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Author: Hilary Gatti
Publisher: Routledge
ISBN: 1136183000
Category : History
Languages : en
Pages : 248
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Book Description
Giordano Bruno’s visit to Elizabethan England in the 1580s left its imprint on many fields of contemporary culture, ranging from the newly-developing science, the philosophy of knowledge and language, to the extraordinary flowering of Elizabethan poetry and drama. This book explores Bruno's influence on English figures as different as the ninth Earl of Northumberland, Thomas Harriot, Christopher Marlowe and William Shakespeare. Originally published in 1989, it is of interest to students and teachers of history of ideas, cultural history, European drama and renaissance England. Bruno's work had particular power and emphasis in the modern world due to his response to the cultural crisis which had developed - his impulse towards a new ‘faculty of knowing’ had a disruptive effect on existing orthodoxies – religious, scientific, philosophical, and political.
Author: Hilary Gatti
Publisher: Routledge
ISBN: 1136183000
Category : History
Languages : en
Pages : 248
Get Book
Book Description
Giordano Bruno’s visit to Elizabethan England in the 1580s left its imprint on many fields of contemporary culture, ranging from the newly-developing science, the philosophy of knowledge and language, to the extraordinary flowering of Elizabethan poetry and drama. This book explores Bruno's influence on English figures as different as the ninth Earl of Northumberland, Thomas Harriot, Christopher Marlowe and William Shakespeare. Originally published in 1989, it is of interest to students and teachers of history of ideas, cultural history, European drama and renaissance England. Bruno's work had particular power and emphasis in the modern world due to his response to the cultural crisis which had developed - his impulse towards a new ‘faculty of knowing’ had a disruptive effect on existing orthodoxies – religious, scientific, philosophical, and political.
Author: Hilary Gatti
Publisher: Routledge
ISBN: 0415637759
Category : Drama
Languages : en
Pages : 248
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Book Description
First Published in 1989. Routledge is an imprint of Taylor & Francis, an informa company.
Author: John Gillies
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637395
Category : Drama
Languages : en
Pages : 308
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Book Description
The essays collected here explore the representation of contemporary cartographic knowledge within a variety of English Renaissance dramatic texts. Including a preface and introduction that contextualize English cartographic awareness in the late sixteenth century, Playing the Globe provides a wide-ranging exploration of the rich variety of mental maps that shaped England's attitudes toward itself and others and continues to affect the ways in which the Anglo-American world imagines itself.
Author: John Leeds Barroll
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636411
Category : Drama
Languages : en
Pages : 300
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Book Description
Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.
Author: Catherine Belsey
Publisher: Routledge
ISBN: 1317744446
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related.
Author: Jessica Wolfe
Publisher: Cambridge University Press
ISBN: 9780521831871
Category : History
Languages : en
Pages : 326
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Book Description
This book explores how machinery and the practice of mechanics participate in the intellectual culture of Renaissance humanism. Before the emergence of the modern concept of technology, sixteenth- and early seventeenth-century writers recognized the applicability of mechanical practices and objects to some of their most urgent moral, aesthetic, and political questions. The construction, use, and representation of devices including clocks, scientific instruments, stage machinery, and war engines not only reflect but also actively reshape how Renaissance writers define and justify artifice and instrumentality - the reliance upon instruments, mechanical or otherwise, to achieve a particular end. Harnessing the discipline of mechanics to their literary and philosophical concerns, scholars and poets including Francis Bacon, Edmund Spenser, George Chapman, and Gabriel Harvey look to machinery to ponder and dispute all manner of instrumental means, from rhetoric and pedagogy to diplomacy and courtly dissimulation.
Author: Garrett A. Sullivan
Publisher: Cambridge University Press
ISBN: 9780521848428
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
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Author: Ryan Curtis Friesen
Publisher: Liverpool University Press
ISBN: 1837641587
Category : Drama
Languages : en
Pages : 261
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Book Description
Brings together authors of fiction with philosophers and academics in Early Modern England and compares their ways of describing and understanding the world; Explores popular culture as well as the culture of the learned and elite; Examines the intellectual consequences of the Reformation and compares the spiritual and doctrinal practices of the occult to those of orthodoxy. Magic and the supernatural are common themes in the philosophy and fiction of the sixteenth and seventeenth centuries. Supernatural Fiction in Early Modern Drama and Culture explores varieties of scepticism and belief exhibited by a selection of philosophers and playwrights, including Heinrich Cornelius Agrippa, Giordano Bruno, John Dee, Christopher Marlowe, William Shakespeare, Ben Jonson, and Thomas Middleton, explicating how each author defines the supernatural, whether he assumes magic to operate in the world, and how he uses occult principles to explain what can be known and what is ethical. Beliefs and claims concerning impossible phenomena and superhuman agency require literary historians to determine whether an occult system of magical operation is being described in a given text. Each chapter in this volume evaluates whether a chosen early modern author is endorsing magic as efficacious or divinely sanctioned, or criticizing it for being fraudulent or unholy. By examining works of fiction, it is possible to explore fantastic settings which were not intended to be synonymous with the early modern audiences everyday experience, settings where magic exists and operates according to the playwrights designs. This book also sets out to determine what historical sources provided given authors with knowledge of the occult and speculates on how aware an audience would have been of academic, classical, or popular contexts surrounding the text at hand.
Author: T. G. Bishop
Publisher: Cambridge University Press
ISBN: 0521550866
Category : Drama
Languages : en
Pages : 238
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Book Description
Playwrights throughout history have used the emotion of wonder to explore the relation between feeling and knowing in the theatre. In Shakespeare and the Theatre of Wonder, T. G. Bishop argues that wonder provides a turbulent space, rich at once in emotion and self-consciousness, where the nature and value of knowing is brought into question. Bishop compares the treatment of wonder in classical philosophy and drama, and goes on to examine English cycle-plays, charting wonder's ambivalent relation to dogma and sacrament in the medieval religious theatre. Through extended readings of three of Shakespeare's plays - The Comedy of Errors, Pericles and The Winter's Tale - Bishop argues that Shakespeare uses wonder as a key component of his dialectic between affirmation and critique. Wonder is shown as vital to the characteristic self-consciousness of Shakespeare's plays as acts of narrative enquiry and renovation.
Author: Robert Fox
Publisher: Routledge
ISBN: 1351879227
Category : History
Languages : en
Pages : 423
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Book Description
This volume assembles ten studies of the life and work of Thomas Harriot (1560-1621). These are based on lectures that have been given annually at Oriel College, Oxford since 1990, by such authorities as Hugh Trevor Roper, David Quinn and John D. North. An astronomer and mathematician whose activities embraced not only science but also philosophical debate and an engagement in the early exploration of America, Harriot occupied a prominent place in intellectual and public life. He was well read in the contemporary literature of science, and his writings on algebra, his correspondence, and his early observations with the telescope, undertaken at the same time as Galileo’s, brought him to the attention of leading men of science both in Britain and abroad. Recent scholarship has enhanced historians’ appreciation of Harriot’s achievements and of the scientific context and social milieu in which he worked, a milieu distinguished by his friendship with Walter Ralegh and the Ninth Earl of Northumberland (the ’Wizard Earl’ whose association with the Gunpowder Plot led to many years of imprisonment in the Tower). The contributions to Thomas Harriot. An Elizabethan man of science shed new light on all the main aspects of Harriot’s life and stand as an important contribution to the re-evaluation of one of the most gifted and intriguing figures in early modern British science.
