Author: Inga Bryden
Publisher: Taylor & Francis
ISBN: 9780415187954
Category : Arts, English
Languages : en
Pages : 280
Book Description
This unique collection demonstrates the profoundly interdisciplinary nature of Pre-Raphaelitism, and contains contains whole texts and key extracts from key Pre-Raphaelite figures such as William Morris, and from less well-known figures.
The Pre-Raphaelites
Author: Inga Bryden
Publisher: Taylor & Francis
ISBN: 9780415187954
Category : Arts, English
Languages : en
Pages : 280
Book Description
This unique collection demonstrates the profoundly interdisciplinary nature of Pre-Raphaelitism, and contains contains whole texts and key extracts from key Pre-Raphaelite figures such as William Morris, and from less well-known figures.
Publisher: Taylor & Francis
ISBN: 9780415187954
Category : Arts, English
Languages : en
Pages : 280
Book Description
This unique collection demonstrates the profoundly interdisciplinary nature of Pre-Raphaelitism, and contains contains whole texts and key extracts from key Pre-Raphaelite figures such as William Morris, and from less well-known figures.
The Journal of Pre-Raphaelite Studies
Author:
Publisher:
ISBN:
Category : Arts, British
Languages : en
Pages : 244
Book Description
Publisher:
ISBN:
Category : Arts, British
Languages : en
Pages : 244
Book Description
Selected Letters of William Michael Rossetti
Author: Roger W. Peattie
Publisher: Penn State Press
ISBN: 0271044241
Category : Literary Criticism
Languages : en
Pages : 765
Book Description
Publisher: Penn State Press
ISBN: 0271044241
Category : Literary Criticism
Languages : en
Pages : 765
Book Description
The Oxford Critical and Cultural History of Modernist Magazines
Author: Peter Brooker
Publisher: OUP Oxford
ISBN: 0191549436
Category : Literary Criticism
Languages : en
Pages : 974
Book Description
The first of three volumes charting the history of the Modernist Magazine in Britain, North America, and Europe, this collection offers the first comprehensive study of the wide and varied range of 'little magazines' which were so instrumental in introducing the new writing and ideas that came to constitute literary and artistic modernism in the UK and Ireland. In thirty-seven chapters covering over eighty magazines expert contributors investigate the inner dynamics and economic and intellectual conditions that governed the life of these fugitive but vibrant publications. We learn of the role of editors and sponsors, the relation of the arts to contemporary philosophy and politics, the effects of war and economic depression and of the survival in hard times of radical ideas and a belief in innovation. The chapters are arranged according to historical themes with accompanying contextual introductions, and include studies of the New Age, Blast, the Egoist and the Criterion, New Writing, New Verse , and Scrutiny as well as of lesser known magazines such as the Evergreen, Coterie, the Bermondsey Book, the Mask, Welsh Review, the Modern Scot, and the Bell. To return to the pages of these magazines returns us a world where the material constraints of costs and anxieties over censorship and declining readerships ran alongside the excitement of a new poem or manifesto. This collection therefore confirms the value of magazine culture to the field of modernist studies; it provides a rich and hitherto under-examined resource which both brings to light the debate and dialogue out of which modernism evolved and helps us recover the vitality and potential of that earlier discussion.
Publisher: OUP Oxford
ISBN: 0191549436
Category : Literary Criticism
Languages : en
Pages : 974
Book Description
The first of three volumes charting the history of the Modernist Magazine in Britain, North America, and Europe, this collection offers the first comprehensive study of the wide and varied range of 'little magazines' which were so instrumental in introducing the new writing and ideas that came to constitute literary and artistic modernism in the UK and Ireland. In thirty-seven chapters covering over eighty magazines expert contributors investigate the inner dynamics and economic and intellectual conditions that governed the life of these fugitive but vibrant publications. We learn of the role of editors and sponsors, the relation of the arts to contemporary philosophy and politics, the effects of war and economic depression and of the survival in hard times of radical ideas and a belief in innovation. The chapters are arranged according to historical themes with accompanying contextual introductions, and include studies of the New Age, Blast, the Egoist and the Criterion, New Writing, New Verse , and Scrutiny as well as of lesser known magazines such as the Evergreen, Coterie, the Bermondsey Book, the Mask, Welsh Review, the Modern Scot, and the Bell. To return to the pages of these magazines returns us a world where the material constraints of costs and anxieties over censorship and declining readerships ran alongside the excitement of a new poem or manifesto. This collection therefore confirms the value of magazine culture to the field of modernist studies; it provides a rich and hitherto under-examined resource which both brings to light the debate and dialogue out of which modernism evolved and helps us recover the vitality and potential of that earlier discussion.
The Germ
Author:
Publisher:
ISBN:
Category : Pre-Raphaelitism
Languages : en
Pages : 250
Book Description
Publisher:
ISBN:
Category : Pre-Raphaelitism
Languages : en
Pages : 250
Book Description
The Germ: Thoughts Towards Nature in Poetry, Literature, and Art
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 294
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 294
Book Description
The Victorian Painting of Modern Life
Author: Pamela Fletcher
Publisher: Taylor & Francis
ISBN: 1040256996
Category : Art
Languages : en
Pages : 356
Book Description
This text offers a comprehensive and tightly focused account of the emergence and flourishing of British modern-life paintings at midcentury. Contemporary subjects were new and risky in the late 1840s and early 1850s; immensely popular and much debated by 1858; and already falling out of fashion by the mid-1860s. The book follows this story chronologically, moving from the anxious attempts by young artists such as William Powell Frith and William Holman Hunt to capture modern life in a visual language that conveyed both the literal and emotional truths of contemporary experience, through the new genreās explosion into popularity in the later 1850s and early 1860s, and the critical debates (and changing fashions) that led to its diminishment by the end of that decade. The book will be of interest to scholars working in art history, British studies, visual culture, exhibition culture, museum studies, and the sociology of art.
Publisher: Taylor & Francis
ISBN: 1040256996
Category : Art
Languages : en
Pages : 356
Book Description
This text offers a comprehensive and tightly focused account of the emergence and flourishing of British modern-life paintings at midcentury. Contemporary subjects were new and risky in the late 1840s and early 1850s; immensely popular and much debated by 1858; and already falling out of fashion by the mid-1860s. The book follows this story chronologically, moving from the anxious attempts by young artists such as William Powell Frith and William Holman Hunt to capture modern life in a visual language that conveyed both the literal and emotional truths of contemporary experience, through the new genreās explosion into popularity in the later 1850s and early 1860s, and the critical debates (and changing fashions) that led to its diminishment by the end of that decade. The book will be of interest to scholars working in art history, British studies, visual culture, exhibition culture, museum studies, and the sociology of art.
The Afterlife of Christina Rossetti
Author: A. Chapman
Publisher: Springer
ISBN: 0230286003
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Despite new historical study of her contexts, Christina Rossetti continues to haunt the reader as a displaced subjectivity emptied of history. Through an analysis of the posthumous in her work, the construction of 'Christina Rossetti' by her brothers, and the history of reception, this study asks how 'speaking with the dead' can avoid critical ventriloquy. The figure of the mother is offered as a paradigm for theorising a new reading that refuses to exorcise the ghost of 'Christina Rossetti'.
Publisher: Springer
ISBN: 0230286003
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Despite new historical study of her contexts, Christina Rossetti continues to haunt the reader as a displaced subjectivity emptied of history. Through an analysis of the posthumous in her work, the construction of 'Christina Rossetti' by her brothers, and the history of reception, this study asks how 'speaking with the dead' can avoid critical ventriloquy. The figure of the mother is offered as a paradigm for theorising a new reading that refuses to exorcise the ghost of 'Christina Rossetti'.
Careers And Creativity
Author: Harrison C. White
Publisher: Routledge
ISBN: 042971968X
Category : Social Science
Languages : en
Pages : 295
Book Description
How much does art provide escape from everyday life, and how much does it aid in controlling life? How are art worlds built and maintained? Are new styles the creations of whim or genius? Or are stylistic changes the product of the social and political world in which the artist lives? How does art itself shape these worlds? How are art worlds built
Publisher: Routledge
ISBN: 042971968X
Category : Social Science
Languages : en
Pages : 295
Book Description
How much does art provide escape from everyday life, and how much does it aid in controlling life? How are art worlds built and maintained? Are new styles the creations of whim or genius? Or are stylistic changes the product of the social and political world in which the artist lives? How does art itself shape these worlds? How are art worlds built
Writing the Pre-Raphaelites
Author: Tim Barringer
Publisher: Routledge
ISBN: 1351536257
Category : Art
Languages : en
Pages : 412
Book Description
This vibrant collection of essays claims that a complex network of texts by critics, biographers and diarists established the credibility and influence of the Pre-Raphaelite movement. Throughout the twentieth century, Modernist taste failed to acknowledge the achievement of oppositional groupings such as the Pre-Raphaelites. The essays collected here, however, reveal that the British group anticipated later avant-gardes by using the written word to configure for itself a radical artistic identity. Public and critics alike were scandalized by the radicalism of Pre-Raphaelite painting, its unflinching portrayal of historical figures and of contemporary life, and its irreverent attitude to artistic convention. Pre-Raphaelitism's innovations were not confined to style: new forms of artistic identity and behaviour were explored. As the contributors interrogate the texts through which Pre-Raphaelitism was constructed, they demonstrate that the movement's wide influence as a cultural phenomenon derived from the interplay between exhibited works and critical discourse. Applying a range of sophisticated methodologies from the fields of literary studies, art history, and cultural studies, these interdisciplinary essays uncover the neglected role of texts in the success of the Pre-Raphaelite rebellion and argue in favor of a new centrality for this movement in the history of nineteenth-century European culture.
Publisher: Routledge
ISBN: 1351536257
Category : Art
Languages : en
Pages : 412
Book Description
This vibrant collection of essays claims that a complex network of texts by critics, biographers and diarists established the credibility and influence of the Pre-Raphaelite movement. Throughout the twentieth century, Modernist taste failed to acknowledge the achievement of oppositional groupings such as the Pre-Raphaelites. The essays collected here, however, reveal that the British group anticipated later avant-gardes by using the written word to configure for itself a radical artistic identity. Public and critics alike were scandalized by the radicalism of Pre-Raphaelite painting, its unflinching portrayal of historical figures and of contemporary life, and its irreverent attitude to artistic convention. Pre-Raphaelitism's innovations were not confined to style: new forms of artistic identity and behaviour were explored. As the contributors interrogate the texts through which Pre-Raphaelitism was constructed, they demonstrate that the movement's wide influence as a cultural phenomenon derived from the interplay between exhibited works and critical discourse. Applying a range of sophisticated methodologies from the fields of literary studies, art history, and cultural studies, these interdisciplinary essays uncover the neglected role of texts in the success of the Pre-Raphaelite rebellion and argue in favor of a new centrality for this movement in the history of nineteenth-century European culture.