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Author: Eliza Borkowska
Publisher: Routledge
ISBN: 1000264009
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
Approaching Wordsworth’ writings from perspectives which have not been considered in critical literature, this book offers a multiangled reflection on the technicalities of the poet’s religious discourse, including the methodology of The Prelude revision, or Wordsworth’s patent art of "pious postscripts." The book constitutes a self-contained whole and can be read independently. Simultaneously, it creates an unusual duet with The Absent God in The Works of William Wordsworth, whose six chapters follow this book’s eight chapters like a sestet which complements the octave—becoming, thus, a tribute to Wordsworth as one of the most prolific sonneteers in history. Both monographs build their theses on Wordsworth’s entire oeuvre and embrace the whole of his wide lifespan. Their completion in 2020 coincides with several round anniversaries: the 250th anniversary of Wordsworth’s birth, the 200th anniversary of The River Duddon, and the 170th anniversary of the publication of his autobiographical masterpiece, The Prelude.
Author: Eliza Borkowska
Publisher: Routledge
ISBN: 1000264009
Category : Literary Criticism
Languages : en
Pages : 206
Get Book Here
Book Description
Approaching Wordsworth’ writings from perspectives which have not been considered in critical literature, this book offers a multiangled reflection on the technicalities of the poet’s religious discourse, including the methodology of The Prelude revision, or Wordsworth’s patent art of "pious postscripts." The book constitutes a self-contained whole and can be read independently. Simultaneously, it creates an unusual duet with The Absent God in The Works of William Wordsworth, whose six chapters follow this book’s eight chapters like a sestet which complements the octave—becoming, thus, a tribute to Wordsworth as one of the most prolific sonneteers in history. Both monographs build their theses on Wordsworth’s entire oeuvre and embrace the whole of his wide lifespan. Their completion in 2020 coincides with several round anniversaries: the 250th anniversary of Wordsworth’s birth, the 200th anniversary of The River Duddon, and the 170th anniversary of the publication of his autobiographical masterpiece, The Prelude.
Author: James Kellenberger
Publisher: Springer
ISBN: 3030250458
Category : Philosophy
Languages : en
Pages : 104
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Book Description
This book treats the presence of God and the presence of persons. The experience of the presence of God is a well-recognized religious experience in theistic traditions. The experience of the presence of persons, this book argues, is an analogous moral experience. As it is possible for individuals to come into the presence of God – to have this phenomenal experience – so it is possible for them to come into the presence of persons. Kellenberger explores how coming into the presence of persons is structurally analogous with coming into the presence of God. Providing a highly focused analysis of the two seemingly distinct concepts, normally thought to fall under different subfields of philosophy, the chapters carefully draw paralells between them. Kellenberger then goes on show how, analogous to “the death of God,” a loss of the consciousness of the reality of God and his presence, is a “death of persons”, felt as a loss of the sense of the inherent worth of persons and their presence. This volume finishes with an examination of the concrete moral and religio-ethical implications of coming into the presence of persons, and in particular the implications of coming into the presence of all persons.
Author: William Wordsworth
Publisher:
ISBN:
Category :
Languages : en
Pages : 538
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Book Description
Author: Eliza Borkowska
Publisher: Routledge Studies in Romanticism
ISBN: 9780367641368
Category : Religion in literature
Languages : en
Pages : 0
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Book Description
Called by one of its reviewers "Wordsworth's biographia literaria," this book takes its reader on a fascinating journey into the mind of the poet whose attitude to God and religion points to a major shift in Western culture. The monograph probes the philosophical foundations of Wordsworth's religious outlook, drawing attention to this First Generation Romantic poet as the author who happened to record in his verse the rise to prominence of some of the intellectual and spiritual challenges and the most troublesome uncertainties that have defined Western man ever since. The book constitutes a self-contained whole and can be read independently. Simultaneously, it creates an unusual duet with the companion volume, The Presence of God in the Works of William Wordsworth. These two works can be regarded as contraries--or negatives: one offering an ironically positive reading of Wordsworth's religious discourse, the other offering a reading which is positively negative.
Author: William Wordsworth
Publisher:
ISBN:
Category :
Languages : en
Pages : 454
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Book Description
Author: Eliza Borkowska
Publisher: Routledge
ISBN: 1000263908
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
Approaching Wordsworth’ writings from perspectives which have not been considered in critical literature, this book offers a multiangled reflection on the technicalities of the poet’s religious discourse, including the methodology of The Prelude revision, or Wordsworth’s patent art of "pious postscripts." The book constitutes a self-contained whole and can be read independently. Simultaneously, it creates an unusual duet with The Absent God in The Works of William Wordsworth, whose six chapters follow this book’s eight chapters like a sestet which complements the octave—becoming, thus, a tribute to Wordsworth as one of the most prolific sonneteers in history. Both monographs build their theses on Wordsworth’s entire oeuvre and embrace the whole of his wide lifespan. Their completion in 2020 coincides with several round anniversaries: the 250th anniversary of Wordsworth’s birth, the 200th anniversary of The River Duddon, and the 170th anniversary of the publication of his autobiographical masterpiece, The Prelude.
Author: Deryl Davis
Publisher: Taylor & Francis
ISBN: 1000993744
Category : Bibles
Languages : en
Pages : 204
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Book Description
This book explores the contexts and reception history of Robert Pollok’s religious epic The Course of Time (1827), one of the best- selling long poems of the nineteenth century, which has been almost entirely forgotten today. Widely read in the United States and across the British Empire, the poem’s combination of evangelical Calvinism, High Romanticism, and native Scottishness proved irresistible to many readers. This monograph traces the poem’s origins as a defense of Biblical authority, divine providence, and religious orthodoxy (against figures like Byron and Joseph Priestley) and explores the reasons for The Course of Time’s enormous, decades- long popularity and later precipitous decline. A close reading of the poem and an examination of its reception history offers readers important insights into the dynamic relationship between religion and wider culture in the nineteenth century, the uses of literature as a vehicle for theological argument and theodicy, and the important but often overlooked role that religion played in literary— and, particularly, Scottish— Romanticism. This work will appeal to scholars of religious history, literary history, Evangelicalism, Romanticism, Scottish literature, and nineteenth- century culture.
Author: William Wordsworth
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 566
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Book Description
Author: Franco Marucci
Publisher: Routledge
ISBN: 1000519023
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
The negative historical judgment given to George Eliot’s ‘The Lifted Veil’ amounts nowadays to a gross critical blunder, and in the last three decades the story has been firmly reinstated in Eliot’s major canon. The premise of the present book is that George Eliot’s oeuvre is a compact macrotext where themes, motifs, patterns and cultural and personal archetypes recur with variations, and that ‘The Lifted Veil’ functions as the linchpin of this oeuvre. A sequential approach to the story is authorized by the use of a mimetic enunciation that simulates a gradual ‘definition’ of events, places, and characters as they have appeared to the narrating ‘I’ in the course of time until the moment of the enunciation. Contextualizing ‘The Lifted Veil’ means placing it within Eliot’s oeuvre and against the background of Victorian mid-century fiction; in a further meaning, seeing it as intersecting various contemporary genres and subgenres, such as that of the European and American ‘literature of the veil’, that of the archetypal icon of the femme fatale, that of Wilkie Collins’s ‘dead secret’ novels. The most significant facet that critical literature on ‘The Lifted Veil’ has tended to overlook is however the encrypting of the experience of a failed religious conversion and the foreshadowing of the search for a spiritual and racial identity of Daniel Deronda, the hero of Eliot’s final novel.
Author: Kristin Flieger Samuelian
Publisher: Routledge
ISBN: 100038778X
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
The Moving Body and the English Romantic Imaginary explores ways in which England in the Romantic period conceptualized its relation both to its constituent parts within the United Kingdom and to the larger world through discussions of dance, dancing, and dancers, and through theories of dance and performance. As a referent that both engaged and constructed the body—through physical training, anatomization, spectacle and spectatorship, pathology, parody, and sentiment—dance worked to produce an English exceptional body. Discussions of dance in fiction and periodical essays, as well as its visual representation in print culture, were important ways to theorize points of contact as England was investing itself in the world as an economic and imperial power during and after the Revolutionary period. These formulations offer dance as an engine for the reconfiguration of gender, class, and national identity in the print culture of late eighteenth- and nineteenth-century England.
