The Principles of Harmony and Contrast of Colours, and Their Applications to the Arts PDF Download
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Author: Michel Eugène Chevreul
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 544
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Book Description
Author: Michel Eugène Chevreul
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 544
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Book Description
Author: Faber Birren
Publisher: Schiffer Publishing
ISBN: 9780887401039
Category : Color
Languages : en
Pages : 0
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Book Description
An elementary work on color, dealing with traditional principles of harmony as well as advanced principles derived from modern studies of the psychology of human color perception. Mr. Birren tells a well-organized story of how to achieve harmony with color, beginning with a chapter on color circles and proceeding to a straightforward discussion of traditional principles of color harmony and how they were accepted in the past.
Author: M. E. Chevreul
Publisher:
ISBN: 9780988280816
Category :
Languages : en
Pages :
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Book Description
Asked by royalty to analyze why certain very expensive fabrics didn't meet expectations, a French chemist found that the dyes could not be blamed. M.E. Chevreul named the real culprit in a single paragraph-which he then expanded into a unified theory about every design discipline and, in 1839, the most ambitious and influential book ever written about color usage. Half a century later, On the Law of Simultaneous Contrast of Colors had become "the scientific foundation of Impressionist and Neo-Impressionist painting," according to Johannes Itten. "It is my Bible," said Winslow Homer. Vincent van Gogh called it "a luminous theory of colors," allowing "effects so violent that the human eye can scarcely stand to look at them." Chevreul explained how and why this occurred, but he then went on to discuss how it affects and can be exploited in any artistic context. Although this book is mostly noted for its impact on painting (and by extension, photography) it culminates with a chapter labeled Ten Principles for All Forms of Visual Art. He meant it, too: he prescribes design principles for tapestries, carpets, furniture, mosaics, churches, museums, apartments, formal gardens, theaters, maps, typography, framing, stained glass, and even military uniforms. Chevreul's basic ideas were clear but his explanations of how to implement them were convoluted even in the original French. The standard English edition, the only one available in print until now, has been condemned as plodding and misleading ever since it appeared in 1854. Today, this brilliant work reappears in a lucid form that goes far beyond a "translation." Color expert Dan Margulis has rewritten obscure parts, corrected errors, updated references, commented separately when needed, and added six chapters of his own. Technology stymied Chevreul's desire for extensive color graphics. Margulis has added them: photographs, line art, and reproductions of the works of those who swore by his ideas. And, he has used his digital expertise to explain what few critics have understood about how the painters were choosing their colors.
Author: Josef Albers
Publisher: Yale University Press
ISBN: 0300179359
Category : Art
Languages : en
Pages : 210
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Book Description
An experimental approach to the study and teaching of color is comprised of exercises in seeing color action and feeling color relatedness before arriving at color theory.
Author: Michel Eugène Chevreul
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 480
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Book Description
Author: Owen Jones
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 384
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Book Description
Added title page in colors, with ornamental border.
Author: Michel Eugène CHEVREUL
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
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Book Description
Author: Michel Euge`ne Chevreul
Publisher:
ISBN:
Category :
Languages : en
Pages : 482
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Book Description
Author: Terry Lee Stone
Publisher: Rockport Pub
ISBN: 9781592534333
Category : Art
Languages : en
Pages : 246
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Book Description
Annotation This workbook allows readers to explore colour through the language of the professionals. It supplies tips on how to talk to clients and use colour in presentations along with historical and cultural meanings and colour theory.
Author: Nancy Reyner
Publisher: National Geographic Books
ISBN: 1440344191
Category : Art
Languages : en
Pages : 0
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Book Description
The Ultimate Resource and Reference Guide for Artists! Discover an innovative self-critique method that will empower you to answer the artist's most common questions, Now What? and Is it Finished? as you learn to identify and overcome painting issues faced by artists regardless of medium or style. With hundreds of insights, tips, illustrated techniques and ideas, Create Perfect Paintings shows you how to push your work to the next level by strengthening your perception, technical skills and visual thinking. Exercises and examples illustrate how to critique your own creations and then evaluate them step by step for further improvement. You will compare illustrations, and learn to identify and modify artistic choices--from negative space and color ratio to controlling eye movement, depth and contrast--to see their impact and help you use them to the best effect in your work. What you'll find inside: • Section 1: Essentials--Reviews and defines artistic terms and concepts. • Section 2: Play Phase--Shows you how to tap into your right brain. Learn to challenge the process and break habits to free your spirit and inspire variety in your art; also covers materials, tools and surfaces • Section 3: Critique Phase--Introduces a groundbreaking method of contemporary critique called The Viewing Game a comprehensive, systematic and fun way to analyze, edit and enhance your paintings. • Sections 4 and 5--Bonus sections explore how to resolve creative blocks, convey artistic messages, boost your personal style, display your work and turn painting into a career. "May this book increase your productivity, add ease and flow to your creative process, clarify your ideas, add nuance to your personal style, and most importantly, add joy to the miraculous act of painting." --Nancy Reyner
