Author: S. Bhagyalekshmy
Publisher: Trivandrum, India : CBH Publications
ISBN:
Category : Music
Languages : en
Pages : 408

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Book Description

Author: N. S. Ramachandran
Publisher:
ISBN:
Category : Carnatic music
Languages : en
Pages : 250

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Book Description

Author: V. K. Krishna Prasad
Publisher:
ISBN: 9788185381978
Category : Music
Languages : en
Pages : 755

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Book Description

Author: T.M. Krishna
Publisher: Harper Collins
ISBN: 9350298228
Category : Music
Languages : en
Pages : 254

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Book Description
One of the foremost Karnatik vocalists today, T.M. Krishna writes lucidly and passionately about the form, its history, its problems and where it stands todayT.M. Krishna begins his sweeping exploration of the tradition of Karnatik music with a fundamental question: what is music? Taking nothing for granted and addressing readers from across the spectrum - musicians, musicologists as well as laypeople - Krishna provides a path-breaking overview of south Indian classical music.

Author: Ludwig Pesch
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 408

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Book Description
This Is An Indispensable And Enriching Reference Work For The Connoisseur, Practising Musician, Interested Amateur, Impresario Teacher And Student.

Author: Rafael Reina
Publisher: Routledge
ISBN: 1317180127
Category : Music
Languages : en
Pages : 455

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Book Description
Most classical musicians, whether in orchestral or ensemble situations, will have to face a piece by composers such as Ligeti, Messiaen, Varèse or Xenakis, while improvisers face music influenced by Dave Holland, Steve Coleman, Aka Moon, Weather Report, Irakere or elements from the Balkans, India, Africa or Cuba. Rafael Reina argues that today’s music demands a new approach to rhythmical training, a training that will provide musicians with the necessary tools to face, with accuracy, more varied and complex rhythmical concepts, while keeping the emotional content. Reina uses the architecture of the South Indian Karnatic rhythmical system to enhance and radically change the teaching of rhythmical solfege at a higher education level and demonstrates how this learning can influence the creation and interpretation of complex contemporary classical and jazz music. The book is designed for classical and jazz performers as well as creators, be they composers or improvisers, and is a clear and complete guide that will enable future solfege teachers and students to use these techniques and their methodology to greatly improve their rhythmical skills. An accompanying website of audio examples helps to explain each technique. For examples of composed and improvised pieces by students who have studied this book, as well as concerts by highly acclaimed karnatic musicians, please copy this link to your browser: http://www.contemporary-music-through-non-western-techniques.com/pages/1587-video-recordings

Author: George Ruckert
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 400

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Book Description
This Is A Book Of And About The Classical Music Of North India, Among The Oldest Continual Musical Traditions Of The World. This Volume Introduces The Great Richness And Variety Of The Different Styles Of Music As Taught By One Of The Century`S Greatest Musicians, Ali Akbar Khan.

Author: Anupam Mahajan
Publisher: New Delhi : Gian
ISBN:
Category : Music
Languages : en
Pages : 208

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Book Description
This is an advisable work of art and a real countributor to the movement towards greater understanding of Indian Classical Music. A Bible on Indian Music, a treasure of knowledge and ideas on the subject. Distils the essence of Indian Classical Music. This book deals with the communication of identical phrases and single notes projecting various shades within a particular raga or in different ragas. An admirable work of art and a real contribution to the know classical music movement.

Author: Lewis Rowell
Publisher: University of Chicago Press
ISBN: 0226730344
Category : History
Languages : en
Pages : 428

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Book Description
Offering a broad perspective of the philosophy, theory, and aesthetics of early Indian music and musical ideology, this study makes a unique contribution to our knowledge of the ancient foundations of India's musical culture. Lewis Rowell reconstructs the tunings, scales, modes, rhythms, gestures, formal patterns, and genres of Indian music from Vedic times to the thirteenth century, presenting not so much a history as a thematic analysis and interpretation of India's magnificent musical heritage. In Indian culture, music forms an integral part of a broad framework of ideas that includes philosophy, cosmology, religion, literature, and science. Rowell works with the known theoretical treatises and the oral tradition in an effort to place the technical details of musical practice in their full cultural context. Many quotations from the original Sanskrit appear here in English translation for the first time, and the necessary technical information is presented in terms accessible to the nonspecialist. These features, combined with Rowell's glossary of Sanskrit terms and extensive bibliography, make Music and Musical Thought in Early India an excellent introduction for the general reader and an indispensable reference for ethnomusicologists, historical musicologists, music theorists, and Indologists.

Author: Amit Chaudhuri
Publisher: New York Review of Books
ISBN: 168137479X
Category : Music
Languages : en
Pages : 273

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Book Description
Winner of the James Tait Black Prize for Biography An autobiographical exploration of the role and meaning of music in our world by one of India's greatest living authors, himself a vocalist and performer. Amit Chaudhuri, novelist, critic, and essayist, is also a musician, trained in the Indian classical vocal tradition but equally fluent as a guitarist and singer in the American folk music style, who has recorded his experimental compositions extensively and performed around the world. A turning point in his life took place when, as a lonely teenager living in a high-rise in Bombay, far from his family’s native Calcutta, he began, contrary to all his prior inclinations, to study Indian classical music. Finding the Raga chronicles that transformation and how it has continued to affect and transform not only how Chaudhuri listens to and makes music but how he listens to and thinks about the world at large. Offering a highly personal introduction to Indian music, the book is also a meditation on the differences between Indian and Western music and art-making as well as the ways they converge in a modernism that Chaudhuri reframes not as a twentieth-century Western art movement but as a fundamental mode of aesthetic response, at once immemorial and extraterritorial. Finding the Raga combines memoir, practical and cultural criticism, and philosophical reflection with the same individuality and flair that Chaudhuri demonstrates throughout a uniquely wide-ranging, challenging, and enthralling body of work.