The Practicalities of Producing the Play Mozart, with Music by Franz von Suppé PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Practicalities of Producing the Play Mozart, with Music by Franz von Suppé PDF full book. Access full book title The Practicalities of Producing the Play Mozart, with Music by Franz von Suppé by Lucinda Bray. Download full books in PDF and EPUB format.
Author: Lucinda Bray
Publisher: Cambridge Scholars Publishing
ISBN: 1527540375
Category : Music
Languages : en
Pages : 227
Get Book Here
Book Description
In 1854, the originator of Viennese Operetta, Franz von Suppé created the music for a new play by Leonhart Wohlmuth. It is part of a forgotten art form where the music underlines and accompanies the action on stage in a similar way to a soundtrack for a film. While the music works very well in the present day, the real challenge is to modernise the script to make it relevant and interesting for a modern audience. Originally written in early 19th century German, the script sounds outdated and received a less than positive reception at its original outing. Its dialogue is more in keeping with Opera and required significant work to make it palatable to a contemporary audience. The project on which this book is based maintained the music by Suppé as indicated in the manuscript score, while translating and adapting the German script by Wohlmuth into a version more interesting in the present day.
Author: Lucinda Bray
Publisher: Cambridge Scholars Publishing
ISBN: 1527540375
Category : Music
Languages : en
Pages : 227
Get Book Here
Book Description
In 1854, the originator of Viennese Operetta, Franz von Suppé created the music for a new play by Leonhart Wohlmuth. It is part of a forgotten art form where the music underlines and accompanies the action on stage in a similar way to a soundtrack for a film. While the music works very well in the present day, the real challenge is to modernise the script to make it relevant and interesting for a modern audience. Originally written in early 19th century German, the script sounds outdated and received a less than positive reception at its original outing. Its dialogue is more in keeping with Opera and required significant work to make it palatable to a contemporary audience. The project on which this book is based maintained the music by Suppé as indicated in the manuscript score, while translating and adapting the German script by Wohlmuth into a version more interesting in the present day.
Author: Donald Rosenberg
Publisher: Gray & Company, Publishers
ISBN: 1886228248
Category : Biography & Autobiography
Languages : en
Pages : 754
Get Book Here
Book Description
How did a late-blooming midwestern orchestra rise amid gritty Big Industry to become a titan in the world of Big Art? This groundbreaking book tells the complete story of the people and events that shaped the Cleveland Orchestra into a classical music legend. It taps the most authoritative sources to show how decisions were made along the often bumpy road to artistic and financial success. Told with plenty of anecdotes and intriguing behind-the-scenes details.
Author: James Wierzbicki
Publisher: Routledge
ISBN: 1135851425
Category : Music
Languages : en
Pages : 688
Get Book Here
Book Description
Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book’s four large parts are given over to Music and the "Silent" Film (1894--1927), Music and the Early Sound Film (1895--1933), Music in the "Classical-Style" Hollywood Film (1933--1960), and Film Music in the Post-Classic Period (1958--2008). Whereas most treatments of the subject are simply chronicles of "great film scores" and their composers, this book offers a genuine history of film music in terms of societal changes and technological and economic developments within the film industry. Instead of celebrating film-music masterpieces, it deals—logically and thoroughly—with the complex ‘machine’ whose smooth running allowed those occasional masterpieces to happen and whose periodic adjustments prompted the large-scale twists and turns in film music’s path.
Author: Gustave Kerker
Publisher: Forgotten Books
ISBN: 9780483961203
Category : Fiction
Languages : en
Pages : 250
Get Book Here
Book Description
Excerpt from The Belle of New York: Musical Comedy in Two Acts About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Franz von Suppé
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 38
Get Book Here
Book Description
Author: Stephen Edelston Toulmin
Publisher: Harvard University Press
ISBN: 0674044428
Category : Philosophy
Languages : en
Pages : 256
Get Book Here
Book Description
Stephen Toulmin argues that the potential for reason to improve our lives has been hampered by a serious imbalance in our pursuit of knowledge. The centuries-old dominance of rationality has diminished the value of reasonableness. Toulmin issues a powerful call to redress the balance between rationality and reasonableness.
Author: Robin O'Neil
Publisher: Memoirs
ISBN: 9781909874732
Category : Biography & Autobiography
Languages : en
Pages : 830
Get Book Here
Book Description
A biography of Gustav Mahler and his family. Describes his youth, his musical career, and his circle of Jewish friends. Pp. 212-558 relate the fate of members of his family and of his friends in the Holocaust.
Author: Vanessa Hawes
Publisher: Cambridge Scholars Publishing
ISBN: 1443898392
Category : Music
Languages : en
Pages : 265
Get Book Here
Book Description
Music and/as Process brings together ideas about music and the notion of process from different sub-fields within musicology and from related fields in the creative arts as a whole. These can be loosely categorised into three broad areas – composition, performance and analysis – but work in all three of these groups in the volume overlaps into the others, covers a broad range of other musicological sub-fields, and draws inspiration from, non-musicological fields. Music and/as Process comprises chapters written by a mix of scholars; some are leaders in their field and some are newer researchers, but all share an innovative and forward-thinking attitude to music research, often not well represented within ‘traditional’ musicology. Much of the work represented here started as papers or discussions at one of the Royal Musical Association (RMA) Music and/as Process Study Group Annual Conferences. The first section of the book deals with the analysis of performance and the performance of analysis. The historical nature of music and the recognition of pieces as musical ‘works’ in the traditional sense is questioned by the authors, and is a factor in the analyses which address processes in composing, performing, and listening, and the links between these, in three very different but interlinking ways. These three approaches posit new directions and territory for musical analysis. The second section builds on the first, framing performance and/as process from the individual perspectives of the authors and their experiences as practitioners. Music by Berio, de Falla, music by the authors and their collaborators, and music composed for the authors are explored through looking at processes of interpretation and risk; processes which further undermine the ontology of the musical ‘work’ as traditionally understood, and bring the practitioner as active agent to the foreground of an examination of musical discourse. The third section encounters and questions the musical ‘work’ at its inception, exploring composition and/as process through its encounters with performance, analysis, collaboration, improvisation, translation, experimentation and cross-disciplinarity. Through explorations of new music, the way in which practitioners relate to music frame a personal and reflective account of the creative process, finally looking beyond music to musicology.
Author: Francis Shor
Publisher: Cambridge Scholars Publishing
ISBN: 9781527575530
Category :
Languages : en
Pages :
Get Book Here
Book Description
When Soupy Sales left Detroit in 1960 after seven years on WXYZ TV, he was the highest-paid local television personality and one of the most well-known and loved celebrities in town. His daytime television programs in the early morning and noontime had an enormous and devoted following. The latter, Lunch with Soupy Sales, was nationally syndicated on ABC on Saturday, starting in the fall of 1959. His late evening program, Soupyâ (TM)s On, featured everything from renowned jazz artists to pop singers to satirical skits. While he would achieve more celebrity status in Los Angeles and New York during the 1960s, the template for the puppet characters, comedy routines, and zany sketches had been set in Detroit. This study of the content and context of Soupyâ (TM)s time on WXYZ TV provides important insights into key threads of popular culture in the 1950s, including the role of television and its impact on the family and children, the influence of Cold War and consumerist ideology, Jewish-inflected humor, and jazz, especially as a component of the Detroit socio-cultural history in this period. All of these seemingly disparate topics, however, lead back to identifying the manufacturing of a television personality at a particular moment in time and in a specific location. Beyond the network of Soupy fans, anyone interested in how a television personality achieves local and national prominence should consider reading this book. Also, those who want to understand the role of the media and popular culture in the 1950s will be enlightened, and even entertained, by this exploration of Soupy Salesâ (TM) Detroit experience.
Author: Gavin Steingo
Publisher: Duke University Press
ISBN: 1478002190
Category : Music
Languages : en
Pages : 178
Get Book Here
Book Description
The contributors to Remapping Sound Studies intervene in current trends and practices in sound studies by reorienting the field toward the global South. Attending to disparate aspects of sound in Africa, South and Southeast Asia, Latin America, the Middle East, Micronesia, and a Southern outpost in the global North, this volume broadens the scope of sound studies and challenges some of the field's central presuppositions. The contributors show how approaches to and uses of technology across the global South complicate narratives of technological modernity and how sound-making and listening in diverse global settings unsettle familiar binaries of sacred/secular, private/public, human/nonhuman, male/female, and nature/culture. Exploring a wide range of sonic phenomena and practices, from birdsong in the Marshall Islands to Zulu ululation, the contributors offer diverse ways to remap and decolonize modes of thinking about and listening to sound. Contributors Tripta Chandola, Michele Friedner, Louise Meintjes, Jairo Moreno, Ana María Ochoa Gautier, Michael Birenbaum Quintero, Jeff Roy, Jessica Schwartz, Shayna Silverstein, Gavin Steingo, Jim Sykes, Benjamin Tausig, Hervé Tchumkam
