The Prints of Paul Sandby (1731-1809) PDF Download
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Author: Ann V. Gunn
Publisher: Harvey Miller
ISBN: 9781909400160
Category : Aquatint, English
Languages : en
Pages : 0
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Book Description
Chapter 1. The 1740s: Scotland -- Chapter 2. The 1750s and 1760s: London and Windsor -- Chapter 3. The 1770s and 1780s: Wales, Warwick and Windsor and the Development of Aquatint -- Chapter 4. Place in the Print World: Collaboration and Copying
Author: Ann V. Gunn
Publisher: Harvey Miller
ISBN: 9781909400160
Category : Aquatint, English
Languages : en
Pages : 0
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Book Description
Chapter 1. The 1740s: Scotland -- Chapter 2. The 1750s and 1760s: London and Windsor -- Chapter 3. The 1770s and 1780s: Wales, Warwick and Windsor and the Development of Aquatint -- Chapter 4. Place in the Print World: Collaboration and Copying
Author: Paul Sandby
Publisher: Royal Academy Books
ISBN:
Category : Art
Languages : en
Pages : 256
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Book Description
First published on the occasion of Paul Sandby (1731-1809): picturing Britain, a bicentenary exhibition, first shown at Nottingham Castle Museum and Art Gallery, 25 July-18 October, 2009.
Author: City of Hamilton Art Gallery (Hamilton, Vic.)
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 16
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Book Description
Author: Rena M. Hoisington
Publisher: Princeton University Press
ISBN: 0691229791
Category : Art
Languages : en
Pages : 289
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Book Description
How an ingenious printmaking technique became a cross-cultural phenomenon in Enlightenment Europe Driven by a growing interest in collecting and multiplying drawings, artists and amateurs in the eighteenth century sought a new technique capable of replicating the subtlety of ink, wash, and watercolor. They devised an innovative and versatile new medium—aquatint—which would spread in use across Europe within a few decades, its distinctive dark tones making possible a remarkable variety of ingenious imagery. In this illuminating book, Rena M. Hoisington traces how the aquatint technique flourished as a cross-cultural and cosmopolitan phenomenon that contributed to the rise of art publishing, connoisseurship, leisure travel, drawing instruction, and the popularity of neoclassicism. She offers new insights into sophisticated experiments by artists such as Francisco de Goya, Katharina Prestel, Paul Sandby, and Jean-Baptiste Le Prince. Marvelously illustrated with rare works from the National Gallery of Art’s collection of early aquatints, this engaging book provides a fresh look at how printmaking contributed to a vibrant exchange of information and ideas in Europe during the Enlightenment. Published in association with the National Gallery of Art, Washington, DC Exhibition Schedule National Gallery of Art, Washington, DC October 24, 2021–February 21, 2022
Author: Mary-Ann Constantine
Publisher: Oxford University Press
ISBN: 0192593048
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
Curious Travellers: Writing the Welsh Tour, 1760-1820 provides the first extensive literary study of British tours of Wales in the Romantic period (c.1760-1820). It examines writers' responses to Welsh landscapes and communities at a time of drastic economic, environmental, and political change. Opening with an overview of Welsh tours up to the early 1700s, Mary-Ann Constantine shows how the intensely intertextual nature of the genre imbued particular sites and locations with meaning. She next draws upon a range of manuscript and published sources to trace a circular tour of the country, unpicking moments of cultural entanglement and revealing how travel-writing shaped understanding of Wales and Welshness within the wider British polity. Wales became a popular destination for visitors following the publication of Thomas Pennant's Tours in Wales in the late 1770s. Hundreds of travel-accounts from the period are extant, yet few (particularly those by women) have been studied in depth. Wales proves, in these narratives, as much a place of disturbance as a picturesque haven--a potent mixture of medieval past and industrial present, exposed down its west coast to the threat of invasion during the Napoleonic Wars. From castles to copper-mines, Constantine explores the full potential of tour writing as an idiosyncratic genre at the interface of literature and history, arguing for its vital importance to broader cultural and environmental studies.
Author: James Lancel Mcelhinney
Publisher:
ISBN: 9780764360428
Category :
Languages : en
Pages : 128
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Book Description
The practice of keeping log diaries and journals has evolved through the centuries with the growing popularity of travel for personal enrichment. Five-hundred years ago, artists like Albrecht Durer and explorers like Jacques le Moyne and John White, recorded their journeys in sketchbooks and journals. Picturing exotic locations was part of topographical drawing and cartography. Knowing what a destination looked like helped travelers know they had arrived. The Sketchbook Traveler carries this concept to the next level, expanding the range of plein air enthusiasts by freeing them from cumbersome easels and wet canvases. It provides the novice an introduction to plein air methods, without burdening them with costly equipment. It provides educators with teaching tools and lesson plans, and professional artists with a way to refine their mobile practices. Through drawing, painting, and journal keeping, The Sketchbook Traveler guides readers toward more mindful engagement with the world around them, deepening knowledge and enriching their personal experience in ways that make every day an adventure.
Author: Tim Barringer
Publisher: Yale University Press
ISBN: 0300233531
Category : Art
Languages : en
Pages : 193
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Book Description
Thomas Cole (1801-1848) is widely acknowledged as the founder of American landscape painting. Born in England, Cole emigrated in 1818 to the United States, where he transformed British and continental European traditions to create a distinctive American idiom. He embraced the picturesque, which emphasized touristic pleasures, and the sublime, an aesthetic category rooted in notions of fear and danger. Including striking paintings and a broad range of works on paper, from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, this book explores the trans-Atlantic context for Cole's oeuvre. These works chart a history of landscape aesthetics and demonstrate the essential role of prints as agents of artistic transmission. The authors offer new interpretations of work by Cole and the British artists who influenced him, including J.M.W. Turner and John Constable, revealing Cole's debt to artistic traditions as he formulated a profound new category in art. the American sublime.
Author: Paul Sandby
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
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Book Description
Author: Vanessa I. Schmid
Publisher: GILES
ISBN: 9781911282280
Category : Art
Languages : en
Pages : 0
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Book Description
A major new volume on the exceptional art collection of Philippe II, Duke of Orléans, including masterpieces by Raphael, Titian, Veronese, Correggio, Poussin, Rubens, and Rembrandt.
Author: John Sweetman
Publisher: Routledge
ISBN: 0429801955
Category : Art
Languages : en
Pages : 385
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Book Description
First published in 1999, this book explores how, from the stone bridges of neoclassicism which soar out of wild woods to span pastoral valleys to the post-1750 engineer’s bridge with its links to the more industrial landscape, the bridge was a popular feature in painting throughout the period 1700-1920. Why did so many artists choose to portray bridges? In this lavishly illustrated and intriguing book, John Sweetman seeks to answer this question. He traces the history of the bridge in painting and printmaking through a vast range of work, some as familiar as William Etty’s The Bridge of Sighs and Claude Monet’s The Railway Bridge at Argenteuil and others less well known such as Wassily Kandinsky’s Composition IV and C.R.W. Nevinson’s Looking Through the Brooklyn Bridge. Distinctive characteristics emerge revealing the complex role of the bridge as both symbol and metaphor, and as a place of vantage, meeting and separation.
