Author: Zhang Zeduan
Publisher: Shanghai Press
ISBN: 9781602200036
Category : Art
Languages : en
Pages : 0
Book Description
The painting Qingming Shang He Tu ("Scenes along the River during the Qingming Festival"),an over 16-foot panorama running from right to left, is considered to be one of the most brilliant works in Chinese art history. It is a masterpiece of realism, recording the pulse of a thriving, historical town and showing extraordinary detail.
Scenes along the River during the Qingming Festival
Author: Zhang Zeduan
Publisher: Shanghai Press
ISBN: 9781602200036
Category : Art
Languages : en
Pages : 0
Book Description
The painting Qingming Shang He Tu ("Scenes along the River during the Qingming Festival"),an over 16-foot panorama running from right to left, is considered to be one of the most brilliant works in Chinese art history. It is a masterpiece of realism, recording the pulse of a thriving, historical town and showing extraordinary detail.
Publisher: Shanghai Press
ISBN: 9781602200036
Category : Art
Languages : en
Pages : 0
Book Description
The painting Qingming Shang He Tu ("Scenes along the River during the Qingming Festival"),an over 16-foot panorama running from right to left, is considered to be one of the most brilliant works in Chinese art history. It is a masterpiece of realism, recording the pulse of a thriving, historical town and showing extraordinary detail.
Chinas Commercial Revolution
Author: Valerie Hansen
Publisher:
ISBN: 9781526406965
Category : Capitalism
Languages : en
Pages :
Book Description
In the 1100s China was arguably the richest country in the world, having experienced several centuries of sustained economic growth. A key factor in this prosperity was a commercial revolution that greatly expanded trade across the region.
Publisher:
ISBN: 9781526406965
Category : Capitalism
Languages : en
Pages :
Book Description
In the 1100s China was arguably the richest country in the world, having experienced several centuries of sustained economic growth. A key factor in this prosperity was a commercial revolution that greatly expanded trade across the region.
Chinese Auspicious Culture
Author: Beijing Foreign Language Press
Publisher: Asiapac Books Pte Ltd
ISBN: 9812296425
Category : Social Science
Languages : en
Pages : 258
Book Description
In this volume, Chinese Auspicious Culture, we examine how Chinese folk customs have evolved over the centuries to become a natural science that includes a combination of multidisciplinary thoughts such as philosophy, geography, zoology, architecture and psychology. All these are elements of Chinese auspicious culture, which has been practised by the Chinese for fortune, prosperity and longevity. In order to survive in a world beset with calamities, the ancient Chinese had developed a variety of taboos and customs that must be observed, and they remain the guidelines for the people today.
Publisher: Asiapac Books Pte Ltd
ISBN: 9812296425
Category : Social Science
Languages : en
Pages : 258
Book Description
In this volume, Chinese Auspicious Culture, we examine how Chinese folk customs have evolved over the centuries to become a natural science that includes a combination of multidisciplinary thoughts such as philosophy, geography, zoology, architecture and psychology. All these are elements of Chinese auspicious culture, which has been practised by the Chinese for fortune, prosperity and longevity. In order to survive in a world beset with calamities, the ancient Chinese had developed a variety of taboos and customs that must be observed, and they remain the guidelines for the people today.
The Happy Valley
Author: Ken Nicolson
Publisher: Hong Kong University Press
ISBN: 9888028103
Category : History
Languages : en
Pages : 146
Book Description
Hong Kong's oldest Western cemetery garden is located in Happy Valley. This history and tour highlights the need for urgent action to conserve the built and natural heritage resources of this important cultural landscape. The author challenges the reader to reconsider the basic approach to heritage conservation adopted in Hong Kong where a false dichotomy persists between natural and built heritage conservation initiatives. The Hong Kong Cemetery provides an excellent example of a precious cultural landscape which is deteriorating because simplistic approaches to site management have failed to understand and protect the complex interrelationship between the natural (flora mid fauna - habitats) and built (monuments and Memorials) heritage resources. The first-three chapters introduce the cemetery garden concept as it evolved in early nineteenth century Europe, and was eventually established in Hong Kong by the British.-The second half of the book provides a self-guided tour of the cemetery highlighting its resources as well as explaining the main conservation problems and possible solutions to protect the cemetery.
Publisher: Hong Kong University Press
ISBN: 9888028103
Category : History
Languages : en
Pages : 146
Book Description
Hong Kong's oldest Western cemetery garden is located in Happy Valley. This history and tour highlights the need for urgent action to conserve the built and natural heritage resources of this important cultural landscape. The author challenges the reader to reconsider the basic approach to heritage conservation adopted in Hong Kong where a false dichotomy persists between natural and built heritage conservation initiatives. The Hong Kong Cemetery provides an excellent example of a precious cultural landscape which is deteriorating because simplistic approaches to site management have failed to understand and protect the complex interrelationship between the natural (flora mid fauna - habitats) and built (monuments and Memorials) heritage resources. The first-three chapters introduce the cemetery garden concept as it evolved in early nineteenth century Europe, and was eventually established in Hong Kong by the British.-The second half of the book provides a self-guided tour of the cemetery highlighting its resources as well as explaining the main conservation problems and possible solutions to protect the cemetery.
Know Your Remedies
Author: He Bian
Publisher: Princeton University Press
ISBN: 0691179042
Category : History
Languages : en
Pages : 264
Book Description
The last pharmacopeia -- Converting tribute -- The nature of drugs -- Virtuosity and orthodoxy -- The marketplace and the shop -- Eating exotica.
Publisher: Princeton University Press
ISBN: 0691179042
Category : History
Languages : en
Pages : 264
Book Description
The last pharmacopeia -- Converting tribute -- The nature of drugs -- Virtuosity and orthodoxy -- The marketplace and the shop -- Eating exotica.
Along the River During the Qingming Festival
Author: Shiu-Lan (Jully) Huang
Publisher: 天行書苑
ISBN: 9869212573
Category : Calligraphy
Languages : en
Pages : 358
Book Description
The Along the River During the Qingming Festival was painted by Chang Ze-Duan of North Song Dynasty on silk. Painted in light colors, it is 528cm wide and 24.8cm tall. Qingming implies Qingming Festival or Tomb Sweeping Festival. “Shang He” (above the river) was a norm at that time. After worshipping the ancestors and sweeping their tombs, people would get on the bridge to enjoy the view of Bianjing and River Bian. Or they may wander along the bridge and buy snacks from the vendors there and visit the riverside towns. This is what “Qingming Shang He” means. In the painting, we can see many of the norms of Qingming Festival, such as the pasted paper building miniatures in front of the “Wang’s Paper Horse Shop,” the tomb sweeping team with sedan chairs decorated with willow branches and flowers outside the city, the vendors selling mud figurines at the entrances of the bridge, the people gathering and drinking after tomb sweeping, and more. These scenes are similar to the descriptions of The Eastern Capital: A Dream of Splendor. In short, it is a masterpiece of social norms painting completed in the Song Dynasty. Cosmos Classics hopes to delineate and demonstrate the connotations and beauty of Along the River During the Qingming Festival in a candid attitude to allow readers to feel the beauty of this portrayal of the Bianjing in North Song Dynasty nine hundred years ago through textual guides of this book and the appreciation of this painting. In addition, it is hoped that readers can feel the Chang Ze-Duan’s dedication in the layout and thinking of this painting. We write in a comprehensive manner to provide readers guides to the entire painting in detail with this book to render the interpretations of the North Song Dynasty as faithfully as possible to its original look and feel. We would like to apologize for any imperfection in researches and proofreading of this book. Regarding the arrangements of the contents in this book, it begins with three chapters “The Historic Values of Along the River During the Qingming Festival,” “Imperial Painting Academy (Hanlin Tuhua Yuan) during the North Song Society and the Painter Chang Ze-Duan,” and “Bianjing and Transportations on the River Bian at the North Song Dynasty” to present an overall view of the contents, painter, and historical background of this painting. In the “Conclusion” at the end of this book, the painting techniques and contents of this work are analyzed in detail to allow readers to understand the intentions of Chang Ze-Duan better. The reference section is attached to communicate the careful attitude of and the references cited by Cosmos Classics to show our respect for the writers and researchers. The major task of this book is to introduce this lengthy scroll. From right to left, it is divided into three parts in accordance with their themes “Leisure Atmosphere in the Suburb Greens,” “The Busy Water Transportation on River Bian,” and “The Prosperous Bianjing City.” According to their features, Along the River During the Qingming Festival is divided into forty zones. In the beginning of the essay, a lighted and focused thumbnail is provided to allow readers to understand the location of the discussions. In the essays, magnified graphics of the small zones are attached as illustrations to allow readers to observe every person and every corner carefully in detail. The major reference of this book The Eastern Capital: A Dream of Splendor, which records the events happening between 1102 and 1125, during the time of prosperity of Bianjing from the year of Chongning to the year of Xuanhe of Hui Zhong of North Song Dynasty, during the years of the completion of this painting. In addition, history,journals and poetry written on Song Dynasty are also referenced to explain the characters, events and things portrayed in the painting, hoping to remain faithful to the theme. As to the professional parts, the Treatise on Architectural Methods or State Building Standards is consulted to compare with the structure of the architecture in the painting. The Exploitation of the Works of Nature is consulted to find out the structure of the boats. “On the Carts and Costumes” in Song History is consulted to pinpoint the making of the carts, sedan chairs and costumes of that period. The Eastern Capital: A Dream of Splendor is consulted to examine the social norms and the geographical location of the capital. Of course, reference books and articles on Along the River During the Qingming Festival are read to present a complete interpretation on the painting. The great Jiehua(Margin Painting) painter Chang Ze-Duan left us with the first hand materials of the image of capital city in the North Song Dynasty, including trade and commercial activities, costumes and social norms architectural style, furniture and vessels, transportation, and more. All of them are of high historical value. Moreover, its humanistic connotations and sensations allow us to read and re-read this painting. The closer we read it, the more we can find the painter’s intentions. It always impresses us with its infinite charms that echo in our hearts. Therefore, it is regarded as a classic in Chinese and world history of art. Ranked as one of the top ten Chinese paintings, it is also renowned as the “first and heavenly work in Chinese painting.” Viewing this picture Along the River During the Qingming Festival in the 21st century, it still wins our exclamations. This masterpiece has been passed down from generation to generation, having gone through wars and dynasties, and shifts in times, with unchanging values. Great paintings can always prevail over the limits of time and space to become immortal, demonstrating the beauty of aesthetics and universal human values. Although Along the River During the Qingming Festival is not the only painting that portrays the capital in Chinese history, it is the most complete painting that captures the social norms and characters of Bianjing in art history. From the illustrations, deconstructive interpretations, and plain and simple introduction of this book, readers can have a glimpse of the authentic picture of Bianjing during the North Song Dynasty. Reminiscing the past, Cosmos Classics has edited and released Along the River During the Qingming Festival by Chang Ze-Duan, a North Song Dynasty painter, in electronic book format. It is hoped that Chinese of this generation can converse with tradition to fuse the ancient with the modern. Reading the classics, we may be inspired to lay down milestones for modern arts. In addition, we are enthusiastic to share them globally to allow international people to immerse themselves in the beauty of Chinese arts.
Publisher: 天行書苑
ISBN: 9869212573
Category : Calligraphy
Languages : en
Pages : 358
Book Description
The Along the River During the Qingming Festival was painted by Chang Ze-Duan of North Song Dynasty on silk. Painted in light colors, it is 528cm wide and 24.8cm tall. Qingming implies Qingming Festival or Tomb Sweeping Festival. “Shang He” (above the river) was a norm at that time. After worshipping the ancestors and sweeping their tombs, people would get on the bridge to enjoy the view of Bianjing and River Bian. Or they may wander along the bridge and buy snacks from the vendors there and visit the riverside towns. This is what “Qingming Shang He” means. In the painting, we can see many of the norms of Qingming Festival, such as the pasted paper building miniatures in front of the “Wang’s Paper Horse Shop,” the tomb sweeping team with sedan chairs decorated with willow branches and flowers outside the city, the vendors selling mud figurines at the entrances of the bridge, the people gathering and drinking after tomb sweeping, and more. These scenes are similar to the descriptions of The Eastern Capital: A Dream of Splendor. In short, it is a masterpiece of social norms painting completed in the Song Dynasty. Cosmos Classics hopes to delineate and demonstrate the connotations and beauty of Along the River During the Qingming Festival in a candid attitude to allow readers to feel the beauty of this portrayal of the Bianjing in North Song Dynasty nine hundred years ago through textual guides of this book and the appreciation of this painting. In addition, it is hoped that readers can feel the Chang Ze-Duan’s dedication in the layout and thinking of this painting. We write in a comprehensive manner to provide readers guides to the entire painting in detail with this book to render the interpretations of the North Song Dynasty as faithfully as possible to its original look and feel. We would like to apologize for any imperfection in researches and proofreading of this book. Regarding the arrangements of the contents in this book, it begins with three chapters “The Historic Values of Along the River During the Qingming Festival,” “Imperial Painting Academy (Hanlin Tuhua Yuan) during the North Song Society and the Painter Chang Ze-Duan,” and “Bianjing and Transportations on the River Bian at the North Song Dynasty” to present an overall view of the contents, painter, and historical background of this painting. In the “Conclusion” at the end of this book, the painting techniques and contents of this work are analyzed in detail to allow readers to understand the intentions of Chang Ze-Duan better. The reference section is attached to communicate the careful attitude of and the references cited by Cosmos Classics to show our respect for the writers and researchers. The major task of this book is to introduce this lengthy scroll. From right to left, it is divided into three parts in accordance with their themes “Leisure Atmosphere in the Suburb Greens,” “The Busy Water Transportation on River Bian,” and “The Prosperous Bianjing City.” According to their features, Along the River During the Qingming Festival is divided into forty zones. In the beginning of the essay, a lighted and focused thumbnail is provided to allow readers to understand the location of the discussions. In the essays, magnified graphics of the small zones are attached as illustrations to allow readers to observe every person and every corner carefully in detail. The major reference of this book The Eastern Capital: A Dream of Splendor, which records the events happening between 1102 and 1125, during the time of prosperity of Bianjing from the year of Chongning to the year of Xuanhe of Hui Zhong of North Song Dynasty, during the years of the completion of this painting. In addition, history,journals and poetry written on Song Dynasty are also referenced to explain the characters, events and things portrayed in the painting, hoping to remain faithful to the theme. As to the professional parts, the Treatise on Architectural Methods or State Building Standards is consulted to compare with the structure of the architecture in the painting. The Exploitation of the Works of Nature is consulted to find out the structure of the boats. “On the Carts and Costumes” in Song History is consulted to pinpoint the making of the carts, sedan chairs and costumes of that period. The Eastern Capital: A Dream of Splendor is consulted to examine the social norms and the geographical location of the capital. Of course, reference books and articles on Along the River During the Qingming Festival are read to present a complete interpretation on the painting. The great Jiehua(Margin Painting) painter Chang Ze-Duan left us with the first hand materials of the image of capital city in the North Song Dynasty, including trade and commercial activities, costumes and social norms architectural style, furniture and vessels, transportation, and more. All of them are of high historical value. Moreover, its humanistic connotations and sensations allow us to read and re-read this painting. The closer we read it, the more we can find the painter’s intentions. It always impresses us with its infinite charms that echo in our hearts. Therefore, it is regarded as a classic in Chinese and world history of art. Ranked as one of the top ten Chinese paintings, it is also renowned as the “first and heavenly work in Chinese painting.” Viewing this picture Along the River During the Qingming Festival in the 21st century, it still wins our exclamations. This masterpiece has been passed down from generation to generation, having gone through wars and dynasties, and shifts in times, with unchanging values. Great paintings can always prevail over the limits of time and space to become immortal, demonstrating the beauty of aesthetics and universal human values. Although Along the River During the Qingming Festival is not the only painting that portrays the capital in Chinese history, it is the most complete painting that captures the social norms and characters of Bianjing in art history. From the illustrations, deconstructive interpretations, and plain and simple introduction of this book, readers can have a glimpse of the authentic picture of Bianjing during the North Song Dynasty. Reminiscing the past, Cosmos Classics has edited and released Along the River During the Qingming Festival by Chang Ze-Duan, a North Song Dynasty painter, in electronic book format. It is hoped that Chinese of this generation can converse with tradition to fuse the ancient with the modern. Reading the classics, we may be inspired to lay down milestones for modern arts. In addition, we are enthusiastic to share them globally to allow international people to immerse themselves in the beauty of Chinese arts.
China
Author: Deborah A. Bekken
Publisher: University of Chicago Press
ISBN: 022645617X
Category : History
Languages : en
Pages : 363
Book Description
At the entrance of The Field Museum’s Cyrus Tang Hall of China, two Chinese stone guardian lions stand tall, gazing down intently at approaching visitors. One lion’s paw rests upon a decorated ball symbolizing power, while the other lion cradles a cub. Traditionally believed to possess attributes of strength and protection, statues such as these once stood guard outside imperial buildings, temples, and wealthy homes in China. Now, centuries later, they guard this incredible permanent exhibition. China’s long history is one of the richest and most complex in the known world, and the Cyrus Tang Hall of China offers visitors a wonderful, comprehensive survey of it through some 350 artifacts on display, spanning from the Paleolithic period to present day. Now, with China: Visions through the Ages, anyone can experience the marvels of this exhibition through the book’s beautifully designed and detailed pages. Readers will gain deeper insight into The Field Museum’s important East Asian collections, the exhibition development process, and research on key aspects of China’s fascinating history. This companion book, edited by the exhibition’s own curatorial team, takes readers even deeper into the wonders of the Cyrus Tang Hall of China and enables them to study more closely the objects and themes featured in the show. Mirroring the exhibition’s layout of five galleries, the volume is divided into five sections. The first section focuses on the Paleolithic and Neolithic periods; the second, the Bronze Age, the first dynasties, and early writing; the third, the imperial system and power; the fourth, religion and performance; and the fifth, interregional trade and the Silk Routes. Each section also includes highlights containing brief stories on objects or themes in the hall, such as the famous Lanting Xu rubbing. With chapters from a diverse set of international authors providing greater context and historical background, China: Visions through the Ages is a richly illustrated volume that allows visitors, curious readers, and China scholars alike a chance to have an enduring exchange with the objects featured in the exhibition and with their multifaceted histories.
Publisher: University of Chicago Press
ISBN: 022645617X
Category : History
Languages : en
Pages : 363
Book Description
At the entrance of The Field Museum’s Cyrus Tang Hall of China, two Chinese stone guardian lions stand tall, gazing down intently at approaching visitors. One lion’s paw rests upon a decorated ball symbolizing power, while the other lion cradles a cub. Traditionally believed to possess attributes of strength and protection, statues such as these once stood guard outside imperial buildings, temples, and wealthy homes in China. Now, centuries later, they guard this incredible permanent exhibition. China’s long history is one of the richest and most complex in the known world, and the Cyrus Tang Hall of China offers visitors a wonderful, comprehensive survey of it through some 350 artifacts on display, spanning from the Paleolithic period to present day. Now, with China: Visions through the Ages, anyone can experience the marvels of this exhibition through the book’s beautifully designed and detailed pages. Readers will gain deeper insight into The Field Museum’s important East Asian collections, the exhibition development process, and research on key aspects of China’s fascinating history. This companion book, edited by the exhibition’s own curatorial team, takes readers even deeper into the wonders of the Cyrus Tang Hall of China and enables them to study more closely the objects and themes featured in the show. Mirroring the exhibition’s layout of five galleries, the volume is divided into five sections. The first section focuses on the Paleolithic and Neolithic periods; the second, the Bronze Age, the first dynasties, and early writing; the third, the imperial system and power; the fourth, religion and performance; and the fifth, interregional trade and the Silk Routes. Each section also includes highlights containing brief stories on objects or themes in the hall, such as the famous Lanting Xu rubbing. With chapters from a diverse set of international authors providing greater context and historical background, China: Visions through the Ages is a richly illustrated volume that allows visitors, curious readers, and China scholars alike a chance to have an enduring exchange with the objects featured in the exhibition and with their multifaceted histories.
Place/No-Place in Urban Asian Religiosity
Author: Joanne Punzo Waghorne
Publisher: Springer
ISBN: 9811003858
Category : Social Science
Languages : en
Pages : 238
Book Description
This book discusses Asia’s rapid pace of urbanization, with a particular focus on new spaces created by and for everyday religiosity. The essays in this volume – covering topics from the global metropolises of Singapore, Bangalore, Seoul, Beijing, and Hong Kong to the regional centers of Gwalior, Pune, Jahazpur, and sites like Wudang Mountain – examine in detail the spaces created by new or changing religious organizations that range in scope from neighborhood-based to consciously global. The definition of “spatial aspects” includes direct place-making projects such as the construction of new religious buildings – temples, halls and other meeting sites, as well as less tangible religious endeavors such as the production of new “mental spaces” urged by spiritual leaders, or the shift from terra firma to the strangely concrete effervesce of cyberspace. With this in mind, it explores how distinct and blurred, and open and bounded communities generate and participate in diverse practices as they deliberately engage or disengage with physical landscapes/cityscapes. It highlights how through these religious organizations, changing class and gender configurations, ongoing political and economic transformations, continue as significant factors shaping and affecting Asian urban lives. In addition, the books goes further by exploring new and often bittersweet “improvements” like metro rail lines, new national highways, widespread internet access, that bulldoze – both literally and figuratively – religious places and force relocations and adjustments that are often innovative and unexpected. Furthermore, this volume explores personal experiences within the particularities of selected religious organizations and the ways that subjects interpret or actively construct urban spaces. The essays show, through ethnographically and historically grounded case studies, the variety of ways newly emerging religious communities or religious institutions understand, value, interact with, or strive to ignore extreme urbanization and rapidly changing built environments.
Publisher: Springer
ISBN: 9811003858
Category : Social Science
Languages : en
Pages : 238
Book Description
This book discusses Asia’s rapid pace of urbanization, with a particular focus on new spaces created by and for everyday religiosity. The essays in this volume – covering topics from the global metropolises of Singapore, Bangalore, Seoul, Beijing, and Hong Kong to the regional centers of Gwalior, Pune, Jahazpur, and sites like Wudang Mountain – examine in detail the spaces created by new or changing religious organizations that range in scope from neighborhood-based to consciously global. The definition of “spatial aspects” includes direct place-making projects such as the construction of new religious buildings – temples, halls and other meeting sites, as well as less tangible religious endeavors such as the production of new “mental spaces” urged by spiritual leaders, or the shift from terra firma to the strangely concrete effervesce of cyberspace. With this in mind, it explores how distinct and blurred, and open and bounded communities generate and participate in diverse practices as they deliberately engage or disengage with physical landscapes/cityscapes. It highlights how through these religious organizations, changing class and gender configurations, ongoing political and economic transformations, continue as significant factors shaping and affecting Asian urban lives. In addition, the books goes further by exploring new and often bittersweet “improvements” like metro rail lines, new national highways, widespread internet access, that bulldoze – both literally and figuratively – religious places and force relocations and adjustments that are often innovative and unexpected. Furthermore, this volume explores personal experiences within the particularities of selected religious organizations and the ways that subjects interpret or actively construct urban spaces. The essays show, through ethnographically and historically grounded case studies, the variety of ways newly emerging religious communities or religious institutions understand, value, interact with, or strive to ignore extreme urbanization and rapidly changing built environments.
Moonbeams, Dumplings & Dragon Boats
Author: Nina Simonds
Publisher: Houghton Mifflin Harcourt
ISBN: 9780152019839
Category : Juvenile Nonfiction
Languages : en
Pages : 88
Book Description
Spectacular fireworks, silk lions dancing through the streets, sumptuous family banquets - these are the hallmarks of Chinese New Year. Now, discover how to bring this splendid celebration, and others, into your own home. In this glorious collection, bestselling cookbook author Nina Simonds joins with Leslie Swartz and The Children's Museum, Boston, to offer festival lore, traditional stories, delectable recipes, and engaging activities that will inspire you to enjoy a full year of Chinese holidays. Try such treats as golden New Year's dumplings or tasty moon cakes. Build a kite at Qing Ming or a miniature dragon boat for the Dragon Boat Festival. Share the stories of the greedy Kitchen God or the valiant imperial warrior Hou Yi. Whether your family ahs embraced these holidays for generations or is introducing new traditions, Moonbeams, Dumplings & Dragon Boats offers exciting ways for the whole family to celebrate year after year, presenting background information, related tales, and activities for celebrating five Chinese festivals--Chinese New Year, the Lantern Festival, Qing Ming, the Dragon Boat Festival, and the Moon Festival.
Publisher: Houghton Mifflin Harcourt
ISBN: 9780152019839
Category : Juvenile Nonfiction
Languages : en
Pages : 88
Book Description
Spectacular fireworks, silk lions dancing through the streets, sumptuous family banquets - these are the hallmarks of Chinese New Year. Now, discover how to bring this splendid celebration, and others, into your own home. In this glorious collection, bestselling cookbook author Nina Simonds joins with Leslie Swartz and The Children's Museum, Boston, to offer festival lore, traditional stories, delectable recipes, and engaging activities that will inspire you to enjoy a full year of Chinese holidays. Try such treats as golden New Year's dumplings or tasty moon cakes. Build a kite at Qing Ming or a miniature dragon boat for the Dragon Boat Festival. Share the stories of the greedy Kitchen God or the valiant imperial warrior Hou Yi. Whether your family ahs embraced these holidays for generations or is introducing new traditions, Moonbeams, Dumplings & Dragon Boats offers exciting ways for the whole family to celebrate year after year, presenting background information, related tales, and activities for celebrating five Chinese festivals--Chinese New Year, the Lantern Festival, Qing Ming, the Dragon Boat Festival, and the Moon Festival.
Kim Vân Kiè̂u
Author: Du Nguyễn
Publisher:
ISBN:
Category :
Languages : vi
Pages : 452
Book Description
Publisher:
ISBN:
Category :
Languages : vi
Pages : 452
Book Description