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Author: Anton Kaes
Publisher: Univ of California Press
ISBN: 0520962435
Category : Performing Arts
Languages : en
Pages : 701
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Book Description
Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of “theory” not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity’s most powerful new medium. We encounter lesser-known essays by Béla Balázs, Walter Benjamin, and Siegfried Kracauer alongside interventions from the realms of aesthetics, education, industry, politics, science, and technology. The book also features programmatic writings from the Weimar avant-garde and from directors such as Fritz Lang and F.W. Murnau. Nearly all documents appear in English for the first time; each is meticulously introduced and annotated. The most comprehensive collection of German writings on film published to date, The Promise of Cinema is an essential resource for students and scholars of film and media, critical theory, and European culture and history.
Author: Anton Kaes
Publisher: Univ of California Press
ISBN: 0520962435
Category : Performing Arts
Languages : en
Pages : 701
Get Book Here
Book Description
Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of “theory” not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity’s most powerful new medium. We encounter lesser-known essays by Béla Balázs, Walter Benjamin, and Siegfried Kracauer alongside interventions from the realms of aesthetics, education, industry, politics, science, and technology. The book also features programmatic writings from the Weimar avant-garde and from directors such as Fritz Lang and F.W. Murnau. Nearly all documents appear in English for the first time; each is meticulously introduced and annotated. The most comprehensive collection of German writings on film published to date, The Promise of Cinema is an essential resource for students and scholars of film and media, critical theory, and European culture and history.
Author: Ofer Ashkenazi
Publisher: University of Michigan Press
ISBN: 0472126911
Category : Social Science
Languages : en
Pages : 315
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Book Description
Anti-Heimat Cinema: The Jewish Invention of the German Landscape studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers’ contemplations of “Heimat”—a provincial German landscape associated with belonging and authenticity—it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers’ contribution to this endeavor. It shows how they devised the landscapes of the German “Homeland” as Jews, namely, as acculturated “outsiders within.” Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War I to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema.
Author: Aaron Andrew Gerow
Publisher: Univ of California Press
ISBN: 0520256727
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
In this study, Aaron Gerow focuses on the early period in which the institutional and narrational structure of Japanese cinema was in flux, arguing that the transnational intertext is less important than the power-laden operations by which the meaning of cinema itself was discursively defined. Both progressive critics of the 'pure film' movement and the more conservative Japanese cultural bureaucrats demanded a unitary text that suppressed the hybrid and unpredictable meanings attendant on early Japanese cinema's informal exhibition contexts. Gerow points out the irony that the progressive and individualist pure film movement critics worked in concert with the Japanese state to undo the 'theft' of Japanese cinema, proposing to replace representations of Japan in Western films by exporting a Japanese cinema 'reformed' to emulate the international norm.
Author: Christopher Ames
Publisher: University Press of Kentucky
ISBN: 0813187389
Category : Performing Arts
Languages : en
Pages : 355
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Book Description
Hundreds of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action-adventure. Such movies seduce us with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take us behind the scenes in any true sense. Through close analysis of fifteen critically acclaimed films, Christopher Ames reveals how the idea of Hollywood is constructed and constructs itself. Films discussed: What Price Hollywood? (1952), A Star Is Born (1937), Stand-In (1937), Boy Meets Girl (1938), Sullivan's Travels (1941), In a Lonely Place (1950), Sunset Boulevard (1950), The Star (1950), Singin' in the Rain (1952), The Bad and the Beautiful (1952), Pennies from Heaven (1981), The Purple Rose of Cairo (1985), The Player (1992), Last Action Hero (1993).
Author: Anton Kaes
Publisher: Princeton University Press
ISBN: 0691008507
Category : Art
Languages : en
Pages : 326
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Book Description
'Shell Shock Cinema' shows how classical German cinema of the Weimar Republic was haunted by the horrors of World War I & the trauma of Germany's humiliating defeat. Anton Kaes argues that even films which do not depict war reveal a wounded nation in post-traumatic shock.
Author: David A. Cook
Publisher: Anthem Press
ISBN: 1839980141
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
A History of Three-Dimensional Cinema chronicles 3-D cinema as a single, continuous and coherent medium, proceeding from 19th-century experiments in stereoscopic photography and lantern projection (1839–1892) to stereoscopic cinema’s “long novelty period” (1893–1952). It proceeds to examine the first Hollywood boom in anaglyphic stereo (1953–1955), when the mainstream industry produced 69 features in 3-D, mostly action films that could exploit the depth illusion, but also a handful of big-budget films—for example, Kiss Me Kate (George Sidney, 1953) and Dial M for Murder (Alfred Hitchcock, 1954)—until audiences tired of the process; the anaglyphic revival of 1970–1985, when 3-D was sustained as a novelty feature in sensational genres like soft-core pornography and horror; the age of IMAX 3-D (1986–2008); the current era of digital 3-D cinema, which began in 2009 when James Cameron’s Avatar became the highest-grossing feature of all time and the studios once again stampeded into 3-D production; and finally the future promise of Virtual Reality.
Author: Tim Bergfelder
Publisher: Bloomsbury Publishing
ISBN: 1911239422
Category : Performing Arts
Languages : en
Pages : 625
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Book Description
This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.
Author: Noah William Isenberg
Publisher: Columbia University Press
ISBN: 0231130554
Category : History
Languages : en
Pages : 373
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Book Description
In this comprehensive companion to Weimar cinema, chapters address the technological advancements of each film, their production and place within the larger history of German cinema, the style of the director, the actors and the rise of the German star, and the critical reception of the film.
Author: Séan Allan
Publisher: Berghahn Books
ISBN: 178533106X
Category : Performing Arts
Languages : en
Pages : 378
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Book Description
By the time the Berlin Wall collapsed, the cinema of the German Democratic Republic—to the extent it was considered at all—was widely regarded as a footnote to European film history, with little of enduring value. Since then, interest in East German cinema has exploded, inspiring innumerable festivals, books, and exhibits on the GDR’s rich and varied filmic output. In Re-Imagining DEFA, leading international experts take stock of this vibrant landscape and plot an ambitious course for future research, one that considers other cinematic traditions, brings genre and popular works into the fold, and encompasses DEFA’s complex post-unification “afterlife.”
Author: Julianne MacLean
Publisher: Julianne MacLean
ISBN: 1927675359
Category : Fiction
Languages : en
Pages : 229
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Book Description
From USA Today bestselling author Julianne MacLean comes the next instalment in her popular Color of Heaven Series, where people are affected by real life magic and miracles that change everything they once believed about life and love. Having spent a lifetime in competition with his older brother Aaron—who always seemed to get the girl—Jack Peterson leaves the U.S. to become a foreign correspondent in the Middle East. When a roadside bomb forces him to return home to recover from his wounds, he quickly becomes the most celebrated journalist on television, and is awarded his own prime time news program. Now, wealthy and successful beyond his wildest dreams, Jack believes he has finally found where he is meant to be. But when a 747 explodes in the sky over his summer house in Cape Elizabeth, all hell breaks loose as the wreckage crashes to the ground. He has no idea that his life is about to take another astonishing turn… Meg Andrews grew up with a fear of flying, but when it meant she wouldn’t be able to visit her boyfriend on the opposite side of the country, she confronted her fear head-on and earned her pilot’s license. Now, a decade later, she is a respected airline crash investigator, passionate about her work, to the point of obsession. When she arrives in the picturesque seaside community of Cape Elizabeth to investigate a massive airline disaster, she meets the famous and charismatic Jack Peterson, who has his own personal fascination with plane crashes. As the investigation intensifies, Meg and Jack feel a powerful, inexplicable connection to each other. Soon, they realize that the truth behind the crash—and the mystery of their connection—can only be discovered through the strength of the human spirit, the timeless bonds of family, and the gift of second chances. Praise for the novels in the Color of Heaven Series: “I never know what to say about a Julianne MacLean book, except to say YOU HAVE TO READ IT." - AllRomanceReader.ca "The Color of Time is an emotionally charged, riveting exploration of how our lives may change within the scope of a single event. And sometimes what we want isn’t always what we need. Fabulous, thought-provoking read." — Tanya Anne Crosby, New York Times bestselling author "I was so pulled into this story I thought at times I WAS the character. Julianne MacLean certainly grabbed me with this book. I absolutely loved it! ...It all felt so real. It's like Alice falling through the rabbit hole, I got to live out someone else's life if only through my own imagination." - Micky at Goodreads "Wow! This is one of those "l couldn't put it down" books. The penny dropped right at the end of this amazing story as to why it is titled "The Color of Forever". Believe me when I say that this is a page turner like you have never read before." - Zena at Goodreads "It makes the reader think about what could have been, and loves past, and makes you wonder if you are leading the life you're meant to be leading. Thought-provoking, emotionally-intense and riveting, Ms. MacLean delivers another 5-star romance in The Color of Forever" - Nancy at Goodreads "There are just not enough words for me to explain how much I loved this book! " - Debi at Goodreads
