The Psychological Background of the Miracles de Nostre Dame PDF Download
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Author: Kathryn Schanley Woodbury
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 170
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Book Description
Author: Kathryn Schanley Woodbury
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 170
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Book Description
Author: Dorothy Penn
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 126
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Book Description
Author:
Publisher: Medieval Institute Publications
ISBN: 1580445349
Category : Literary Criticism
Languages : en
Pages : 154
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Book Description
The legend of Theophilus is a widely disseminated medieval miracle story. A good man gives in to Vain Glory, sells his soul to the Devil, has a terrible crisis of conscience, and is saved by the Virgin. The story is translated into most European languages and appears in stained glass, sculpture, and manuscripts. Gautier de Coinci writes the longest version of the legend. Its colorful details reveal the medieval period's deep fear of hell and the Devil and its high hopes in the Virgin and the Church.
Author: Columbia University. Library
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 690
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Author: Jean Jules Jusserand
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 586
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Author: Jean Jules Jusserand
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 600
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Book Description
Author: University of California (1868-1952)
Publisher:
ISBN:
Category : Universities and colleges
Languages : en
Pages : 1662
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Book Description
Author: David Freedberg
Publisher: University of Chicago Press
ISBN: 022625903X
Category : Art
Languages : en
Pages : 561
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Book Description
"This learned and heavy volume should be placed on the shelves of every art historical library."—E. H. Gombrich, New York Review of Books "This is an engaged and passionate work by a writer with powerful convictions about art, images, aesthetics, the art establishment, and especially the discipline of art history. It is animated by an extraordinary erudition."—Arthur C. Danto, The Art Bulletin "Freedberg's ethnographic and historical range is simply stunning. . . . The Power of Images is an extraordinary critical achievement, exhilarating in its polemic against aesthetic orthodoxy, endlessly fascinating in its details. . . . This is a powerful, disturbing book."—T. J. Jackson Lears, Wilson Quarterly "Freedberg helps us to see that one cannot do justice to the images of art unless one recognizes in them the entire range of human responses, from the lowly impulses prevailing in popular imagery to their refinement in the great visions of the ages."—Rudolf Arnheim, Times Literary Supplement
Author: Jean Jules Jusserand
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 594
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Book Description
Author: Herbert L. Kessler
Publisher: University of Pennsylvania Press
ISBN: 0812208366
Category : Art
Languages : en
Pages : 456
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Book Description
Christian cultures across the centuries have invoked Judaism in order to debate, represent, and contain the dangers presented by the sensual nature of art. By engaging Judaism, both real and imagined, they explored and expanded the perils and possibilities for Christian representation of the material world. The thirteen essays in Judaism and Christian Art reveal that Christian art has always defined itself through the figures of Judaism that it produces. From its beginnings, Christianity confronted a host of questions about visual representation. Should Christians make art, or does attention to the beautiful works of human hands constitute a misplaced emphasis on the things of this world or, worse, a form of idolatry ("Thou shalt make no graven image")? And if art is allowed, upon what styles, motifs, and symbols should it draw? Christian artists, theologians, and philosophers answered these questions and many others by thinking about and representing the relationship of Christianity to Judaism. This volume is the first dedicated to the long history, from the catacombs to colonialism but with special emphasis on the Middle Ages and the Renaissance, of the ways in which Christian art deployed cohorts of "Jews"—more figurative than real—in order to conquer, defend, and explore its own territory.
