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Author: Allen Staley
Publisher: Paul Mellon Centre for Studies
ISBN: 9780300084085
Category : Art
Languages : en
Pages : 272
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Book Description
In this completely revised and updated second edition, Staley takes into account important paintings that have recently come to light, as well as current understandings of the Pre-Raphaelite movement and its legacy. The author provides a comprehensive account of the background and formation of the Pre-Raphaelite Brotherhood, the role of landscape in major Pre-Raphaelite figurative paintings, and the emergence and impact of a school of Pre-Raphaelite landscape painting as well as its place in the wider tradition of British landscape painting. The important Pre-Raphaelite figures, John Everett Millais, William Holman Hunt, and Ford Madox Brown, are discussed, as are the main landscape specialists affected by the movement: Thomas Seddon, George Price Boyce, John William Inchbold, and John Brett. Attention is paid to the significant influence of John Ruskin and his active involvement with many of the artists. This spectacular volume, enhanced by over 150 colour illustrations, is the definitive study of its subject and will provide both visual and intellectual stimulation for anyone drawn to the work of the Pre-Raphaelite Brotherhood and its followers.
Author: Allen Staley
Publisher: Paul Mellon Centre for Studies
ISBN: 9780300084085
Category : Art
Languages : en
Pages : 272
Get Book Here
Book Description
In this completely revised and updated second edition, Staley takes into account important paintings that have recently come to light, as well as current understandings of the Pre-Raphaelite movement and its legacy. The author provides a comprehensive account of the background and formation of the Pre-Raphaelite Brotherhood, the role of landscape in major Pre-Raphaelite figurative paintings, and the emergence and impact of a school of Pre-Raphaelite landscape painting as well as its place in the wider tradition of British landscape painting. The important Pre-Raphaelite figures, John Everett Millais, William Holman Hunt, and Ford Madox Brown, are discussed, as are the main landscape specialists affected by the movement: Thomas Seddon, George Price Boyce, John William Inchbold, and John Brett. Attention is paid to the significant influence of John Ruskin and his active involvement with many of the artists. This spectacular volume, enhanced by over 150 colour illustrations, is the definitive study of its subject and will provide both visual and intellectual stimulation for anyone drawn to the work of the Pre-Raphaelite Brotherhood and its followers.
Author: Allen Staley
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 340
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Book Description
Author: Allen Staley
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Published to accompany exhibition held at Tate Britain, London, 12 February - 3 May 2004, the Altes Nationalgalerie, Berlin, 12 June - 19 September 2004, and the Fundacio 'la Caixa', Madrid, 6 October 2004 - 9 January 2005.
Author: Diane Waggoner
Publisher: Lund Humphries Publishers
ISBN: 9781848220676
Category : Art
Languages : en
Pages : 230
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Book Description
The rich dialogue between photography and Pre-Raphaelite art explored within this fascinating catalogue is organised around the themes of landscape, portraiture, literary and historical narratives and modern-life subjects. Fully illustrated with over 200 images, this volume combines groundbreaking scholarship with stunning imagery.
Author: Sophie Lynford
Publisher: Princeton University Press
ISBN: 0691239320
Category : Art
Languages : en
Pages : 264
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Book Description
A revelatory history of the first artist collective in the United States and its effort to reshape nineteenth-century art, culture, and politics The American Pre-Raphaelites founded a uniquely interdisciplinary movement composed of politically radical abolitionist artists and like-minded architects, critics, and scientists. Active during the Civil War, this dynamic collective united in a spirit of protest, seeking sweeping reforms of national art and culture. Painting Dissent recovers the American Pre-Raphaelites from the margins of history and situates them at the center of transatlantic debates about art, slavery, education, and politics. Artists such as Thomas Charles Farrer and John Henry Hill championed a new style of landscape painting characterized by vibrant palettes, antipicturesque compositions, and meticulous brushwork. Their radicalism, however, was not solely one of style. Sophie Lynford traces how the American Pre-Raphaelites proclaimed themselves catalysts of a wide-ranging reform movement that staged politically motivated interventions in multiple cultural arenas, from architecture and criticism to collecting, exhibition design, and higher education. She examines how they publicly rejected their prominent contemporaries, the artists known as the Hudson River School, and how they offered incisive critiques of antebellum society by importing British models of landscape theory and practice. Beautifully illustrated and drawing on a wealth of archival material, Painting Dissent transforms our understanding of how American artists depicted the nation during the most turbulent decades of the nineteenth century.
Author: Tim Barringer
Publisher: Yale University Press
ISBN: 9780300077872
Category : Art
Languages : en
Pages : 182
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Book Description
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.
Author: Esther Wood
Publisher:
ISBN:
Category : Pre-Raphaelitism
Languages : en
Pages : 370
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Book Description
Author: Christopher Newall
Publisher: Jeremy Mills Publishing
ISBN:
Category : Art
Languages : en
Pages : 82
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Book Description
Author: Charles Brett
Publisher: Sansom (Acc)
ISBN:
Category : Art
Languages : en
Pages : 156
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Book Description
The Victorian painter John Brett delighted in the natural world. As a Pre-Raphaelite in the mid-century, he created glowing landscapes, famously the Stonebreaker of 1857 and The Val d'Aosta painted in the following year, which showed all the qualities of the Pre-Raphaelites, truthfulness to nature and almost obsessional attention to detail. He was at this time influenced by the teachings of John Ruskin, although their friendship was to end in some acrimony. There were to be other sides to John Brett and from the 1870s onwards he devoted much of his time to painting the sea and the coast of the British Isles, including, as this sumptuous book shows, the many faces and colors of Cornwall. Painting during long family holidays, he left over 200 known views of the coastline from Fowey in the east to Bude in the north. In thirty years, he recorded with Ruskinian precision and Pre-Raphaelite intensity of color its varied beauties, revelling in the diverse moods of sea and sky, the golden sands and the majesty and grandeur of the Cornish cliffs.
Author: Jan Marsh
Publisher: National Portrait Gallery
ISBN: 9781855147270
Category : ART
Languages : en
Pages : 0
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Book Description
Overlooked stories of the female painters and subjects of Pre-Raphaelite art When the Pre-Raphaelite Brotherhood exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the "Young Painters of England," this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colors and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colors. Who were these women? What is known of their lives and their roles in a movement that spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, while others were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socializing with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewelry-making--the fine crafts that formed a supportive tier for the "higher" arts of painting and sculpture. Although their backgrounds and life experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art. Containing over 100 beautifully reproduced images, Pre-Raphaelite Sisters illustrates the obscure stories of some of the movement's most familiar faces. "
