Author: George Gascoigne
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 68

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Book Description

Author: John Nichols
Publisher:
ISBN: 0199551391
Category : Biography & Autobiography
Languages : en
Pages : 857

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Book Description
The second volume in this annotated collection of texts relating to the 'progresses' of Queen Elizabeth I around England includes accounts of dramatic performances, orations, and poems, and a wealth of supplementary material dating from 1572 to 1578.

Author: Martin Wiggins
Publisher: Oxford University Press, USA
ISBN: 0199265720
Category : Drama
Languages : en
Pages : 537

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Book Description
Volume 3 covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.

Author: Frances Amelia Yates
Publisher: Taylor & Francis
ISBN: 9780415220484
Category : History
Languages : en
Pages : 302

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Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Elizabeth I (Queen of England)
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description

Author: Alfred Harbage
Publisher: Psychology Press
ISBN: 9780415010993
Category : Literary Criticism
Languages : en
Pages : 398

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Book Description
An analytical record of all plays, extinct or lost, chronologically arranged and indexed by authors, titles and dramatic companies.

Author: Gabriel Heaton
Publisher: OUP Oxford
ISBN: 0191549940
Category : Literary Criticism
Languages : en
Pages : 320

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Book Description
This major new study of Elizabethan and Jacobean royal entertainments, including country house entertainments, tiltyard speeches, and court masques, is the first to look in detail at the evidence provided by the surviving material texts. Drafts, royal presentation manuscripts, widely-circulating scribal copies, and printed pamphlets are all carefully placed in their cultural context, and the medium of manuscript is shown to have been at least as important as print for these texts' circulation. From the close collaboration between commissioning host and hired writer, to the varied interpretations imposed by copyists and publishers, entertainments were written and read within a complex social nexus: far from being royal propaganda, they reflected the distinct and sometimes competing agendas of monarchs, commissioning hosts, authors, publishers, scribal intermediaries, and readers. Writing and Reading Royal Entertainments explores this interpretative community through a range of texts. The first part of the book looks at Elizabethan entertainments: the Woodstock entertainment of 1575 (Chapter I); tiltyard speeches (Chapter II); and the distinctive features of printed pamphlets and scribal copies, notably of the 1602 Harefield entertainment (Chapter III). The second part of the book is mostly concerned with Ben Jonson's work for the Jacobean court, with chapters on the Merchant Taylors' entertainment (Chapter IV) and the Theobalds' entertainment (Chapter V). The final chapter looks at the texts of court masques, especially in the light of Jonson's understanding of the poet's elevated role. The book's conclusion takes the story of these material texts beyond the early modern period and looks at how they have been collected, bought, and sold over the centuries.

Author: Frances A. Yates
Publisher: Routledge
ISBN: 1134554702
Category : History
Languages : en
Pages : 302

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Book Description
This is Volume V of selected works of Frances A. Yates. Astraea looks at the Imperial theme in the sixteenth century and includes Charles V and the idea of Empire to the Tudor Imperial Reform and the French Monarchy.

Author: Sylvia Stoler Wagonheim
Publisher: Routledge
ISBN: 1134676344
Category : Literary Criticism
Languages : en
Pages : 393

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Book Description
An analytical record of all plays, extinct or lost, chronologically arranged and indexed by authors, titles and dramatic companies.

Author: Lynn Staley
Publisher: Penn State Press
ISBN: 9780271006994
Category : Poetry
Languages : en
Pages : 246

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Book Description
The Shepheardes Calender is the poem that launched Edmund Spenser's career and changed the direction of English poetry. In this reappraisal, Lynn Staley Johnson demonstrates that Spenser himself made a self-conscious effort to create a new literature, a new esthetic for a new era. Drawing upon a wide range of primary sources, she places the poem in its literary, social, political , and cultural context, contributing to our understanding of the relationship between Spenser and his times. She pays particular attention to the emergence of the myth of Elizabeth and of England during the first half of Elizabeth's reign and the ways in which the young Spenser manipulated the concerns and issues of the time, transforming popular culture into literary expression. By its active engagement with both the present and the past, the Calender suggests Spenser's conception of poetry as informed dialogue designed for social work, offering a reinterpretation of the relationship between the poet and his community. Choosing not to be circumscribed by the voices of his significant historical and literary past, the Calender proclaims the poet, not as transmitter or mediator, but as an active and shaping force, capable of remaking the present by offering his age a picture of a new and potentially more glorious reality. Johnson seeks to bridge the gap between the literature of the Middle Ages and the Renaissance by linking Spenser's strategies and themes to those of his medieval forebears, especially Chaucer. Both Edmund Spenser and his enigmatic Calender stand facing two ways, back into the age dubbed &"middle&" and forward, hailing the new; as it's study demonstrates, only by bringing these views into a single focus can we begin to appreciate the radical and innovative nature of a poem that for many heralds the renaissance of English poetry.