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Author: Nancy M. Heinzen
Publisher: Temple University Press
ISBN: 1592139892
Category : History
Languages : en
Pages : 220
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Book Description
Great cities and neighborhoods rise and fall, yet Rittenhouse Square in Philadelphia has seized the imagination and envy of social climbers, urban planners, and novelists alike for two centuries. In The Perfect Square, Nancy Heinzen—a resident of Rittenhouse Square for over 40 years and an activist committed to its preservation—provides the first full-length social history of this public urban space. One of the five squares William Penn established when he founded the city, the southwest-situated Rittenhouse Square has transformed from a marshy plot surrounded by brickyards and workers’ shanties into the epicenter of Philadelphia high society. A keystone of center city Philadelphia, it was once home to great dynasties, elegant mansions, and grand dames of the Victorian era. Today it is lined with million-dollar high-rise condominiums, where nouveau-riche entrepreneurs and descendants of ethnic immigrants live side-by-side. Heinzen lovingly chronicles this urban space’s development and growth, illustrating that not only is Rittenhouse Square unique, but so is the combination of human events and relationships that have created and sustained it. Painstakingly researched and generously illustrated with black-and-white photos from public archives, The Perfect Square will appeal to lay readers interested in history, to professional historians and urban planners, and to the thousands of new residents who have settled on or near Rittenhouse Square since the dawn of the 21st century.
Author:
Publisher: Alex Hess
ISBN:
Category :
Languages : en
Pages : 117
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Book Description
Author: Alison Griffiths
Publisher: Columbia University Press
ISBN: 0231541562
Category : Performing Arts
Languages : en
Pages : 467
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Book Description
A groundbreaking contribution to the study of nontheatrical film exhibition, Carceral Fantasies tells the little-known story of how cinema found a home in the U.S. penitentiary system and how the prison emerged as a setting and narrative trope in modern cinema. Focusing on films shown in prisons before 1935, Alison Griffiths explores the unique experience of viewing cinema while incarcerated and the complex cultural roots of cinematic renderings of prison life. Griffiths considers a diverse mix of cinematic genres, from early actualities and reenactments of notorious executions to reformist exposés of the 1920s. She connects an early fascination with cinematic images of punishment and execution, especially electrocutions, to the attractions of the nineteenth-century carnival electrical wonder show and Phantasmagoria (a ghost show using magic lantern projections and special effects). Griffiths draws upon convict writing, prison annual reports, and the popular press obsession with prison-house cinema to document the integration of film into existing reformist and educational activities and film's psychic extension of flights of fancy undertaken by inmates in their cells. Combining penal history with visual and film studies and theories surrounding media's sensual effects, Carceral Fantasies illuminates how filmic representations of the penal system enacted ideas about modernity, gender, the body, and the public, shaping both the social experience of cinema and the public's understanding of the modern prison.
Author: William Fetterman
Publisher: Routledge
ISBN: 1136645578
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
The experimental composer John Cage (1912-1992) is best known for his works in percussion, prepared piano, and electronic music, but he is also acknowledged to be one of the most significant figures in 20th century theatre. In Cage's work in theatre composition there is a blurring of the distinctions between music, dance, literature, art and everyday life. Here, William Fetterman examines the majority of those compositions by Cage which are audial as well as visual in content, beginning with his first work in this genre in 1952, and continuing through 1992. Much of the information in this study comes from previously undocumented material discovered among the unpublished scores and notes of Cage and his frequent collaborator David Tudor, as well as author's interviews with Cage and with individuals closely associated with his work, including David Tudor, Merce Cunningham, Bonnie Bird, Mary Caroline Richards, and Ellsworth Snyder.
Author: Nancy M. Heinzen
Publisher: Temple University Press
ISBN: 1592139892
Category : History
Languages : en
Pages : 220
Get Book Here
Book Description
Great cities and neighborhoods rise and fall, yet Rittenhouse Square in Philadelphia has seized the imagination and envy of social climbers, urban planners, and novelists alike for two centuries. In The Perfect Square, Nancy Heinzen—a resident of Rittenhouse Square for over 40 years and an activist committed to its preservation—provides the first full-length social history of this public urban space. One of the five squares William Penn established when he founded the city, the southwest-situated Rittenhouse Square has transformed from a marshy plot surrounded by brickyards and workers’ shanties into the epicenter of Philadelphia high society. A keystone of center city Philadelphia, it was once home to great dynasties, elegant mansions, and grand dames of the Victorian era. Today it is lined with million-dollar high-rise condominiums, where nouveau-riche entrepreneurs and descendants of ethnic immigrants live side-by-side. Heinzen lovingly chronicles this urban space’s development and growth, illustrating that not only is Rittenhouse Square unique, but so is the combination of human events and relationships that have created and sustained it. Painstakingly researched and generously illustrated with black-and-white photos from public archives, The Perfect Square will appeal to lay readers interested in history, to professional historians and urban planners, and to the thousands of new residents who have settled on or near Rittenhouse Square since the dawn of the 21st century.
Author: Tim Prentki
Publisher: Routledge
ISBN: 1000202151
Category : Performing Arts
Languages : en
Pages : 607
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Book Description
The Applied Theatre Reader is the first book to bring together new case studies of practice by leading practitioners and academics in the field and beyond, with classic source texts from writers such as Noam Chomsky, bell hooks, Mikhail Bakhtin, Augusto Boal and Chantal Mouffe. This new edition brings the field fully up to date with the breadth of applied theatre practice in the twenty-first century, adding essays on playback theatre, digital technology, work with indigenous practitioners, inter-generational practice, school projects and contributors from South America, Australia and New Zealand. The Reader divides the field into key themes, inviting critical interrogation of issues in applied theatre whilst also acknowledging the multi-disciplinary nature of its subject, crossing fields like theatre in educational settings, prison theatre, community performance, theatre in conflict resolution, interventionist theatre and theatre for development. A new lexicon of Applied Theatre and further reading for every part will equip readers with the ideal tools for studying this broad and varied field. This collection of critical thought and practice is essential to those studying or participating in the performing arts as a means for positive change.
Author: Leonidas K. Cheliotis
Publisher: Routledge
ISBN: 1351894404
Category : Social Science
Languages : en
Pages : 335
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Book Description
The arts - spanning the visual, design, performing, media, musical, and literary genres - constitute an alternative lens through which to understand state-sanctioned punishment and its place in public consciousness. Perhaps this is especially so in the case of imprisonment: its nature, its functions, and the ways in which these register in public perceptions and desires, have historically and to some extent inherently been intertwined with the arts. But the products of this intertwinement have by no means been constant or uniform. Indeed, just as exploring imprisonment and its public meanings through the lens of the arts may reveal hitherto obscured instances of social control within or outside prisons, so too it may uncover a rich and possibly inspirational archive of resistance to them. This edited collection sheds light both on state use of the arts for the purposes of controlling prisoners and the broader public, and the use made of the arts by prisoners and portions of the broader public as tools of resistance to penal states. The book also includes a number of chapters that address arts-in-prisons programmes, making distinctive contributions to the literature on their philosophy, formation, operation, effectiveness, and research evaluation, as well as taking care to explore the politics surrounding and underpinning these multiple themes.
Author: Hoffmann (Professor)
Publisher:
ISBN:
Category : Magic tricks
Languages : en
Pages : 862
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Book Description
Author: Brandon LaBelle
Publisher: A&C Black
ISBN: 9780826418449
Category : Music
Languages : en
Pages : 344
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Book Description
The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art to operate spatially, through media of reproduction and broadcast, and in relation to the intensities of communication and its contextual framework
Author: Jonathan Shailor
Publisher: Jessica Kingsley Publishers
ISBN: 1849058237
Category : Psychology
Languages : en
Pages : 307
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Book Description
This book will provide valuable reading for drama therapists, theatre artists, probation workers, prison educators, psychologists, and anyone else interested in the role of the performing arts in criminal justice. --Book Jacket.
Author: Lucy Bradnock
Publisher: Yale University Press
ISBN: 0300251033
Category : Art
Languages : en
Pages : 241
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Book Description
This groundbreaking account of postwar American art traces the profound influence of Antonin Artaud Proposing an original reassessment of art from the 1950s to the 1970s, No More Masterpieces reveals how artistic practice in postwar America was profoundly shaped by the work of the rebellious French poet and dramatist Antonin Artaud (1896-1948). A generation of artists mobilized Artaud's countercultural ideas to imagine new forms of representation and to redefine the relationship between artist and audience. The book shows how Artaud's radical writings inspired the experimental theatrical work of John Cage, Rachel Rosenthal, and Allan Kaprow; the attack on artistic and social conventions launched by assemblage artists Wallace Berman and Bruce Conner; and the feminist work of Carolee Schneemann and Nancy Spero. Lucy Bradnock traces the dissemination of Artaud's writings in America and demonstrates how his interest in political and cultural disorder, the dangers of authority, and the unreliability of representation found fertile ground in the context of the Cold War, disillusionment with the ideals of Abstract Expressionism, and the early years of identity politics.
