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Author: Antonia Joy Wilson
Publisher:
ISBN:
Category : Songs with orchestra
Languages : en
Pages : 50
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Book Description
Author: Antonia Joy Wilson
Publisher:
ISBN:
Category : Songs with orchestra
Languages : en
Pages : 50
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Book Description
Author: Ellen Carole Bruner
Publisher:
ISBN:
Category : Music and literature
Languages : en
Pages : 766
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Book Description
Author: Heather A. Miller
Publisher:
ISBN:
Category : War songs
Languages : en
Pages : 218
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Book Description
Author: Ellen Carole Bruner
Publisher:
ISBN:
Category :
Languages : de
Pages : 399
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Book Description
Author: Elizabeth Mary Dargie
Publisher: Peter Lang Group Ag, International Academic Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
This study sets out to shed some light on the subject - as fascinating as it is elusive - of the relationship between music and poetry in song. It does so by means of a detailed examination of all Mahler's songs - an area of the composer's work which has attracted surprising- ly little critical attention. Close analysis of Mahler's musical response to his poetic texts demonstrates that comment on the interaction between words and music need not be confined to the superficial.
Author: Cassandra Lee Henry
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Although Gustav Mahler has long been considered a crucial figure in the cultural world of the fin-de-siècle, the exact nature of his involvement in the social, political, and cultural philosophies of the era has remained largely undefined. The student radicalism of his youth has been taken as a leitmotif for the social and political activity of his entire life, while his compositions have been viewed as entirely separate from his biography, with most scholarship focusing on their place in the musical canon. This dissertation attempts to rectify the misplaced scholarly emphasis by examining Mahler's vocal works in the context of their relationship to his social, political, and cultural thought. As Mahler used both the genre categorization of his music and the texts of his works as statements of his philosophy, my analysis focuses primarily on those pieces which evince significant change in these areas, namely Mahler's songs and song-cycles - the Wunderhorn songs, the Kindertotenlieder, and Das Lied von der Erde - and his Eighth and Third Symphonies. Preliminary to this is a discussion of Mahler's political, social, and cultural philosophies as concern his compositional and literary output, as well as an investigation of the changing definitions of the genres of song-cycle and symphony at the turn of the century and the role that Mahler played in such a metamorphosis. Through an examination of the texts of these central works in Mahler's oeuvre, this study also seeks to locate Mahler within the political and social ideologies of his time, as one who was fully engaged in discussion with the dominant philosophical and aesthetic trends. Through his textual selection and editing, as well as the organization of his vocal compositions, Mahler offers indirect commentary on his social, political, and cultural milieu; the extraction of these commentaries is critical to situating the composer within the framework of his time. Mahler, as his works make clear, was neither a member of the aesthetic revolutionaries that comprised such groups as the Secession, but neither was he convinced by the conservative aesthetic tastes of the liberal bourgeoisie who sought in art a justification for their social existence. Rather, Mahler belonged to a more moderate camp, and sought through his works to remain culturally relevant and to make both social and cultural commentary that was simultaneously grounded and forward-looking.
Author: Donald Mitchell
Publisher: Univ of California Press
ISBN: 9780520042209
Category : Biography & Autobiography
Languages : en
Pages : 468
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Book Description
Donald Mitchell's second book on the life and work of Gustav Mahler focuses principally on Mahler's first settings of Wunderhorn texts, volumes I and II of the Lieder und Gesaenge, his first song-cycle, the Lieder eines fahrendedn Gesellen, the later, orchestral settings of Wunderhorn poems. The central section of the book explores the extraordinary and often eccentric chronology of the First, Second and Third Symphonies' composition, an often minute exploration which reveals the interpenetration of song and symphony in this period of Mahler's art, emphasizes the significance for these works of imagery drawn from the Wunderhorn anthology, and calls attention to the ambiguous position ocupied by much of Mahler's music at this time, suspended as it was between the rival claims - and forms - of syphony and symphonic poem. The final section of the book not only looks at the Fourth Symphony as the final, perhaps most perfect, flowering of Mahler's Wunderhorn symphonies, but also investigates such fascinating topics as the relationship between Mahler and Berlioz, Mahler's addiction to the E flat clarinet, and the influence of Bach on Mahler's later masterpieces.
Author: Carl Niekerk
Publisher: Camden House
ISBN: 1571134670
Category : Music
Languages : en
Pages : 324
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Book Description
Examines literary, philosophical, and cultural influences on Mahler's thought and work from the standpoint of the composer's position in German-Jewish culture.
Author: Melania Bucciarelli
Publisher: Boydell & Brewer
ISBN: 1843833174
Category : Music
Languages : en
Pages : 465
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Book Description
"The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualizations of the 'work' within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historical writings can reveal period views on the 'work' in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighteenth century, and interrogates current notions of canon formation and the exchange between local and foreign traditions. Creating an Opera Industry focuses on how genre and artistic autonomy were defined in operas from diverse eras and countries, explaining the role of literature and politics in this process. Finally, The Crisis of Modernity treats nineteenth-century music, offering new models for 'work' and 'context' to challenge reigning theories of the meaning of these terms."--Publisher's website.
Author: Susan Melanie Filler
Publisher: Routledge
ISBN: 0415943884
Category : Biography & Autobiography
Languages : en
Pages : 418
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Book Description
This revised edition of Garland's 1989 publication updates the core bibliography on Gustave Mahler (as well as his spouse and fellow composer Alma Mahler) by incorporating new research gathered over the past dozen years on his life and professional works. Gustave Mahler, renowned conductor and composer of symphonies and song cycles, is one of the foremost musical figures of the late nineteenth and early twentieth centuries. His symphonies continue to be widely performed and studied through the twenty-first century. Organized in sections according to subject matter, references are arranged alphabetically by the names of authors or editors. Filler’s research has produced sources for musicologists and students in nineteen languages, offering a resource that expands traditional English-language music scholarship.
