Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
Book Description
The Puritaine
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
Book Description
The Rowfant Library
Author: Frederick Locker-Lampson
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 264
Book Description
Shakespeare and the Stage With a Complete List of Theatrical Terms Used by Shakespeare in His Plays and Poems, Arranged in Alphabetical Order, & Explanatory Notes
Author: Maurice Jonas
Publisher: Library of Alexandria
ISBN: 1465614842
Category : Fiction
Languages : en
Pages : 647
Book Description
The beginning of the English drama dates from a late period in the history of this country. Until the reign of Elizabeth, dramatic literature was really non-existent. During the Middle Ages, the religious drama held complete sway over the populace, producing such an abiding effect that no other kind of performance was tolerated. In England the first germs of a dramatic nature emanated from the church, chiefly in connection with the festival at Eastertide. At this time of the year the ritual was solemnized in a highly theatrical fashion. Processions marched round the sacred edifice, various scenes from the Gospels were introduced, accompanied by music and song. The festivals of Christmas and Corpus Christi were observed with great enthusiasm, sacred episodes taken from church history were acted with such fervour and ecstasy that the congregation remained spellbound during the service.The next development in the evolution of the drama is the representation of the liturgical play, written in Latin, gradually being superseded by the religious play written in the vernacular; the scenes depicted consisted chiefly of episodes in connection with the Birth of the Saviour, also of events narrating the Lives of the Saints, together with other legendary characters.All these scenes were called Miracle Plays, a name by which in this country all religious dramas were known, regardless of the origin of their source. In course of time these first offshoots of the ordinary service had grown to such dimensions that it was found impracticable that these spectacles should be presented inside the church, consequently, a larger space outside was deemed more convenient, but still remaining within the precincts. Even this innovation was not entirely successful, as the ground allotted for the performance was not extensive enough for the numerous throng that assembled on these occasions. Then a further step was taken by transferring the scene of action from the sacred precincts to the open spaces within the town. The development of the drama was greatly accelerated by this innovation. During the period that these plays formed part of the religious service, the clergy only were allowed the privilege of assuming the different characters, but when spectacular episodes were added to the ordinary ritual they became secularized by calling in the aid of the various guilds, assisted by professional entertainers. By these means the plays gradually lost their religious significance, finally being regarded as a popular form of amusement. By an act of Pope Gregory in 1210, the priests were forbidden to officiate in these interludes in any capacity, even if held inside the church. After the act had been confirmed by the Council of Trent in 1227, the clergy were strictly prohibited from joining the open-air performance.
Publisher: Library of Alexandria
ISBN: 1465614842
Category : Fiction
Languages : en
Pages : 647
Book Description
The beginning of the English drama dates from a late period in the history of this country. Until the reign of Elizabeth, dramatic literature was really non-existent. During the Middle Ages, the religious drama held complete sway over the populace, producing such an abiding effect that no other kind of performance was tolerated. In England the first germs of a dramatic nature emanated from the church, chiefly in connection with the festival at Eastertide. At this time of the year the ritual was solemnized in a highly theatrical fashion. Processions marched round the sacred edifice, various scenes from the Gospels were introduced, accompanied by music and song. The festivals of Christmas and Corpus Christi were observed with great enthusiasm, sacred episodes taken from church history were acted with such fervour and ecstasy that the congregation remained spellbound during the service.The next development in the evolution of the drama is the representation of the liturgical play, written in Latin, gradually being superseded by the religious play written in the vernacular; the scenes depicted consisted chiefly of episodes in connection with the Birth of the Saviour, also of events narrating the Lives of the Saints, together with other legendary characters.All these scenes were called Miracle Plays, a name by which in this country all religious dramas were known, regardless of the origin of their source. In course of time these first offshoots of the ordinary service had grown to such dimensions that it was found impracticable that these spectacles should be presented inside the church, consequently, a larger space outside was deemed more convenient, but still remaining within the precincts. Even this innovation was not entirely successful, as the ground allotted for the performance was not extensive enough for the numerous throng that assembled on these occasions. Then a further step was taken by transferring the scene of action from the sacred precincts to the open spaces within the town. The development of the drama was greatly accelerated by this innovation. During the period that these plays formed part of the religious service, the clergy only were allowed the privilege of assuming the different characters, but when spectacular episodes were added to the ordinary ritual they became secularized by calling in the aid of the various guilds, assisted by professional entertainers. By these means the plays gradually lost their religious significance, finally being regarded as a popular form of amusement. By an act of Pope Gregory in 1210, the priests were forbidden to officiate in these interludes in any capacity, even if held inside the church. After the act had been confirmed by the Council of Trent in 1227, the clergy were strictly prohibited from joining the open-air performance.
The Vulgar Tongue
Author: Jonathon Green
Publisher: Oxford University Press
ISBN: 019939816X
Category : Language Arts & Disciplines
Languages : en
Pages : 430
Book Description
Once the language of thieves and beggars, slang is an ever present part of today's culture for people across the strata. It allows us to connect to others, to express otherwise guarded thoughts, and to convey humor in the everyday. But how did slang escape its stigma as the language of the streets and integrate itself so seamlessly with "standard English?" The Vulgar Tongue tells the full story of English language slang, from its origins in early British beggar books to its spread in American and Australian culture in the eighteenth century. The aim is not to record the history of the over 125,000 English words that make up the lexis. Rather, the author focuses on the common, often profane themes that run through the word-list--crime, sex, bodily parts and functions, insults, and drink and drugs--and their scope and function throughout the various cultures and overlapping subcultures of English language history, from the sporting world to the university campus to ethnic communities. In tracing its development and trajectory throughout the English-speaking world, Jonathon Green offers an impassioned defence for its vitality, showing how slang has grown into a modern, versatile vocabulary that has nevertheless established its own role in contemporary English. Drawing on thirty years' worth of research, The Vulgar Tongue is a celebration of the words and phrases of an overlooked aspect of human language and interaction.
Publisher: Oxford University Press
ISBN: 019939816X
Category : Language Arts & Disciplines
Languages : en
Pages : 430
Book Description
Once the language of thieves and beggars, slang is an ever present part of today's culture for people across the strata. It allows us to connect to others, to express otherwise guarded thoughts, and to convey humor in the everyday. But how did slang escape its stigma as the language of the streets and integrate itself so seamlessly with "standard English?" The Vulgar Tongue tells the full story of English language slang, from its origins in early British beggar books to its spread in American and Australian culture in the eighteenth century. The aim is not to record the history of the over 125,000 English words that make up the lexis. Rather, the author focuses on the common, often profane themes that run through the word-list--crime, sex, bodily parts and functions, insults, and drink and drugs--and their scope and function throughout the various cultures and overlapping subcultures of English language history, from the sporting world to the university campus to ethnic communities. In tracing its development and trajectory throughout the English-speaking world, Jonathon Green offers an impassioned defence for its vitality, showing how slang has grown into a modern, versatile vocabulary that has nevertheless established its own role in contemporary English. Drawing on thirty years' worth of research, The Vulgar Tongue is a celebration of the words and phrases of an overlooked aspect of human language and interaction.
Shakespeare and Cognition
Author: Arthur F. Kinney
Publisher: Routledge
ISBN: 1135515042
Category : Literary Criticism
Languages : en
Pages : 184
Book Description
Shakespeare and Cognition examines the essential relationship between vision, knowledge, and memory in Renaissance models of cognition as seen in Shakespeare's plays. Drawing on both Aristotle's Metaphysics and contemporary cognitive literary theory, Arthur F. Kinney explores five key objects/images in Shakespeare's plays – crowns, bells, rings, graves and ghosts – that are not actually seen (or, in the case of the latter, not meant to be seen), but are central to the imagination of both the playwright and the playgoers.
Publisher: Routledge
ISBN: 1135515042
Category : Literary Criticism
Languages : en
Pages : 184
Book Description
Shakespeare and Cognition examines the essential relationship between vision, knowledge, and memory in Renaissance models of cognition as seen in Shakespeare's plays. Drawing on both Aristotle's Metaphysics and contemporary cognitive literary theory, Arthur F. Kinney explores five key objects/images in Shakespeare's plays – crowns, bells, rings, graves and ghosts – that are not actually seen (or, in the case of the latter, not meant to be seen), but are central to the imagination of both the playwright and the playgoers.
Shakespeare as Literary Dramatist
Author: Lukas Erne
Publisher: Cambridge University Press
ISBN: 1107029651
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
This second edition of Erne's groundbreaking study includes a new preface that reviews the controversy the book has triggered.
Publisher: Cambridge University Press
ISBN: 1107029651
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
This second edition of Erne's groundbreaking study includes a new preface that reviews the controversy the book has triggered.
Shakespeare in Print
Author: Andrew Murphy
Publisher: Cambridge University Press
ISBN: 1108942989
Category : Literary Criticism
Languages : en
Pages : 776
Book Description
Described by the TLS as 'a formidable bibliographical achievement ... destined to become a key reference work for Shakespeareans', Shakespeare in Print is now issued in a revised and expanded edition offering a wealth of new material, including a chapter which maps the history of digital editions from the earliest computer-generated texts to the very latest digital resources. Murphy's narrative offers a masterful overview of the history of Shakespeare publishing and editing, teasing out the greater cultural significance of the ways in which the plays and poems have been disseminated and received over the centuries from Shakespeare's time to our own. The opening chapters have been completely rewritten to offer close engagement with the careers of the network of publishers and printers who first brought Shakespeare to print, additional material has been added to all chapters, and the chronological appendix has been updated and expanded.
Publisher: Cambridge University Press
ISBN: 1108942989
Category : Literary Criticism
Languages : en
Pages : 776
Book Description
Described by the TLS as 'a formidable bibliographical achievement ... destined to become a key reference work for Shakespeareans', Shakespeare in Print is now issued in a revised and expanded edition offering a wealth of new material, including a chapter which maps the history of digital editions from the earliest computer-generated texts to the very latest digital resources. Murphy's narrative offers a masterful overview of the history of Shakespeare publishing and editing, teasing out the greater cultural significance of the ways in which the plays and poems have been disseminated and received over the centuries from Shakespeare's time to our own. The opening chapters have been completely rewritten to offer close engagement with the careers of the network of publishers and printers who first brought Shakespeare to print, additional material has been added to all chapters, and the chronological appendix has been updated and expanded.
People and piety
Author: Elizabeth Clarke
Publisher: Manchester University Press
ISBN: 1526150115
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
This international and interdisciplinary volume investigates Protestant devotional identities in sixteenth- and seventeenth-century England. Divided into two sections, the book examines the ‘sites’ where these identities were forged – the academy, printing house, household, theatre and prison – and the ‘types’ of texts that expressed them – spiritual autobiographies, religious poetry and writings tied to the ars moriendi – providing a broad analysis of social, material and literary forms of devotion during England’s Long Reformation. Through archival and cutting-edge research, a detailed picture of ‘lived religion’ emerges, which re-evaluates the pietistic acts and attitudes of well-known and recently discovered figures. To those studying and teaching religion and identity in early modern England, and anyone interested in the history of religious self-expression, these chapters offer a rich and rewarding read.
Publisher: Manchester University Press
ISBN: 1526150115
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
This international and interdisciplinary volume investigates Protestant devotional identities in sixteenth- and seventeenth-century England. Divided into two sections, the book examines the ‘sites’ where these identities were forged – the academy, printing house, household, theatre and prison – and the ‘types’ of texts that expressed them – spiritual autobiographies, religious poetry and writings tied to the ars moriendi – providing a broad analysis of social, material and literary forms of devotion during England’s Long Reformation. Through archival and cutting-edge research, a detailed picture of ‘lived religion’ emerges, which re-evaluates the pietistic acts and attitudes of well-known and recently discovered figures. To those studying and teaching religion and identity in early modern England, and anyone interested in the history of religious self-expression, these chapters offer a rich and rewarding read.
The Huth Library
Author: Henry Huth
Publisher:
ISBN:
Category : Autographs
Languages : en
Pages : 438
Book Description
Publisher:
ISBN:
Category : Autographs
Languages : en
Pages : 438
Book Description
The Shakespeare Apocrypha
Author: У. Шекспир
Publisher: Рипол Классик
ISBN: 5879006506
Category : History
Languages : en
Pages : 513
Book Description
The Shakespeare Apocrypha: Being a Collection of Fourteen Plays Which Have Been Ascribed to Shakespeare.
Publisher: Рипол Классик
ISBN: 5879006506
Category : History
Languages : en
Pages : 513
Book Description
The Shakespeare Apocrypha: Being a Collection of Fourteen Plays Which Have Been Ascribed to Shakespeare.