The Publishing History of Aubrey Beardsley's Compositions for Oscar Wilde's Salome PDF Download
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Author: Joan Navarre
Publisher: Universal-Publishers
ISBN: 1581120362
Category : Art
Languages : en
Pages : 236
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Book Description
This study claims that scholars need to examine all twenty-seven English illustrated editions of Wilde's and Beardsley's Salomë to understand whether Beardsley's compositions do, or do not, illustrate Wilde's words. For the last one hundred years scholars have addressed the aesthetic function of Beardsley's compositions (whether or not Beardsley's compositions illustrate Wilde's words), and each scholar sees something different: Beardsley's compositions are "irrelevant" to Wilde's words; Beardsley's compositions are "relevant" to Wilde's words; Beardsley's compositions are both "irrelevant" and "relevant." What is at issue here is that this traditional dance of signification (scholars' interpretations of the aesthetic function of Beardsley's compositions) relies upon an interpretive strategy that disavows the history of textual transmissions. To put this another way, what scholars "see" depends upon the particular English illustrated edition(s) they read. Beardsley's compositions are physical objects conditioned by a physical setting--i.e., the components of total book design. Yet, for many, the visible appears invisible. The motivation for this study arises from previously unexamined phenomena--the genesis and textual transmission of Beardsley's compositions for Salomë (1894-1994). As historical textual scholarship, this study uses the methodologies central to descriptive bibliography: the English illustrated editions of Wilde's and Beardsley's Salomë are treated as socially constructed physical objects. Binding, format, and paper are a few of the signifying systems described. Specifically, this investigation draws upon the model presented by Philip Gaskell in A New Introduction to Bibliography. The necessary tasks include: transcribing the title-page; analyzing the format; examining the appearance of the binding; detailing the kind of paper used; and noting other information, such as titles. As the centenary of Wilde's and Beardsley's Salomë commences, this is the opportune time to trace the publishing history of Beardsley's compositions, to update existing descriptive bibliographies, and to turn to an empirical method for a socialized model of literary production.
Author: Joan Navarre
Publisher: Universal-Publishers
ISBN: 1581120362
Category : Art
Languages : en
Pages : 236
Get Book Here
Book Description
This study claims that scholars need to examine all twenty-seven English illustrated editions of Wilde's and Beardsley's Salomë to understand whether Beardsley's compositions do, or do not, illustrate Wilde's words. For the last one hundred years scholars have addressed the aesthetic function of Beardsley's compositions (whether or not Beardsley's compositions illustrate Wilde's words), and each scholar sees something different: Beardsley's compositions are "irrelevant" to Wilde's words; Beardsley's compositions are "relevant" to Wilde's words; Beardsley's compositions are both "irrelevant" and "relevant." What is at issue here is that this traditional dance of signification (scholars' interpretations of the aesthetic function of Beardsley's compositions) relies upon an interpretive strategy that disavows the history of textual transmissions. To put this another way, what scholars "see" depends upon the particular English illustrated edition(s) they read. Beardsley's compositions are physical objects conditioned by a physical setting--i.e., the components of total book design. Yet, for many, the visible appears invisible. The motivation for this study arises from previously unexamined phenomena--the genesis and textual transmission of Beardsley's compositions for Salomë (1894-1994). As historical textual scholarship, this study uses the methodologies central to descriptive bibliography: the English illustrated editions of Wilde's and Beardsley's Salomë are treated as socially constructed physical objects. Binding, format, and paper are a few of the signifying systems described. Specifically, this investigation draws upon the model presented by Philip Gaskell in A New Introduction to Bibliography. The necessary tasks include: transcribing the title-page; analyzing the format; examining the appearance of the binding; detailing the kind of paper used; and noting other information, such as titles. As the centenary of Wilde's and Beardsley's Salomë commences, this is the opportune time to trace the publishing history of Beardsley's compositions, to update existing descriptive bibliographies, and to turn to an empirical method for a socialized model of literary production.
Author: Arthur Symons
Publisher: e-artnow
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 91
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Book Description
The Art of Aubrey Beardsley is a study about English artist and illustrator Aubrey Beardsley, written by British editor and critic Arthur Symons. The book includes biographical essay and numerous illustrations by the artist. Beardsley's drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. He was a leading figure in the aesthetic movement which also included Oscar Wilde and James McNeill Whistler.
Author: Arthur Symons
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 334
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Book Description
An illustrated monthly.
Author: Aristophanes
Publisher:
ISBN: 9781941667040
Category :
Languages : en
Pages : 64
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Book Description
A Classic Available Again Aristophanes was the greatest writer of ancient Athenian "old comedy," known for its satires of contemporary life and for its broad, often obscene humor. "Lysistrata" was first produced in 411 BC, when the Peloponnesian War had been devastating Greece for 20 years. Most people know the plot: Lysistrata assembles women from all of Greece, and they agree that they will not have sex until the men make peace. Aubrey Beardsley was the greatest and the most controversial Art Nouveau illustrator in England, famous for his illustrations of Mallory's "Morte d'Arthur," Oscar Wilde's "Salome," Pope's "The Rape of the Lock," and for several magazines. Because he was associated with Oscar Wilde, Beardsley lost his job as art editor of a magazine named "The Yellow Book" in 1895, soon after Wilde was arrested for homosexuality. He was approached by Leonard Smithers, a publisher of erotic books, who asked him to illustrate "Lysistrata." His illustrations are very much in the spirit of Aristophanes, as funny as they are obscene. Beardsley converted to Catholicism in 1897, and soon after, he asked Smithers to "destroy all copies of "Lysistrata"" with its "obscene drawings," but Smithers refused. Beardsley died of tuberculosis in 1898, at the age of 26. Smithers initially published "Lysistrata" in a limited edition of one hundred copies. It was reprinted in the 1960s and 1970s, but copies have long been scarce and expensive. Though some may find it offensive, we believe it is valuable to reprint this book, so all the books illustrated by this great artist are readily available.
Author: Michael Y. Bennett
Publisher: Rodopi
ISBN: 9401207208
Category : Drama
Languages : en
Pages : 295
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Book Description
While Oscar Wilde’s delightfully-witty comedies of manners receive the most fanfare from the general public and much of academia, Wilde’s most “serious” play—Salome—rightfully deserves an equal amount of attention. Written by emerging scholars, established scholars, and notable Wilde scholars at the top of the field, the far-ranging essays in this book—the first collection solely on Wilde’s Salome—provide new readings of the play, allowing us to better assess how and why Salome either fits or does not fit into Wilde’s oeuvre. Framed in a new light in this collection, this fuller understanding of Salome should potentially change the way we read both Salome and Wilde’s entire oeuvre.
Author: Oscar Wilde
Publisher: Graphic Arts Books
ISBN: 1513276263
Category : Drama
Languages : en
Pages : 29
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Book Description
When the prophet Jokanaan is brought to the attention of the princess Salomé, he rebukes her interest, which causes her to make a brutal declaration.Oscar Wilde’s one-act tragedy explores the repercussions of her horrifying decision. Originally composed in French in 1892, Salomé is a controversial tale full of cruelty and retribution. Wilde expands on the Biblical story of John the Baptist, whom was captured and beheaded by Herod Antipas. It explores the interaction between the characters showing Salomé’s spiteful nature and Herod’s growing concern. It’s a bold adaptation of a somber tale that leaves a mark on all who read it. Salomé’s one-act story structure immediately dives into the strange dynamic amongst Herod and his family. Once Salomé’s bloodlust is apparent Herod’s forced to reconcile both of their futures. It’s a haunting drama that’s amplified by its Biblical setting and notable characters. With an eye-catching new cover, and professionally typeset manuscript, this edition of Salomé is both modern and readable.
Author: Aubrey Beardsley
Publisher:
ISBN:
Category :
Languages : en
Pages : 170
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Book Description
Author: Arthur Symons
Publisher:
ISBN:
Category : Art, Victorian
Languages : en
Pages : 58
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Book Description
Author: Hiroshi Unno
Publisher: Pie Books
ISBN: 9784756252883
Category : Art
Languages : en
Pages : 240
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Book Description
This 240-page book, Aubrey Beardsley: The Decadent Magician of the Light and the Darkness, reveals the core of the artist Aubrey Beardsley through more than 180 of his art works, compiled under the supervision of Hiroshi Unno, a critic and a writer who has contributed to many books on the fin-de-siècle. Aubrey Beardsley was an illustrator who was best known for his drawings in black ink filled with erotic and decadent features. He was born in Brighton, England on August 21, 1872. The Victorian era in which Aubrey lived was gripped by a strict, rigid, conservative morality. The society was male dominated and forced women to be modest. However, in Brighton, which developed into a seaside resort for the upper classes full of entertainment, people were relieved from such strictness. Brighton was also a breeding ground of a sense of liberty in all things, and sexuality was no exception. In other words, it can be said that the Victorian era was a chaotic era during which open-minded thoughts on sexuality and strict, male-dominated morality coexist. Aubrey's mother, Ellen, was a person who embodied that Brighton atmosphere. Although she worried about raising her son in such an environment, she also taught literature and music to Aubrey. It was lucky for him to spend his youth with Ellen, and Brighton definitely became the basis of his talent for grasping the oddness of society in this era. Aubrey moved to London when he was 15 years old. When the Beardsley family left Brighton, Aubrey lost the feeling of liberty he had been raised with, but at the same time was able to develop his talent by interacting with Edward Burne-Jones, Oscar Wilde, and William Morris, the artists that colored this period. Aubrey, whose talent blossomed in London, began to offer his illustrations to many literary and theatrical outlets. The most famous examples are his illustrations for Oscar Wilde's Salome, Sir Thomas Malory's Le Morte d'Arthur, Edgar Allan Poe's Tales of Edgar Allan Poe, "Alibaba and the Forty Thieves" from One Thousand and One Nights, the French magazine Yellow Book, and the play Lysistrata. The illustrations for these literary and theatrical artworks had also been drawn by many other illustrators, but Aubrey's work was totally different from anyone else's. The seductive motifs that he drew, using only black ink, such as a woman with a fearless smile, a gentleman with disdainful contempt, and figures with extremely exaggerated genitals, all express Aubrey's incomparable talent for grasping the chaos and unsettled atmosphere of the period. The rebellious nature and imagery of his illustrations were often controversial. People even called him "the Devil's younger brother". But there is no doubt that he was a star of the age, which is evident from the many influential illustrators who came after him who were influenced by Aubrey's work, such as Harry Clarke, Alastair, John Austin, Kay Nielsen and George Barbier. Unfortunately Aubrey's genius illuminated the end of the nineteenth century, the era of fin-de-siècle decadence, only briefly before fading away, when his tragically short life ended after just twenty five years. How did the rebellious, yet refined, monochrome artworks drawn by "the Devil's younger brother" come about? Was his life simply the art itself? This book is a gem that presents the artwork that is most identified with "Beardsley" himself, revealing both the artist and the idea, through his life and his masterpieces.
Author: Oscar Wilde
Publisher:
ISBN:
Category : Art critics
Languages : en
Pages : 284
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Book Description
