The Ravished Image

The Ravished Image PDF Author: Sarah Walden
Publisher: St Martins Press
ISBN: 9780312664169
Category : Art
Languages : en
Pages : 174

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Book Description
Describes the chemical nature of paints and glazes, examines the issues involved in the restoration of great works of art, and argues that we are conditioned by advertising and television to see differently than our ancestors

The Ravished Image

The Ravished Image PDF Author: Sarah Walden
Publisher: St Martins Press
ISBN: 9780312664169
Category : Art
Languages : en
Pages : 174

Get Book Here

Book Description
Describes the chemical nature of paints and glazes, examines the issues involved in the restoration of great works of art, and argues that we are conditioned by advertising and television to see differently than our ancestors

The Ravished Image, Or, How to Ruin Masterpieces by Restoration

The Ravished Image, Or, How to Ruin Masterpieces by Restoration PDF Author: Sarah Walden
Publisher: Weidenfeld & Nicolson
ISBN:
Category : Art
Languages : en
Pages : 200

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Book Description


The Ravished Image

The Ravished Image PDF Author: Sarah Walden
Publisher:
ISBN: 9781903933411
Category : Painting
Languages : en
Pages : 181

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Book Description
An authoritative introduction to art history and the art of restoring paintings, with a posthumous foreword by Sir Ernst Gombrich, Key Writings & Unpublished Letters.

Issues in the Conservation of Photographs

Issues in the Conservation of Photographs PDF Author: Debra Hess Norris
Publisher: Getty Publications
ISBN: 1606060007
Category : Art
Languages : en
Pages : 754

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Book Description
This is an authoritative and insightful survey of the evolving field of photograph conservation. This volume is the first publication to chronicle the emergence and systematic development of photograph conservation as a profession.

Partial Differential Equation Methods for Image Inpainting

Partial Differential Equation Methods for Image Inpainting PDF Author: Carola-Bibiane Schönlieb
Publisher: Cambridge University Press
ISBN: 1316404587
Category : Mathematics
Languages : en
Pages : 265

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Book Description
This book is concerned with digital image processing techniques that use partial differential equations (PDEs) for the task of image 'inpainting', an artistic term for virtual image restoration or interpolation, whereby missing or occluded parts in images are completed based on information provided by intact parts. Computer graphic designers, artists and photographers have long used manual inpainting to restore damaged paintings or manipulate photographs. Today, mathematicians apply powerful methods based on PDEs to automate this task. This book introduces the mathematical concept of PDEs for virtual image restoration. It gives the full picture, from the first modelling steps originating in Gestalt theory and arts restoration to the analysis of resulting PDE models, numerical realisation and real-world application. This broad approach also gives insight into functional analysis, variational calculus, optimisation and numerical analysis and will appeal to researchers and graduate students in mathematics with an interest in image processing and mathematical analysis.

Exhibiting Authenticity

Exhibiting Authenticity PDF Author: David Phillips
Publisher: Manchester University Press
ISBN: 9780719047978
Category : Art
Languages : en
Pages : 260

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Book Description
The first study on medieval women to treat young women or 'maidens' separately and at length. The book makes a contribution to gender studies through its study of medieval girls' acquisition of appropriate roles and identities, and their own attitudes towards these roles. Examines the experiences and voices of young womanhood. Provides insights into ideals of feminine gender roles and identities at different social levels.

Mathematical Foundations of Image Processing and Analysis, Volume 1

Mathematical Foundations of Image Processing and Analysis, Volume 1 PDF Author: Jean-Charles Pinoli
Publisher: John Wiley & Sons
ISBN: 1118649125
Category : Technology & Engineering
Languages : en
Pages : 393

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Book Description
Image processing and image analysis are typically important fields in information science and technology. By “image processing”, we generally understand all kinds of operation performed on images (or sequences of images) in order to increase their quality, restore their original content, emphasize some particular aspect of the information or optimize their transmission, or to perform radiometric and/or spatial analysis. By “image analysis” we understand, however, all kinds of operation performed on images (or sequences of images) in order to extract qualitative or quantitative data, perform measurements and apply statistical analysis. Whereas there are nowadays many books dealing with image processing, only a small number deal with image analysis. The methods and techniques involved in these fields of course have a wide range of applications in our daily world: industrial vision, material imaging, medical imaging, biological imaging, multimedia applications, satellite imaging, quality control, traffic control, and so on

Stealing Venice

Stealing Venice PDF Author: Heather Redding
Publisher: Troubador Publishing Ltd
ISBN: 1783066431
Category : Fiction
Languages : en
Pages : 400

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Book Description
A tale of two cities – London and Venice; of art and history; theft and food. Set against the sumptuous backdrop of contemporary and sixteenth century Venice, this is the story of two women, Anna and Ginevra, separated by centuries, but whose destinies are determined by the merciless chemistry of love: for a person, a place... and a painting.

Ruins and Fragments

Ruins and Fragments PDF Author: Robert Harbison
Publisher: Reaktion Books
ISBN: 1780234767
Category : Architecture
Languages : en
Pages : 274

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Book Description
What is it about ruins that are so alluring, so puzzling, that they can hold some of us in endless wonder over the half-erased story they tell? In this elegant book, Robert Harbison explores the captivating hold these remains and broken pieces—from architecture, art, and literature—have on us. Why are we, he asks, so suspicious of things that are too smooth, too continuous? What makes us feel, when we look upon a fragment, that its very incompletion has a kind of meaning in itself? Is it that our experience on earth is inherently discontinuous, or that we are simply unable to believe in anything whole? Harbison guides us through ruins and fragments, both ancient and modern, visual and textual, showing us how they are crucial to understanding our current mindset and how we arrived here. First looking at ancient fragments, he examines the ways we have recovered, restored, and exhibited them as artworks. Then he moves on to modernist architecture and the ways that it seeks a fragmentary form, examining modern projects that have been designed into existing ruins, such as the Castelvecchio in Verona, Italy and the reconstruction of the Neues Museum in Berlin. From there he explores literature and the works of T. S. Eliot, Montaigne, Coleridge, Joyce, and Sterne, and how they have used fragments as the foundation for creating new work. Likewise he examines the visual arts, from Schwitters’ collages to Ruskin’s drawings, as well as cinematic works from Sergei Eisenstein to Julien Temple, never shying from more deliberate creators of ruin, from Gordon Matta-Clark to countless graffiti artists. From ancient to modern times and across every imaginable form of art, Harbison takes a poetic look at how ruins have offered us a way of understanding history and how they have enabled us to create the new.

Curating Opera

Curating Opera PDF Author: Stephen Mould
Publisher: Routledge
ISBN: 1000338606
Category : Music
Languages : en
Pages : 178

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Book Description
Curation as a concept and a catchword in modern parlance has, over recent decades, become deeply ingrained in modern culture. The purpose of this study is to explore the curatorial forces at work within the modern opera house and to examine the functionaries and processes that guide them. In turn, comparisons are made with the workings of the traditional art museum, where artworks are studied, preserved, restored, displayed and contextualised – processes which are also present in the opera house. Curatorial roles in each institution are identified and described, and the role of the celebrity art curator is compared with that of the modern stage director, who has acquired previously undreamt-of licence to interrogate operatic works, overlaying them with new concepts and levels of meaning in order to reinvent and redefine the operatic repertoire for contemporary needs. A point of coalescence between the opera house and the art museum is identified, with the transformation, towards the end of the nineteenth century, of the opera house into the operatic museum. Curatorial practices in the opera house are examined, and further communalities and synergies in the way that ‘works’ are defined in each institution are explored. This study also considers the so-called ‘birth’ of opera around the start of the seventeenth century, with reference to the near-contemporary rise of the modern art museum, outlining operatic practice and performance history over the last 400 years in order to identify the curatorial practices that have historically been employed in the maintenance and development of the repertoire. This examination of the forces of curation within the modern opera house will highlight aspects of authenticity, authorial intent, preservation, restoration and historically informed performance practice.