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Author: Russell Stinson
Publisher: Oxford University Press, USA
ISBN: 0199747032
Category : Language Arts & Disciplines
Languages : en
Pages : 242
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Book Description
In this penetrating study, Russell Stinson considers how four of the greatest composers of the nineteenth century-Felix Mendelssohn, Robert Schumann, Franz Liszt, and Johannes Brahms-responded to the model of Bach's organ music. His book represents a major step forward in the literature on the so-called Bach revival.
Author: Russell Stinson
Publisher: Oxford University Press, USA
ISBN: 0199747032
Category : Language Arts & Disciplines
Languages : en
Pages : 242
Get Book Here
Book Description
In this penetrating study, Russell Stinson considers how four of the greatest composers of the nineteenth century-Felix Mendelssohn, Robert Schumann, Franz Liszt, and Johannes Brahms-responded to the model of Bach's organ music. His book represents a major step forward in the literature on the so-called Bach revival.
Author: Russell Stinson
Publisher: Oxford University Press
ISBN: 0195346866
Category : Music
Languages : en
Pages : 241
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Book Description
In this penetrating study, Russell Stinson explores how four of the greatest composers of the nineteenth century--Felix Mendelssohn, Robert Schumann, Franz Liszt, and Johannes Brahms--responded to the model of Bach's organ music. The author shows that this quadrumvirate not only borrowed from Bach's organ works in creating their own masterpieces, whether for keyboard, voice, orchestra, or chamber ensemble, but that they also reacted significantly to the music as performers, editors, theorists, and teachers. Furthermore, the book reveals how these four titans influenced one another as "receptors" of this repertory and how their mutual acquaintances--especially Clara Schumann--contributed as well. As the first comprehensive discussion of this topic ever attempted, Stinson's book represents a major step forward in the literature on the so-called Bach revival. He considers biographical as well as musical evidence to arrive at a host of new and sometimes startling conclusions. Filled with fascinating anecdotes, the study also includes detailed observations on how these composers annotated their personal copies of Bach's organ works. Stinson's book is entirely up-to-date and offers much material previously unavailable in English. It is meticulously annotated and indexed, and it features numerous musical examples and facsimile plates as well as an exhaustive bibliography. Included in an appendix is Brahms's hitherto unpublished study score of the Fantasy in G Major, BWV 572. Engagingly written, this study should be read by anyone at all interested in the music of Bach or the music of the nineteenth century.
Author: Russell Stinson
Publisher: Oxford University Press
ISBN: 0197680437
Category : Education
Languages : en
Pages : 209
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Book Description
The music of J. S. Bach continues to be revered and celebrated centuries after his death. Its timelessness can be attributed to masterful musical engineering combined with profound expressivity. In other words, Bach's unique art may represent the pinnacle of contrapuntal technique, but it is just as amazing for its depth of emotion. Bach's compositions remain an indispensable part of the classical-music canon today. The Afterlife of Bach's Organ Works explores the critical impact made on posterity by Bach's organ music. It concerns a diverse group of musicians and non-musicians alike--some famous, some forgotten--who in one way or another became champions of these compositions. These individuals performed the music; edited it for publication; promoted it by means of books, articles, and reviews; transcribed it for other media; taught it to their pupils; shared it with their family and friends; and incorporated it into the soundtracks of their motion pictures. They ensured its "afterlife." In five chapters, organist and Bach expert Russell Stinson traces the historical afterlife of Bach's organ music from the early nineteenth century--the era of the so-called Bach revival--to the present day. Engagingly written and containing a wealth of information previously unavailable in English, the book is a history of performance practice, an aesthetic history of musical taste, and a social history. Each chapter tells the story of how and why Bach's organ works have stood the test of time.
Author: Jürgen Thym
Publisher: Boydell & Brewer
ISBN: 1580464742
Category : Music
Languages : en
Pages : 352
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Book Description
Examines Mendelssohn's relationship to the past, shedding light on the construction of historical legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death.
Author: Russell Stinson
Publisher: Oxford University Press
ISBN: 0190091231
Category : Music
Languages : en
Pages : 193
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Book Description
Johann Sebastian Bach's legacy is undeniably one of the richest in the history of music, with a vast influence on posterity that has only grown since his rediscovery in the early nineteenth century. In this latest addition to his long list of Bach studies, renowned Bach scholar Russell Stinson examines how four of the greatest composers of the nineteenth and twentieth centuries - Felix Mendelssohn, Robert Schumann, Richard Wagner, and Edward Elgar - engaged with Bach's legacy, not only as composers per se, but also as performers, conductors, scholars, critics, and all-around musical ambassadors. Detailed analyses of both musical and epistolary sources shed light on how these later masters heard and received Bach's music within their musical circles, while colorful anecdotes about their Bach reception help humanize them, reconstructing the intimate social circumstances in which they performed and discussed Bach's music. Stinson focuses on Mendelssohn's and Schumann's reception of Bach's organ works, Schumann's encounter with the St. Matthew and St. John Passions, Wagner's musings on the Well-Tempered Clavier, and Elgar's (resoundingly negative) thoughts on Bach as a vocal composer. Engagingly written, copiously annotated, and thoroughly up to date, Bach's Legacy traces the historical afterlife of Bach's music and offers fascinating insights into how these later masters defined it for their audiences and beyond.
Author: Wm. A. Little
Publisher: Oxford University Press
ISBN: 0199741832
Category : Music
Languages : en
Pages : 504
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Book Description
Mendelssohn and the Organ is the first comprehensive historical-critical study in any language to examine the role of the organ in Mendelssohn's personal and professional career. It examines his entire oeuvre for the instrument, including the Berlin-Krakow manuscripts, and presents for the first time Mendelssohn's complete correspondence with his English publisher, Charles Coventry.
Author: Mark Kroll
Publisher: Cambridge University Press
ISBN: 1009007122
Category : Music
Languages : en
Pages : 158
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Book Description
The music of Johann Sebastian Bach, George Frederic Handel and Domenico Scarlatti received more performances, publications and appreciation in Britain between 1750–1850 than in any other country during this era. The compositions of these three seminal baroque composers were heard in the numerous public and private concerts that proliferated at this time; edited, arranged and published for professionals and amateurs; written about by scholars and journalists; and used as teaching pieces and in pedagogical treatises. This Element examines the reception of their music during this dynamic period in British musical history, and places the discussion within the context of the artistic, cultural, economic, and political factors that stimulated such passionate interest in 'ancient music.' It also offers a vivid picture of the aesthetic concerns of those musicians and audiences involved with this repertoire, providing insights that help us better understand our own encounters with music of the past.
Author: Russell Stinson
Publisher: Oxford University Press
ISBN: 0199917248
Category : Music
Languages : en
Pages : 216
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Book Description
In this wide-ranging set of original essays, musicologist and organist Russell Stinson investigates Johann Sebastian Bach's compositions for the organ, opening up a wealth of perspectives on the stylistic orientation and historical context of these timeless masterpieces. With a sweeping hand, Stinson sheds light on the entire corpus of Bach's organ chorales, and considers the reception of particular pieces not only by various luminaries in the classical music world, but also those within such disparate contexts as film, literature, politics, and rock music. Stinson's investigations include a revealing focus on a previously unpublished fugue by Bach pupil J. G. Schübler, unexplored techniques found in over twenty of Bach's chorale preludes, and the diverse ways in which Bach's organ works have been received from the composer's own lifetime to the present day. Individual essays are also devoted to Felix Mendelssohn as a performer; to Robert Schumann as an editor and critic; to César Franck as a performer, pedagogue, and composer; and to Edward Elgar as a performer, critic, and transcriber. Rich in archival data and filled with fascinating anecdotes, J. S. Bach at His Royal Instrument is entirely up-to-date, meticulously annotated and indexed, and eminently readable. This book is essential reading for anyone at all interested in Bach and "the king of instruments."
Author: David Yearsley
Publisher: Cambridge University Press
ISBN: 1139500112
Category : Music
Languages : en
Pages : 313
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Book Description
The organist seated at the king of instruments with thousands of pipes rising all around him, his hands busy at the manuals and his feet patrolling the pedalboard, is a symbol of musical self-sufficiency yielding musical possibilities beyond that of any other mode of solo performance. In this book, David Yearsley presents an interpretation of the significance of the oldest and richest of European instruments, by investigating the German origins of the uniquely independent use of the feet in organ playing. Delving into a range of musical, literary and visual sources, Bach's Feet demonstrates the cultural importance of this physically demanding mode of music-making, from the blind German organists of the fifteenth century, through the central contribution of Bach's music and legacy, to the newly-pedaling organists of the British Empire and the sinister visions of Nazi propagandists.
Author: Matthew Dirst
Publisher: Cambridge University Press
ISBN: 0521651603
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
Matthew Dirst examines the leading role of Bach's keyboard works in the creation of his historical legacy.
