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Author: Philip Gilbert Hamerton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 162
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Book Description
Author: Philip Gilbert Hamerton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 162
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Book Description
Author: Philip Gilbert HAMERTON
Publisher:
ISBN:
Category :
Languages : en
Pages : 90
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Book Description
Author: Emile Male
Publisher: Routledge
ISBN: 042997244X
Category : Art
Languages : en
Pages : 752
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Book Description
Emile Male's book aids understanding of medieval art and medieval symbolism, and of the vision of the world which presided over the building of the French cathedrals. It looks at French religious art in the Middle Ages, its forms, and especially the Eastern sources of sculptural iconography used in the cathedrals of France. Fully illustrated with many footnotes it acts as a useful guide for the student of Western culture.
Author: Edward Edwards
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 388
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Book Description
Author: Catherine Dossin
Publisher: Bloomsbury Publishing USA
ISBN: 1501341529
Category : Art
Languages : en
Pages : 305
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Book Description
Taking on the myth of France's creative exhaustion following World War II, this collection of essays brings together an international team of scholars, whose research offers English readers a rich and complex overview of the place of France and French artists in the visual arts since 1945. Addressing a wide range of artistic practices, spanning over seven decades, and using different methodologies, their contributions cover ground charted and unknown. They introduce greater depth and specificity to familiar artists and movements, such as Lettrism, Situationist International or Nouveau Réalisme, while bringing to the fore lesser known artists and groups, including GRAPUS, the Sociological Art Collective, and Nicolas Schöffer. Collectively, they stress the political dimensions and social ambitions of the art produced in France at the time, deconstruct the traditional geography of the French art world, and highlight the multiculturalism of the French art scene that resulted from its colonial past and the constant flux of artistic travels and migrations. Ultimately, the book contributes to a story of postwar art in which France can be inscribed not as a main or sub chapter, but rather as a vector in the wider constellation of modern and contemporary art.
Author: Philip Gilbert Hamerton
Publisher: London : Seeley
ISBN:
Category : Autun (France)
Languages : en
Pages : 234
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Book Description
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1362
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 670
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Book Description
Author: Ritz-Carlton Hotel
Publisher: Forgotten Books
ISBN: 9781391018911
Category : Art
Languages : en
Pages : 30
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Book Description
Excerpt from Exhibition of Contemporary French Art for the Relief Fund for the Families of French Soldier Artists Through the Ministry of Fine Arts and La Fraternité Des Artistes, Paris: Under the Auspices of the American Artists' Committee of One Hundred; La Société Des Architectes Diplomes Par Le Gouvernement; Français, Groupe Américain; The Society of Beaux-Arts Architects; The Museum of French Art; L'alliance Française; January, 1916 In France, that fairest of all hyacinth gardens, the artists are in the trenches and Rodolphe and Schaunard are just Poilus like the rest. The hyacinth crop can wait; just now the crop of dragon teeth must be sown and harvested. And meanwhile what of the Mimis and Musettes who have been left behind? What of the mamans and the bébés? What of the vieux? All this little world was dependent on the rapins for bread as well as for good cheer, but now that the béret has been replaced by the képi, there is little of good cheer and less of bread. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Natalie Adamson
Publisher: Cambridge Scholars Publishing
ISBN:
Category : Art
Languages : en
Pages : 268
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Book Description
Academics, Pompiers, Official Artists and the Arrière-garde: Defining Modern and Traditional in France, 1900-1960 is a collection of eight essays and a scholarly introduction by established and emerging scholars that challenges the continuing modernist slant of twentieth-century art history. The intention is not to perpetuate the vulgar opposition between avant-garde and reactionary art that characterized early-twentieth-century discourse and has marked much subsequent historical writing, but rather to investigate the complex relationship that both innovative and conservative artists had to the concept of tradition. How did artists and art critics conceive of tradition in relation to modernity? What was the role of an artistâ (TM)s institutional positioning in determining expectations for his or her art? What light is thrown on the structure of the French art world by considering artists from abroad who worked in Paris? How did the war alter modernist and avant-garde paradigms and force crucial changes upon art production in the postwar period to 1960? Particular attention is paid to the terms academic, pompier, official, and arrière-garde, originally used to situate the more conservative artists and works as second-rate or as the negative foil to the assumed radicalism of the avant-garde. By re-evaluating the work of artists pushed to the historical margins by such polemical descriptors, and by proposing alternative understandings of the aesthetic, economic, institutional and political factors that drive our ideas of avant-gardism and the modernist narrative in France, this collection of essays offers new routes to explore the terrain of twentieth-century art in France.
