up the radicalism of their predecessors to retheorize revolutionary subjectivity for the twenty-first century.
The Revolutionary Imagination
Author: Alan M. Wald
Publisher: UNC Press Books
ISBN: 9780807815359
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Revolutionary Imagination: The Poetry and Politics of John Wheelwright and Sherry Mangan
Publisher: UNC Press Books
ISBN: 9780807815359
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Revolutionary Imagination: The Poetry and Politics of John Wheelwright and Sherry Mangan
The Typographic Imagination
Author: Nathan Shockey
Publisher: Columbia University Press
ISBN: 023155074X
Category : Literary Criticism
Languages : en
Pages : 349
Book Description
In the early twentieth century, Japan was awash with typographic text and mass-produced print. Over the short span of a few decades, affordable books and magazines became a part of everyday life, and a new generation of writers and thinkers considered how their world could be reconstructed through the circulation of printed language as a mass-market commodity. The Typographic Imagination explores how this commercial print revolution transformed Japan’s media ecology and traces the possibilities and pitfalls of type as a force for radical social change. Nathan Shockey examines the emergence of new forms of reading, writing, and thinking in Japan from the last years of the nineteenth century through the first decades of the twentieth. Charting the relationships among prose, politics, and print capitalism, he considers the meanings and functions of print as a staple commodity and as a ubiquitous and material medium for discourse and thought. Drawing on extensive archival research, The Typographic Imagination brings into conversation a wide array of materials, including bookseller trade circulars, language reform debates, works of experimental fiction, photo gazetteers, socialist periodicals, Esperanto primers, declassified censorship documents, and printing press strike bulletins. Combining the rigorous close analysis of Japanese literary studies with transdisciplinary methodologies from media studies, book history, and intellectual history, The Typographic Imagination presents a multivalent vision of the rise of mass print media and the transformations of modern Japanese literature, language, and culture.
Publisher: Columbia University Press
ISBN: 023155074X
Category : Literary Criticism
Languages : en
Pages : 349
Book Description
In the early twentieth century, Japan was awash with typographic text and mass-produced print. Over the short span of a few decades, affordable books and magazines became a part of everyday life, and a new generation of writers and thinkers considered how their world could be reconstructed through the circulation of printed language as a mass-market commodity. The Typographic Imagination explores how this commercial print revolution transformed Japan’s media ecology and traces the possibilities and pitfalls of type as a force for radical social change. Nathan Shockey examines the emergence of new forms of reading, writing, and thinking in Japan from the last years of the nineteenth century through the first decades of the twentieth. Charting the relationships among prose, politics, and print capitalism, he considers the meanings and functions of print as a staple commodity and as a ubiquitous and material medium for discourse and thought. Drawing on extensive archival research, The Typographic Imagination brings into conversation a wide array of materials, including bookseller trade circulars, language reform debates, works of experimental fiction, photo gazetteers, socialist periodicals, Esperanto primers, declassified censorship documents, and printing press strike bulletins. Combining the rigorous close analysis of Japanese literary studies with transdisciplinary methodologies from media studies, book history, and intellectual history, The Typographic Imagination presents a multivalent vision of the rise of mass print media and the transformations of modern Japanese literature, language, and culture.
Stories and Organization in the Anthropocene
Author: Sideeq Mohammed
Publisher: Springer Nature
ISBN: 3030787400
Category : Business & Economics
Languages : en
Pages : 113
Book Description
This book is about the stories being told in the Anthropocene. Stories of irreparable damage being done to the global ecosystem, of sustainable growth, of dystopian collapse, of continued interspecies flourishing, of Gaia, and of accelerating capitalism’s dynamics in order to discover its outside. Stories of change. Stories of hope. Against them all, this book seeks to braid together a particular thread of storying in order to speak to the emergence of the mall at the end of the world; a space where a new politics of “spectral capitalism” is played out. In doing so, we reflect that there never was any outside to Capital, that it can live forever, its performances and spectacles being preserved despite global ecological collapse. This book seeks to understand the nascence of the mall at the end of the world and the new people, thoughts, and dreams that come with it.
Publisher: Springer Nature
ISBN: 3030787400
Category : Business & Economics
Languages : en
Pages : 113
Book Description
This book is about the stories being told in the Anthropocene. Stories of irreparable damage being done to the global ecosystem, of sustainable growth, of dystopian collapse, of continued interspecies flourishing, of Gaia, and of accelerating capitalism’s dynamics in order to discover its outside. Stories of change. Stories of hope. Against them all, this book seeks to braid together a particular thread of storying in order to speak to the emergence of the mall at the end of the world; a space where a new politics of “spectral capitalism” is played out. In doing so, we reflect that there never was any outside to Capital, that it can live forever, its performances and spectacles being preserved despite global ecological collapse. This book seeks to understand the nascence of the mall at the end of the world and the new people, thoughts, and dreams that come with it.
Imagination of an Insurrection: Dublin, Easter 1916
Author: William Irwin Thompson
Publisher: SteinerBooks
ISBN: 1584205415
Category : History
Languages : en
Pages : 347
Book Description
We know from our literary histories that there was a movement called the Irish Literary Renaissance, and that Yeats was at its head. We know from our political histories that there is now a Republic of Ireland because of a nationalistic movement that, militarily, began with the insurrection of Easter Week, 1916. But what do these two movements have to do with one another?... Because I came to history with literary eyes, I could not help seeing history in terms and shapes of imaginative experience. Thus Movement, Myth, and Image came to be the way in which the nature of the insurrection appeared to me. This method of analyzing historical event as if it were a work of art is not altogether as inappropriate as it might seem when the historical event happens to be a revolution. The Irish revolutionaries lived as if they were in a work of art, and this inability to tell the difference between sober reality and the realm of imagination is perhaps one very important characteristic of a revolutionary. The tragedy of actuality comes from the fact that when, in a revolution, history is made momentarily into a work of art, human beings become the material that must be ordered, molded, or twisted into shape. (from the preface)
Publisher: SteinerBooks
ISBN: 1584205415
Category : History
Languages : en
Pages : 347
Book Description
We know from our literary histories that there was a movement called the Irish Literary Renaissance, and that Yeats was at its head. We know from our political histories that there is now a Republic of Ireland because of a nationalistic movement that, militarily, began with the insurrection of Easter Week, 1916. But what do these two movements have to do with one another?... Because I came to history with literary eyes, I could not help seeing history in terms and shapes of imaginative experience. Thus Movement, Myth, and Image came to be the way in which the nature of the insurrection appeared to me. This method of analyzing historical event as if it were a work of art is not altogether as inappropriate as it might seem when the historical event happens to be a revolution. The Irish revolutionaries lived as if they were in a work of art, and this inability to tell the difference between sober reality and the realm of imagination is perhaps one very important characteristic of a revolutionary. The tragedy of actuality comes from the fact that when, in a revolution, history is made momentarily into a work of art, human beings become the material that must be ordered, molded, or twisted into shape. (from the preface)
Liberty of the Imagination
Author: Edward Cahill
Publisher: University of Pennsylvania Press
ISBN: 0812206193
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
In Liberty of the Imagination, Edward Cahill uncovers the surprisingly powerful impact of eighteenth-century theories of the imagination—philosophical ideas about aesthetic pleasure, taste, genius, the beautiful, and the sublime—on American writing from the Revolutionary era to the early nineteenth century. Far from being too busy with politics and commerce or too anxious about the morality of pleasure, American writers consistently turned to ideas of the imagination in order to comprehend natural and artistic objects, social formations, and political institutions. Cahill argues that conceptual tensions within aesthetic theory rendered it an evocative language for describing the challenges of American political liberty and confronting the many contradictions of nation formation. His analyses reveal the centrality of aesthetics to key political debates during the colonial crisis, the Revolution, Constitutional ratification, and the advent of Jeffersonian democracy. Exploring the relevance of aesthetic ideas to a range of literary genres—poetry, novels, political writing, natural history writing, and literary criticism—Cahill makes illuminating connections between intellectual and political history and the idiosyncratic formal tendencies of early national texts. In doing so, Liberty of the Imagination manifests the linguistic and intellectual richness of an underappreciated literary tradition and offers an original account of the continuity between Revolutionary writing and nineteenth-century literary romanticism.
Publisher: University of Pennsylvania Press
ISBN: 0812206193
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
In Liberty of the Imagination, Edward Cahill uncovers the surprisingly powerful impact of eighteenth-century theories of the imagination—philosophical ideas about aesthetic pleasure, taste, genius, the beautiful, and the sublime—on American writing from the Revolutionary era to the early nineteenth century. Far from being too busy with politics and commerce or too anxious about the morality of pleasure, American writers consistently turned to ideas of the imagination in order to comprehend natural and artistic objects, social formations, and political institutions. Cahill argues that conceptual tensions within aesthetic theory rendered it an evocative language for describing the challenges of American political liberty and confronting the many contradictions of nation formation. His analyses reveal the centrality of aesthetics to key political debates during the colonial crisis, the Revolution, Constitutional ratification, and the advent of Jeffersonian democracy. Exploring the relevance of aesthetic ideas to a range of literary genres—poetry, novels, political writing, natural history writing, and literary criticism—Cahill makes illuminating connections between intellectual and political history and the idiosyncratic formal tendencies of early national texts. In doing so, Liberty of the Imagination manifests the linguistic and intellectual richness of an underappreciated literary tradition and offers an original account of the continuity between Revolutionary writing and nineteenth-century literary romanticism.
The Redcoats Are Coming!
Author: Marianne Hering
Publisher: Tyndale House Publishers, Inc.
ISBN: 1624052169
Category : Juvenile Fiction
Languages : en
Pages : 89
Book Description
Over 1 million sold in series! The first of a three-book story arc about the American Revolution, The Redcoats Are Coming follows Patrick and Beth as they assist the revolutionaries by waking up the sleeping citizens of 1775 Concord before the Redcoats come. In this adventure, the cousins meet Paul Revere, Samuel Adams, and John Hancock. They help smuggle musket balls, sound the alarm that the Redcoats are coming, and deliver a secret message to Paul Revere. Along the way they learn that most of the revolutionaries leaned on God’s direction and even pastors helped in the cause. Christian parents and teachers will appreciate the historical facts as well as the biblical worldview training their kids and students will absorb. The kids will appreciate the excitement and tension of an America at war with England, and in some ways, with itself. A curriculum for Christian schools and homeschool families is available for download from Focus on the Family.
Publisher: Tyndale House Publishers, Inc.
ISBN: 1624052169
Category : Juvenile Fiction
Languages : en
Pages : 89
Book Description
Over 1 million sold in series! The first of a three-book story arc about the American Revolution, The Redcoats Are Coming follows Patrick and Beth as they assist the revolutionaries by waking up the sleeping citizens of 1775 Concord before the Redcoats come. In this adventure, the cousins meet Paul Revere, Samuel Adams, and John Hancock. They help smuggle musket balls, sound the alarm that the Redcoats are coming, and deliver a secret message to Paul Revere. Along the way they learn that most of the revolutionaries leaned on God’s direction and even pastors helped in the cause. Christian parents and teachers will appreciate the historical facts as well as the biblical worldview training their kids and students will absorb. The kids will appreciate the excitement and tension of an America at war with England, and in some ways, with itself. A curriculum for Christian schools and homeschool families is available for download from Focus on the Family.
Revolutionary Freedoms
Author: Cécile Accilien
Publisher: Educa Vision Inc.
ISBN: 1584322934
Category : History
Languages : en
Pages : 301
Book Description
A History of survival, strength and imagination in Haiti. This new perspective on Haitian history features essays that augment the historical paintings of renowned contemporary Haitian-American artist, Ulrick Jean-Pierre. Poet, playwright, and scholar Kamau Brathwaite has written the powerful Foreword to this volume, which combines scholarship, experience, and inspiration to reveal the complex history of the island that Haiti shares with the Dominican Republic. Chapters cover pre-Columbian and colonial history; critical events and people of the Haitian Revolution; the tangle of U.S.Haitian relations, including the special relationship with Louisiana; Haitian connections to South America; and the contested border with the neighboring Dominican Republic. Revolutionary Freedoms also includes an interview with the artist, a section on women in the nations history, and suggested reading. The Editors of the book, Ccile Accilien, Jessica Davis, and Elmide Mlance, have assembled a distinguished collection of writers and scholars, such as Edwidge Danticat, Max Beauvoir, Marc Christophe, Lauren Derby, Gwendolyn Midlo Hall, Rgine Latortue, Carolyn Morrow Long, Margaret Mitchell Armand, Richard Turits, and Philippe Zacar. 2006, Caribbean Studies Press, 266pp, 45 full-color reproductions, Hardcover. ISBN 1-58432-293-4
Publisher: Educa Vision Inc.
ISBN: 1584322934
Category : History
Languages : en
Pages : 301
Book Description
A History of survival, strength and imagination in Haiti. This new perspective on Haitian history features essays that augment the historical paintings of renowned contemporary Haitian-American artist, Ulrick Jean-Pierre. Poet, playwright, and scholar Kamau Brathwaite has written the powerful Foreword to this volume, which combines scholarship, experience, and inspiration to reveal the complex history of the island that Haiti shares with the Dominican Republic. Chapters cover pre-Columbian and colonial history; critical events and people of the Haitian Revolution; the tangle of U.S.Haitian relations, including the special relationship with Louisiana; Haitian connections to South America; and the contested border with the neighboring Dominican Republic. Revolutionary Freedoms also includes an interview with the artist, a section on women in the nations history, and suggested reading. The Editors of the book, Ccile Accilien, Jessica Davis, and Elmide Mlance, have assembled a distinguished collection of writers and scholars, such as Edwidge Danticat, Max Beauvoir, Marc Christophe, Lauren Derby, Gwendolyn Midlo Hall, Rgine Latortue, Carolyn Morrow Long, Margaret Mitchell Armand, Richard Turits, and Philippe Zacar. 2006, Caribbean Studies Press, 266pp, 45 full-color reproductions, Hardcover. ISBN 1-58432-293-4
Voices in Revolution
Author: John A. Crespi
Publisher: University of Hawaii Press
ISBN: 0824833651
Category : Poetry
Languages : en
Pages : 242
Book Description
China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis, Voices in Revolution offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture. Crespi brings the past to life by first examining the ideological changes to poetic voice during China’s early twentieth-century transition from empire to nation. He then traces the emergence of the spoken poem from the May Fourth period to the present, including its mobilization during the Anti-Japanese War, its incorporation into the student protest repertoire during China’s civil war, its role as a conflicted voice of Mao-era revolutionary passion, and finally its current adaptation to the cultural life of China’s party-guided market economy. Voices in Revolution alters the way we read by moving poems off the page and into the real time and space of literary activity. To all readers it offers an accessible yet conceptually fresh and often dramatic narration of China’s modern literary experience. Specialists will appreciate the book’s inclusion of noncanonical texts as well as its innovative interdisciplinary approach.
Publisher: University of Hawaii Press
ISBN: 0824833651
Category : Poetry
Languages : en
Pages : 242
Book Description
China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis, Voices in Revolution offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture. Crespi brings the past to life by first examining the ideological changes to poetic voice during China’s early twentieth-century transition from empire to nation. He then traces the emergence of the spoken poem from the May Fourth period to the present, including its mobilization during the Anti-Japanese War, its incorporation into the student protest repertoire during China’s civil war, its role as a conflicted voice of Mao-era revolutionary passion, and finally its current adaptation to the cultural life of China’s party-guided market economy. Voices in Revolution alters the way we read by moving poems off the page and into the real time and space of literary activity. To all readers it offers an accessible yet conceptually fresh and often dramatic narration of China’s modern literary experience. Specialists will appreciate the book’s inclusion of noncanonical texts as well as its innovative interdisciplinary approach.
Vice, Crime, and Poverty
Author: Dominique Kalifa
Publisher: Columbia University Press
ISBN: 0231547269
Category : Social Science
Languages : en
Pages : 430
Book Description
Beggars, outcasts, urchins, waifs, prostitutes, criminals, convicts, madmen, fallen women, lunatics, degenerates—part reality, part fantasy, these are the grotesque faces that populate the underworld, the dark inverse of our everyday world. Lurking in the mirror that we hold up to our society, they are our counterparts and our doubles, repelling us and yet offering the tantalizing promise of escape. Although these images testify to undeniable social realities, the sordid lower depths make up a symbolic and social imaginary that reflects our fears and anxieties—as well as our desires. In Vice, Crime, and Poverty, Dominique Kalifa traces the untold history of the concept of the underworld and its representations in popular culture. He examines how the myth of the lower depths came into being in nineteenth-century Europe, as biblical figures and Christian traditions were adapted for a world turned upside-down by the era of industrialization, democratization, and mass culture. From the Parisian demimonde to Victorian squalor, from the slums of New York to the sewers of Buenos Aires, Kalifa deciphers the making of an image that has cast an enduring spell on its audience. While the social conditions that created that underworld have changed, Vice, Crime, and Poverty shows that, from social-scientific ideas of the underclass to contemporary cinema and steampunk culture, its shadows continue to haunt us.
Publisher: Columbia University Press
ISBN: 0231547269
Category : Social Science
Languages : en
Pages : 430
Book Description
Beggars, outcasts, urchins, waifs, prostitutes, criminals, convicts, madmen, fallen women, lunatics, degenerates—part reality, part fantasy, these are the grotesque faces that populate the underworld, the dark inverse of our everyday world. Lurking in the mirror that we hold up to our society, they are our counterparts and our doubles, repelling us and yet offering the tantalizing promise of escape. Although these images testify to undeniable social realities, the sordid lower depths make up a symbolic and social imaginary that reflects our fears and anxieties—as well as our desires. In Vice, Crime, and Poverty, Dominique Kalifa traces the untold history of the concept of the underworld and its representations in popular culture. He examines how the myth of the lower depths came into being in nineteenth-century Europe, as biblical figures and Christian traditions were adapted for a world turned upside-down by the era of industrialization, democratization, and mass culture. From the Parisian demimonde to Victorian squalor, from the slums of New York to the sewers of Buenos Aires, Kalifa deciphers the making of an image that has cast an enduring spell on its audience. While the social conditions that created that underworld have changed, Vice, Crime, and Poverty shows that, from social-scientific ideas of the underclass to contemporary cinema and steampunk culture, its shadows continue to haunt us.