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Author: James Gunn, Col
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
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Book Description
"The invitation came online, probably an e-mail. I was aware of the existence of SFF.net, a website that specialized in discussions of science fiction issues, often by authors who were too impatient to get their opinions published in the SFWA Bulletin, which got published every two months and was the battleground for some classic debates and sometimes name-calling... The invitation was to join a discussion--in midstream--about the protocols for reading science fiction. One of the exchanges online included a reference to the fact that I had written about the protocols in a recent article... I didn't read the website regularly, mostly because I didn't have time; these were busy days for me, both teaching and publishing, and my days as president of SFWA and then of SFRA were long over, and the debates were still raging about mostly the same issues. But the debates about the protocols of reading science fiction were still fresh and the discussion about them, if they existed, was still fresh. And the discussion was brisk and sharp, particularly from Damon Knight, with whom I had an interesting relationship since I had read his fiction and his critical opinions... We had met in a bar at the World Science Fiction Convention..." And so begins James Gunn's definitive and fascinating study of the reading protocols of science fiction -- the way readers read science fiction differently than other kinds of fiction. (Or, do they?) The journey may seem academically dry, but is anything but, as it involves all sorts of beloved personalities and brawling debates about reading, writing, the very definition of science fiction itself, and what sets it apart from other fiction, and, ultimately, what makes us what we are as humans. The lively debate involves Damon Knight and many other professional science fiction writers and critcs. The book includes Samuel R. Delany's key essay on the subject, and several by James Gunn, to thoroughly explore the subject. This is James Gunn's last book, finished just before his death, and a most fitting capstone to his incredible career, all carefully put together with his friend and associate, Michael R. Page. It's a must-read for any fan of the science fiction genre and those who write it.
Author: James Gunn, Col
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
Get Book Here
Book Description
"The invitation came online, probably an e-mail. I was aware of the existence of SFF.net, a website that specialized in discussions of science fiction issues, often by authors who were too impatient to get their opinions published in the SFWA Bulletin, which got published every two months and was the battleground for some classic debates and sometimes name-calling... The invitation was to join a discussion--in midstream--about the protocols for reading science fiction. One of the exchanges online included a reference to the fact that I had written about the protocols in a recent article... I didn't read the website regularly, mostly because I didn't have time; these were busy days for me, both teaching and publishing, and my days as president of SFWA and then of SFRA were long over, and the debates were still raging about mostly the same issues. But the debates about the protocols of reading science fiction were still fresh and the discussion about them, if they existed, was still fresh. And the discussion was brisk and sharp, particularly from Damon Knight, with whom I had an interesting relationship since I had read his fiction and his critical opinions... We had met in a bar at the World Science Fiction Convention..." And so begins James Gunn's definitive and fascinating study of the reading protocols of science fiction -- the way readers read science fiction differently than other kinds of fiction. (Or, do they?) The journey may seem academically dry, but is anything but, as it involves all sorts of beloved personalities and brawling debates about reading, writing, the very definition of science fiction itself, and what sets it apart from other fiction, and, ultimately, what makes us what we are as humans. The lively debate involves Damon Knight and many other professional science fiction writers and critcs. The book includes Samuel R. Delany's key essay on the subject, and several by James Gunn, to thoroughly explore the subject. This is James Gunn's last book, finished just before his death, and a most fitting capstone to his incredible career, all carefully put together with his friend and associate, Michael R. Page. It's a must-read for any fan of the science fiction genre and those who write it.
Author: Jonathan Strahan
Publisher: Start Publishing LLC
ISBN: 1597804606
Category : Fiction
Languages : en
Pages : 758
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Book Description
In print and on-line, science fiction and fantasy is thriving as never before. A multitude of astonishingly creative and gifted writers are boldly exploring the mythic past, the paranormal present, and the promises and perils of myriad alternate worlds and futures. There are almost too many new and intriguing stories published every year for any reader to be able to experience them all. So how to make sure you haven’t missed any future classics? Award-winning editor and anthologist Jonathan Strahan has surveyed the expanding universes of modern sf and fantasy to find the brightest stars in today’s dazzling literary firmament. From the latest masterworks by the acknowledged titans of the field to fresh visions from exciting new talents, this outstanding collection is a comprehensive showcase for the current state of the art in both science fiction and fantasy. Anyone who wants to know where the future of imaginative short fiction is going, and treat themselves to dozens of unforgettable stories, will find this year’s edition of Best Science Fiction and Fantasy to be just what they’re looking for!
Author: James E. Gunn
Publisher: Scarecrow Press
ISBN: 9780810857148
Category : Fiction
Languages : en
Pages : 264
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Book Description
James Gunn has had a long and distinguished career in science fiction. In addition to his stories and novels, he has written extensively about the reading, writing, and criticism of science fiction. Many of these essays were published in The Science of Science-Fiction Writing (Scarecrow, 2002). A second collection of essays, Inside Science Fiction, was originally published in 1992, and is now available in this revised, updated, and expanded edition. With the addition of five new articles written since 1992, Inside Science Fiction represents Gunn's latest thoughts about the genre. The book is divided into four major sections that tackle various aspects of the genre: - "Getting Inside Science Fiction," in which Gunn discusses his relationship with the genre - "Science Fiction and the Teacher" illustrates various approaches to teaching science fiction - "Science Fiction on Film and Television" deals with the film industry's approaches to science fiction, in particular, Gunn's experiences of seeing his novel The Immortals turned into a made-for-television movie and subsequent series - "Science Fiction and the Real World" examines the impact of science fiction on the world and what the future holds for the genre Inside Science Fiction offers a complete overview of science fiction for readers and viewers from an author, reader, and teacher who has seen it from all sides for more than seventy years.
Author: Norman Spinrad
Publisher: SIU Press
ISBN: 9780809316717
Category : Literary Collections
Languages : en
Pages : 260
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Book Description
Updates Lentz's previous work (which Library journal said was producers, screenwriters, cinematographers, special effects technicians, make-up artists, art directors. III: film index. IV: TV series index. V: alternate title index. Science fiction writer Spinrad presents 13 essays, some previously published, examining particular works in the genre, aspects of the industry, and how they influence each other. Topics include critical standards, the visual expression in comic books and movies, modes of content, politics, and profiles of individual authors. No bibliography. Paper edition (unseen), $14.95. Annotation copyrighted by Book News, Inc., Portland, OR
Author: M. Keith Booker
Publisher: John Wiley & Sons
ISBN: 9781444310351
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
The Science Fiction Handbook offers a comprehensive and accessible survey of one of the literary world's most fascinating genres. Includes separate historical surveys of key subgenres including time-travel narratives, post-apocalyptic and post-disaster narratives and works of utopian and dystopian science fiction Each subgenre survey includes an extensive list of relevant critical readings, recommended novels in the subgenre, and recommended films relevant to the subgenre Features entries on a number of key science fiction authors and extensive discussion of major science fiction novels or sequences Writers and works include Isaac Asimov; Margaret Atwood; George Orwell; Ursula K. Le Guin; The War of the Worlds (1898); Starship Troopers (1959); Mars Trilogy (1993-6); and many more A 'Science Fiction Glossary' completes this indispensable Handbook
Author: Israel A. C. Noletto
Publisher: Taylor & Francis
ISBN: 1040024513
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Fictional Languages in Science Fiction Literature surveys a large number of fictional languages, those created as part of a literary world, to present a multifaceted account of the literary phenomenon of glossopoesis (language invention). Consisting of a few untranslated sentences, exotic names, or even fully-fledged languages with detailed grammar and vocabulary, fictional languages have been a common element of English-language fiction since Thomas More’s Utopia (1516). Different notions of the functions of such fictional languages in narrative have been proposed: as rooted in phonaesthetics and contextual features, or as being used for characterisation and construction of alterity. Framed within stylistics and informed by narrative theory, literary theory, literary pragmatics, and semiotics, this study combines previous typologies into a new 5-part reading model comprising unique analytical approaches tailored to science fiction’s specific discourse and style, exploring the relationship between glossopoesis, world-building, storytelling, interpretation, and rhetoric, both in prose and paratexts.
Author: Jerome Winter
Publisher: Rowman & Littlefield
ISBN: 1793621489
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
Citizen Science Fiction draws on an interdisciplinary swath of literature and media to make the case that the science fiction genre can help rethink the pedagogical use of citizen science as a tool to interrogate our collective civic engagement with science and the incorporation of science into a rigorous, exciting writing-based curriculum. The book revolves around recent developments in specific scientific disciplines, including biology, ecology, computer science, astronomy, and cognitive science. Winter closely studies a range of science-fiction texts and tropes -- such as aliens, robots, clones, mind uploads, galactic empires -- for what they have to contribute to the ongoing scholarly discussion on psychological mindset and mindful argument, reading for probing inquiry and productive uncertainty in the age of the Anthropocene, reading for voice with a view to our digitally dominated future, and reading for threshold concepts in a scientifically driven society.
Author: Rob Latham
Publisher: Oxford University Press
ISBN: 0199838852
Category : Literary Criticism
Languages : en
Pages : 641
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Book Description
The excitement of possible futures found in science fiction has long fired the human imagination, but the genre's acceptance by academe is relatively recent. No longer marginalized and fighting for respectability, science-fictional works are now studied alongside more traditional art forms. Tracing the capacious genre's birth, evolution, and impact across nations, time periods, subgenres, and media, The Oxford Handbook of Science Fiction offers an in-depth, comprehensive assessment of this robust area of scholarly inquiry and considers the future directions that will dictate the terms of the scholarly discourse. The Handbook begins with a focus on questions of genre, covering topics such as critical history, keywords, narrative, the fantastic, and fandom. A subsequent section on media engages with film, television, comics, architecture, music, video games, and more. The genre's role in the convergence of art and everyday life animates a third section, which addresses topics such as UFOs,
Author: Orson Scott Card
Publisher: Penguin
ISBN: 1599631407
Category : Language Arts & Disciplines
Languages : en
Pages : 418
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Book Description
Do you envision celestial cities in distant, fantastic worlds? Do you dream of mythical beasts and gallant quests in exotic kingdoms? If you have ever wanted to write the next great fantasy or science fiction story, this all-in-one comprehensive book will show you how. Writing Fantasy & Science Fiction is full of advice from master authors offering definitive instructions on world building, character creation, and storytelling in the many styles and possibilities available to writers of speculative fiction. Combining two Writer's Digest classics, Orson Scott Card's How to Write Science Fiction & Fantasy and The Writer's Complete Fantasy Reference, along with two new selections from award-winning science fiction and fantasy authors Philip Athans and Jay Lake, this new book provides the best of all worlds. You'll discover: • How to build, populate, and dramatize fantastic new worlds. • How to develop dynamic and meaningful themes that will expand the cannon of sci-fi and fantasy storytelling. • Exciting subgenres such as steampunk, as well as new developments in the sci-fi and fantasy genres. • How to imbue your tales with historically accurate information about world cultures, legends, folklore, and religions. • Detailed descriptions of magic rituals, fantastic weapons of war, clothing and armor, and otherworldly beasts such as orcs, giants, elves, and more. • How societies, villages, and castles were constructed and operate on a day-to-day basis. • Astounding methods of interstellar travel, the rules of starflight, and the realities and myths of scientific exploration. • How to generate new ideas and graft them to the most popular themes and plot devices in sci-fi and fantasy writing. The boundaries of your imagination are infinite, but to create credible and thrilling fiction, you must ground your stories in rules, facts, and accurate ideas. Writing Fantasy & Science Fiction will guide you through the complex and compelling universe of fantasy and science fiction writing and help you unleash your stories on the next generation of readers and fans.
Author: Mark Bould
Publisher: Routledge
ISBN: 1135228353
Category : Literary Criticism
Languages : en
Pages : 1039
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Book Description
The Routledge Companion to Science Fiction is a comprehensive overview of the history and study of science fiction. It outlines major writers, movements, and texts in the genre, established critical approaches and areas for future study. Fifty-six entries by a team of renowned international contributors are divided into four parts which look, in turn, at: history – an integrated chronological narrative of the genre’s development theory – detailed accounts of major theoretical approaches including feminism, Marxism, psychoanalysis, cultural studies, postcolonialism, posthumanism and utopian studies issues and challenges – anticipates future directions for study in areas as diverse as science studies, music, design, environmentalism, ethics and alterity subgenres – a prismatic view of the genre, tracing themes and developments within specific subgenres. Bringing into dialogue the many perspectives on the genre The Routledge Companion to Science Fiction is essential reading for anyone interested in the history and the future of science fiction and the way it is taught and studied.
