Author: Joshua C. Udell
Publisher: Lulu.com
ISBN: 1329532244
Category : Poetry
Languages : en
Pages : 163
Book Description
A success wherever he has the capabilities to jot and jolt the coiling brutally realistic ways of life in a home where he feels the loss of love and finding sources of love and hurt and pain while all wrapped in a vibration of writing that will take the reader to the inside of Mr. Joshua C. Udell's life. Living in a group home, instead of feeling defeated he does it again and his career is rocking him to freedom and fame for his notorious books.
The Quintessence Of Urbana
Author: Joshua C. Udell
Publisher: Lulu.com
ISBN: 1329532244
Category : Poetry
Languages : en
Pages : 163
Book Description
A success wherever he has the capabilities to jot and jolt the coiling brutally realistic ways of life in a home where he feels the loss of love and finding sources of love and hurt and pain while all wrapped in a vibration of writing that will take the reader to the inside of Mr. Joshua C. Udell's life. Living in a group home, instead of feeling defeated he does it again and his career is rocking him to freedom and fame for his notorious books.
Publisher: Lulu.com
ISBN: 1329532244
Category : Poetry
Languages : en
Pages : 163
Book Description
A success wherever he has the capabilities to jot and jolt the coiling brutally realistic ways of life in a home where he feels the loss of love and finding sources of love and hurt and pain while all wrapped in a vibration of writing that will take the reader to the inside of Mr. Joshua C. Udell's life. Living in a group home, instead of feeling defeated he does it again and his career is rocking him to freedom and fame for his notorious books.
Freedom's Coming
Author: Paul Harvey
Publisher: UNC Press Books
ISBN: 1469606429
Category : History
Languages : en
Pages : 357
Book Description
In a sweeping analysis of religion in the post-Civil War and twentieth-century South, Freedom's Coming puts race and culture at the center, describing southern Protestant cultures as both priestly and prophetic: as southern formal theology sanctified dominant political and social hierarchies, evangelical belief and practice subtly undermined them. The seeds of subversion, Paul Harvey argues, were embedded in the passionate individualism, exuberant expressive forms, and profound faith of believers in the region. Harvey explains how black and white religious folk within and outside of mainstream religious groups formed a southern "evangelical counterculture" of Christian interracialism that challenged the theologically grounded racism pervasive among white southerners and ultimately helped to end Jim Crow in the South. Moving from the folk theology of segregation to the women who organized the Montgomery bus boycott, from the hymn-inspired freedom songs of the 1960s to the influence of black Pentecostal preachers on Elvis Presley, Harvey deploys cultural history in fresh and innovative ways and fills a decades-old need for a comprehensive history of Protestant religion and its relationship to the central question of race in the South for the postbellum and twentieth-century period.
Publisher: UNC Press Books
ISBN: 1469606429
Category : History
Languages : en
Pages : 357
Book Description
In a sweeping analysis of religion in the post-Civil War and twentieth-century South, Freedom's Coming puts race and culture at the center, describing southern Protestant cultures as both priestly and prophetic: as southern formal theology sanctified dominant political and social hierarchies, evangelical belief and practice subtly undermined them. The seeds of subversion, Paul Harvey argues, were embedded in the passionate individualism, exuberant expressive forms, and profound faith of believers in the region. Harvey explains how black and white religious folk within and outside of mainstream religious groups formed a southern "evangelical counterculture" of Christian interracialism that challenged the theologically grounded racism pervasive among white southerners and ultimately helped to end Jim Crow in the South. Moving from the folk theology of segregation to the women who organized the Montgomery bus boycott, from the hymn-inspired freedom songs of the 1960s to the influence of black Pentecostal preachers on Elvis Presley, Harvey deploys cultural history in fresh and innovative ways and fills a decades-old need for a comprehensive history of Protestant religion and its relationship to the central question of race in the South for the postbellum and twentieth-century period.
The Shaman's Last Craft
Author: Joshua C. Udell
Publisher: Lulu.com
ISBN: 1329884671
Category : Fiction
Languages : en
Pages : 58
Book Description
For Alwaw and Vestrix life becomes a bit more difficult for their peaceful tribe the Sixjue when they find out that the Engshi Tribe wants their potion that can summon spirits from the dead. Both Alwaw and Vestrix had promised never to mess with it again once they used it and terrible things happened to them. An entire village was destroyed and they lost all sense of self and time as they were consumed by the potion. Will Alwaw and Vestrix have enough time to solve the riddles of the dangerous potion before war breaks out between the two tribes? As the two Shamans try the unthinkable of using a potion that almost destroyed everything in sight. In the Shaman's Last Craft we discover the secrets to such an unknown potion and the effects it will have on anyone who uses it.
Publisher: Lulu.com
ISBN: 1329884671
Category : Fiction
Languages : en
Pages : 58
Book Description
For Alwaw and Vestrix life becomes a bit more difficult for their peaceful tribe the Sixjue when they find out that the Engshi Tribe wants their potion that can summon spirits from the dead. Both Alwaw and Vestrix had promised never to mess with it again once they used it and terrible things happened to them. An entire village was destroyed and they lost all sense of self and time as they were consumed by the potion. Will Alwaw and Vestrix have enough time to solve the riddles of the dangerous potion before war breaks out between the two tribes? As the two Shamans try the unthinkable of using a potion that almost destroyed everything in sight. In the Shaman's Last Craft we discover the secrets to such an unknown potion and the effects it will have on anyone who uses it.
University of Illinois Studies in Language and Literature
Author: University of Illinois (Urbana-Champaign campus)
Publisher:
ISBN:
Category : Language and languages
Languages : en
Pages : 668
Book Description
Publisher:
ISBN:
Category : Language and languages
Languages : en
Pages : 668
Book Description
Illinois Studies in the Social Sciences
Author: University of Illinois (Urbana-Champaign campus)
Publisher:
ISBN:
Category : Social sciences
Languages : en
Pages : 198
Book Description
Publisher:
ISBN:
Category : Social sciences
Languages : en
Pages : 198
Book Description
The Inner Journey Home
Author: A. H. Almaas
Publisher: Shambhala Publications
ISBN: 1590301099
Category : Psychology
Languages : en
Pages : 1020
Book Description
What is the soul, and how do we come to know it? What is its journey in life, and what stages and obstacles are encountered along the way? These questions are explored here in detail according to the Diamond Approach, a spiritual path that combines systematic inquiry into personal experience, the practice of traditional spiritual methods, and the application of modern psychological research. The Inner Journey Home is the centerpiece of the Diamond Approach literature, providing a complete overview of the teaching with references to the author's other books for more details on certain topics.
Publisher: Shambhala Publications
ISBN: 1590301099
Category : Psychology
Languages : en
Pages : 1020
Book Description
What is the soul, and how do we come to know it? What is its journey in life, and what stages and obstacles are encountered along the way? These questions are explored here in detail according to the Diamond Approach, a spiritual path that combines systematic inquiry into personal experience, the practice of traditional spiritual methods, and the application of modern psychological research. The Inner Journey Home is the centerpiece of the Diamond Approach literature, providing a complete overview of the teaching with references to the author's other books for more details on certain topics.
Boogaloo
Author: Arthur Kempton
Publisher: University of Michigan Press
ISBN: 9780472030873
Category : Music
Languages : en
Pages : 484
Book Description
No further information has been provided for this title.
Publisher: University of Michigan Press
ISBN: 9780472030873
Category : Music
Languages : en
Pages : 484
Book Description
No further information has been provided for this title.
The First Moderns
Author: William R. Everdell
Publisher: University of Chicago Press
ISBN: 0226224848
Category : History
Languages : en
Pages : 514
Book Description
A lively and accessible history of Modernism, The First Moderns is filled with portraits of genius, and intellectual breakthroughs, that richly evoke the fin-de-siècle atmosphere of Paris, Vienna, St. Louis, and St. Petersburg. William Everdell offers readers an invigorating look at the unfolding of an age. "This exceptionally wide-ranging history is chock-a-block with anecdotes, factoids, odd juxtapositions, and useful insights. Most impressive. . . . For anyone interested in learning about late 19th- and early 20th- century imaginative thought, this engagingly written book is a good place to start."—Washington Post Book World "The First Moderns brilliantly maps the beginning of a path at whose end loom as many diasporas as there are men."—Frederic Morton, The Los Angeles Times Book Review "In this truly exciting study of the origins of modernist thought, poet and teacher Everdell roams freely across disciplinary lines. . . . A brilliant book that will prove useful to scholars and generalists for years to come; enthusiastically recommended."—Library Journal, starred review "Everdell has performed a rare service for his readers. Dispelling much of the current nonsense about 'postmodernism,' this book belongs on the very short list of profound works of cultural analysis."—Booklist "Innovative and impressive . . . [Everdell] has written a marvelous, erudite, and readable study."-Mark Bevir, Spectator "A richly eclectic history of the dawn of a new era in painting, music, literature, mathematics, physics, genetics, neuroscience, psychiatry and philosophy."—Margaret Wertheim, New Scientist "[Everdell] has himself recombined the parts of our era's intellectual history in new and startling ways, shedding light for which the reader of The First Moderns will be eternally grateful."—Hugh Kenner, The New York Times Book Review "Everdell shows how the idea of "modernity" arose before the First World War by telling the stories of heroes such as T. S. Eliot, Max Planck, and Georges Serault with such a lively eye for detail, irony, and ambiance that you feel as if you're reliving those miraculous years."—Jon Spayde, Utne Reader
Publisher: University of Chicago Press
ISBN: 0226224848
Category : History
Languages : en
Pages : 514
Book Description
A lively and accessible history of Modernism, The First Moderns is filled with portraits of genius, and intellectual breakthroughs, that richly evoke the fin-de-siècle atmosphere of Paris, Vienna, St. Louis, and St. Petersburg. William Everdell offers readers an invigorating look at the unfolding of an age. "This exceptionally wide-ranging history is chock-a-block with anecdotes, factoids, odd juxtapositions, and useful insights. Most impressive. . . . For anyone interested in learning about late 19th- and early 20th- century imaginative thought, this engagingly written book is a good place to start."—Washington Post Book World "The First Moderns brilliantly maps the beginning of a path at whose end loom as many diasporas as there are men."—Frederic Morton, The Los Angeles Times Book Review "In this truly exciting study of the origins of modernist thought, poet and teacher Everdell roams freely across disciplinary lines. . . . A brilliant book that will prove useful to scholars and generalists for years to come; enthusiastically recommended."—Library Journal, starred review "Everdell has performed a rare service for his readers. Dispelling much of the current nonsense about 'postmodernism,' this book belongs on the very short list of profound works of cultural analysis."—Booklist "Innovative and impressive . . . [Everdell] has written a marvelous, erudite, and readable study."-Mark Bevir, Spectator "A richly eclectic history of the dawn of a new era in painting, music, literature, mathematics, physics, genetics, neuroscience, psychiatry and philosophy."—Margaret Wertheim, New Scientist "[Everdell] has himself recombined the parts of our era's intellectual history in new and startling ways, shedding light for which the reader of The First Moderns will be eternally grateful."—Hugh Kenner, The New York Times Book Review "Everdell shows how the idea of "modernity" arose before the First World War by telling the stories of heroes such as T. S. Eliot, Max Planck, and Georges Serault with such a lively eye for detail, irony, and ambiance that you feel as if you're reliving those miraculous years."—Jon Spayde, Utne Reader
Illinois Alumni News
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
Book Description
Hip Hop's Amnesia
Author: Reiland Rabaka
Publisher: Lexington Books
ISBN: 0739174932
Category : Social Science
Languages : en
Pages : 386
Book Description
What did rap music and hip hop culture inherit from the spirituals, classic blues, ragtime, classic jazz, and bebop? What did rap music and hip hop culture inherit from the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Hipster Movement, and Black Muslim Movement? How did black popular music and black popular culture between 1900 and the 1950s influence white youth culture, especially the Lost Generation and the Beat Generation, in ways that mirror rap music and hip hop culture’s influence on contemporary white youth music, culture, and politics? In Hip Hop’s Amnesia award-winning author, spoken-word artist, and multi-instrumentalist Reiland Rabaka answers these questions by rescuing and reclaiming the often-overlooked early twentieth century origins and evolution of rap music and hip hop culture. Hip Hop’s Amnesia is a study about aesthetics and politics, music and social movements, as well as the ways in which African Americans’ unique history and culture has consistently led them to create musics that have served as the soundtracks for their socio-political aspirations and frustrations, their socio-political organizations and nationally-networked movements. The musics of the major African American social and political movements of the 1950s, 1960s, and 1970s were based and ultimately built on earlier forms of “African American movement music.” Therefore, in order to really and truly understand rap music and hip hop culture we must critically examine both classical African American musics and the classical African American movements that these musics served as soundtracks for. This book is primarily preoccupied with the ways in which post-enslavement black popular music and black popular culture frequently served as a soundtrack for and reflected the grassroots politics of post-enslavement African American social and political movements. Where many Hip Hop Studies scholars have made clever allusions to the ways that rap music and hip hop culture are connected to and seem to innovatively evolve earlier forms of black popular music and black popular culture, Hip Hop’s Amnesia moves beyond anecdotes and witty allusions and earnestly endeavors a full-fledged critical examination and archive-informed re-evaluation of “hip hop’s inheritance” from the major African American musics and movements of the first half of the twentieth century: classic blues, ragtime, classic jazz, swing, bebop, the Black Women’s Club Movement, the New Negro Movement, the Harlem Renaissance, the Bebop Movement, the Hipster Movement, and the Black Muslim Movement.
Publisher: Lexington Books
ISBN: 0739174932
Category : Social Science
Languages : en
Pages : 386
Book Description
What did rap music and hip hop culture inherit from the spirituals, classic blues, ragtime, classic jazz, and bebop? What did rap music and hip hop culture inherit from the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Hipster Movement, and Black Muslim Movement? How did black popular music and black popular culture between 1900 and the 1950s influence white youth culture, especially the Lost Generation and the Beat Generation, in ways that mirror rap music and hip hop culture’s influence on contemporary white youth music, culture, and politics? In Hip Hop’s Amnesia award-winning author, spoken-word artist, and multi-instrumentalist Reiland Rabaka answers these questions by rescuing and reclaiming the often-overlooked early twentieth century origins and evolution of rap music and hip hop culture. Hip Hop’s Amnesia is a study about aesthetics and politics, music and social movements, as well as the ways in which African Americans’ unique history and culture has consistently led them to create musics that have served as the soundtracks for their socio-political aspirations and frustrations, their socio-political organizations and nationally-networked movements. The musics of the major African American social and political movements of the 1950s, 1960s, and 1970s were based and ultimately built on earlier forms of “African American movement music.” Therefore, in order to really and truly understand rap music and hip hop culture we must critically examine both classical African American musics and the classical African American movements that these musics served as soundtracks for. This book is primarily preoccupied with the ways in which post-enslavement black popular music and black popular culture frequently served as a soundtrack for and reflected the grassroots politics of post-enslavement African American social and political movements. Where many Hip Hop Studies scholars have made clever allusions to the ways that rap music and hip hop culture are connected to and seem to innovatively evolve earlier forms of black popular music and black popular culture, Hip Hop’s Amnesia moves beyond anecdotes and witty allusions and earnestly endeavors a full-fledged critical examination and archive-informed re-evaluation of “hip hop’s inheritance” from the major African American musics and movements of the first half of the twentieth century: classic blues, ragtime, classic jazz, swing, bebop, the Black Women’s Club Movement, the New Negro Movement, the Harlem Renaissance, the Bebop Movement, the Hipster Movement, and the Black Muslim Movement.