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Author: Alain Carrazé
Publisher:
ISBN:
Category : Prisoner (Television program : 1967-1968)
Languages : en
Pages : 254
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Book Description
Author: Alain Carrazé
Publisher:
ISBN:
Category : Prisoner (Television program : 1967-1968)
Languages : en
Pages : 254
Get Book Here
Book Description
Author: Piers D. Britton
Publisher: University of Texas Press
ISBN: 0292783299
Category : Performing Arts
Languages : en
Pages : 276
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Book Description
From the alien worlds of Star Trek to the realistic operating room of ER, the design of sets and costumes contributes not only to the look and mood of television shows, but even more importantly to the creation of memorable characters. Yet, until now, this crucial aspect of television creativity has received little critical attention, despite the ongoing interest in production design within the closely allied discipline of film studies. In this book, Piers Britton and Simon Barker offer a first analytical study of scenic and costume design for television drama series. They focus on three enduringly popular series of the 1960s—The Avengers, The Prisoner, and Doctor Who—and discuss such topics as the sartorial image of Steed in The Avengers, the juxtaposition of picturesque and fascistic architecture in The Prisoner, and the evolution of the high-tech interior of Doctor Who's TARDIS. Interviews with the series' original designers and reproductions of their original drawings complement the authors' analysis, which sheds new light on a variety of issues, from the discourse of fashion to that of the heritage industry, notions of "Pop" and retro, and the cultural preoccupation with realism and virtual reality.
Author: Jonathan Bignell
Publisher: Manchester University Press
ISBN: 1526125390
Category : Social Science
Languages : en
Pages : 241
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Book Description
Popular television drama: critical perspectives' is a collection of essays examining landmark programmes of the last forty years, from 'Doctor Who' to 'The Office', and from 'The Demon Headmaster' to 'Queer As Folk'. Contributions from prominent academics focus on the full range of popular genres, from sitcoms to science fiction, gothic horror and children's drama, and challenge received wisdom by reconsidering how British television drama can be analysed. Each section is preceded by an introduction in which the editors discuss how the essays address existing problems in the field and also suggest new directions for study. The book is split into three sections, addressing the enduring appeal of popular genres, the notion of 'quality' in television drama, and analysing a range of programmes past and present. Popular television drama: critical perspectives will be of interest to students and researchers in many academic disciplines that study television drama. Its breadth and focus on popular programmes will also appeal to those interested in the shows themselves.
Author: Dennis Redmond
Publisher: SIU Press
ISBN: 9780809325351
Category : Performing Arts
Languages : en
Pages : 220
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Book Description
This text explores the origins and implications of the powerful visual medium of video, crossing national, cultural and political boundaries to present provocative tales. Dennis Redmond's study is rooted in close readings of three video efforts: "The Prisoner" (1967), "The Decalogue" (1988) and "Neon Genesis: Evangelion" (1995).
Author: Rob Fairclough
Publisher: iBooks
ISBN:
Category : Prisoner (Television program : 1967-1968)
Languages : en
Pages : 152
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Book Description
It's 35 years since Patrick McGoohan's thriller series The Prisoner, a strange blend of espionage, psychodrama and fantasy, first entranced the British public. Tracing the program's evolution from sixties' curiosity to worldwide cult, the book examines the volatile social and political background which shaped its development. With an episode-by-episode analysis, a wealth of previously unpublished photographs, production designs, props and memorabilia, production details, cast biographies and interviews with the cast and crew, The Prisoner: The Official Companion to the Classic TV Series is the ultimate guide to what is now viewed as one of the seminal television series of its time. It will be promoted on the dozens of rabid Prisoner websites.
Author: Catherine Johnson
Publisher: McGraw-Hill Education (UK)
ISBN: 0335225942
Category : Social Science
Languages : en
Pages : 232
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Book Description
“This exciting book goes to the heart of a creative commercialand public service culture - it shows why ITV matters and howit was made to work so well. A tremendous contribution.” Professor Jean Seaton, University of Westminster “This is a valuable addition to studies of ITV's history andprogramming...” Tom O'Malley, Professor of Media Studies, University of Wales, Aberyswyth, and Co-Editor of Media History. Since breaking the BBC’s monopoly in 1955, ITV has been at thecentre of the British television landscape. To coincide with thefiftieth anniversary of the first ITV broadcast, this accessible bookoffers a range of perspectives on the complex and multifaceted history ofBritain’s first commercial broadcaster. The book explores key tensions and conflicts which have influenced theITV service. Chapters focus on particular institutions, includingLondon Weekend Television and ITN, and programme forms, includingWho Wants to be a Millionaire?, Upstairs Downstairs and Trisha.The contributors show that ITV has had to tread an uneasy line betweenpublic service and commercial imperatives, between a pluralistic regionalstructure and a national network, and between popular appeal andquality programming. A timeline of key events in the history of ITV is alsoincluded. ITV Cultures provides a timely intervention in debates on broadcastingand cultural history for academics and researchers, and a livelyintroduction to the history of ITV for students and general readers. Contributors: Rod Allen, City University; Jonathan Bignell, University of Reading; John Ellis, Royal Holloway, University of London; Jackie Harrison, University of Sheffield; Jamie Medhurst, University of Wales, Aberystwyth; Matt Hills, Cardiff University; Steve Neale, University of Exeter; Helen Wheatley, University of Reading; Sherryl Wilson, Bournemouth University.
Author: Chris Gregory
Publisher: Indiana University Press
ISBN: 9781860205217
Category : Art
Languages : en
Pages : 240
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Book Description
Drawing together aspects of media studies, cultural studies, film studies, structuralism, mythology, literary criticism, feminism, and social commentary, this book examines the position of ""The Prisoner as a television classic. Gregory argues that its allegorical depiction of a totalitarian world where technology enables the powers-that-be to control every aspect of its citizens, lives becomes more and more relevant as the years go by. Decodings of all of the series' episodes are detailed, explaining how the series broke with the usual conventions of a TV series.
Author: David Bianculli
Publisher: Anchor
ISBN: 1101911328
Category : Social Science
Languages : en
Pages : 594
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Book Description
Television today is better than ever. From The Sopranos to Breaking Bad, Sex and the City to Girls, and Modern Family to Louie, never has so much quality programming dominated our screens. Exploring how we got here, acclaimed TV critic David Bianculli traces the evolution of the classic TV genres, among them the sitcom, the crime show, the miniseries, the soap opera, the Western, the animated series, the medical drama, and the variety show. In each genre he selects five key examples of the form to illustrate its continuities and its dramatic departures. Drawing on exclusive and in-depth interviews with many of the most famed auteurs in television history, Bianculli shows how the medium has evolved into the premier form of visual narrative art. Includes interviews with: MEL BROOKS, MATT GROENING, DAVID CHASE, KEVIN SPACEY, AMY SCHUMER, VINCE GILLIGAN, AARON SORKIN, MATTHEW WEINER, JUDD APATOW, LOUIS C.K., DAVID MILCH, DAVID E. KELLEY, JAMES L. BROOKS, LARRY DAVID, KEN BURNS, LARRY WILMORE, AND MANY, MANY MORE
Author: M. Keith Booker
Publisher: Bloomsbury Publishing USA
ISBN: 0313013446
Category : Social Science
Languages : en
Pages : 198
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Book Description
In the years since World War II, commercial television has become the most powerful force in American culture. It is also the quintessential example of postmodernist culture. This book studies how The Twilight Zone, The Prisoner, Twin Peaks, and The X-Files display many of the central characteristics that critics and theorists have associated with postmodernism, including fragmentation of narratives and characters, multiplicity in style and genre, and the collapse of traditional categorical boundaries of all kinds. The author labels these series strange TV since they challenge the conventions of television programming, thus producing a form of cognitive estrangement that potentially encourages audiences to question received ideas. Despite their challenges to the conventions of commercial television, however, these series pose no real threat to the capitalist order. In fact, the very characteristics that identify these series as postmodern are also central characteristics of capitalism itself, especially in its late consumerist phase. An examination of these series within the context of postmodernism thus confirms Fredric Jameson's thesis that postmodernism is a reflection of the cultural logic of late capitalism. At the same time, these series do point toward the potential of television as a genuinely innovative medium that promises to produce genuinely new forms of cultural expression in the future.
Author: Toby Miller
Publisher: OUP Oxford
ISBN: 9780198159520
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
Spyscreen is a genre study of English-language spy fiction film and television between the 1930s and 1960s. Taking as his focus many well-known films and television series, Toby Miller uses a wide range of critical approaches - from textual interpretation, audience studies, and culturalhistory, through auteurism, imperial history, class, and governmentality, to genre, cultural imperialism, and gender.Beginning with an overview of the social and political background to the history, production, and analysis of spy fiction, topics discussed include the first canonical espionage movie, The 39 Steps, key film noir texts such as Gilda and The Third Man, the figure of popular spies, including JamesBond, and the importance of women to the genre. The result is not just an insightful new study of key texts in this popular genre; it is an important intervention in the methodology and practice of Screen Studies.
