The Practical Book of Tapestries, by George Leland Hunter PDF Download
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Author: George leland Hunter
Publisher:
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Category :
Languages : en
Pages :
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Book Description
Author: George leland Hunter
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: George Leland Hunter
Publisher:
ISBN:
Category : Tapestry
Languages : en
Pages : 490
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Book Description
Author: George Leland Hunter
Publisher:
ISBN:
Category : Tapestry
Languages : en
Pages : 496
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Book Description
![The Practical Book of Tapestries, Etc. [With a Bibliography.]. PDF](https://books.google.com/books/content/images/frontcover/NJdCMwEACAAJ?fife=w80-h100)
Author: George Leland HUNTER
Publisher:
ISBN:
Category :
Languages : en
Pages : 302
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Author:
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Category :
Languages : en
Pages : 532
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Author: George Leland Hunter
Publisher:
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Category :
Languages : en
Pages :
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Author:
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Category : Architecture
Languages : en
Pages : 626
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Author: Guy Study
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 806
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Author: Geneviève Souchal
Publisher: Metropolitan Museum of Art
ISBN: 0870990861
Category : Gobelin tapestry
Languages : en
Pages : 224
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Book Description
The present exhibition is one of a series of five worked out in the partnership [between the Metropolitan Museum and the Réunion des Musées Nationaux of France]. The others are: Nineteenth-Century French Drawings from The Metropolitan Museum of Art, which closed at the Louvre last month and is now on view here; Italian Renaissance Drawings from the Louvre, to be shown at the Metropolitan in October; Impressionism, which will include some forty-five of the greatest paintings in the style and will be seen at the Louvre in September and here in December; and finally, French Painting from David to Delacroix, which is planned to open in Paris in the winter of 1974, followed by showings at the Detroit Institute of Art in the spring of 1975 and the Metropolitan in the summer.Following its appearance at the Grand Palais in Paris, Masterpieces of Tapestry is presented in New York in association with and under the patronage of the National Endowment for the Humanities, and the National Endowment for the Arts, and under the sponsorship of Mr. and Mrs. Ben Heller of New York City. Without the extraordinary aid of the two Endowments and the enlightened generosity of these two art-loving private patrons the exhibition simply would not have been possible here.
Author: H. Colin Slim
Publisher: Taylor & Francis
ISBN: 1040245862
Category : Music
Languages : en
Pages : 391
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Book Description
Professor Slim deals here with the several roles that music can play in the artworks of the Renaissance, looking in particular at Italian painting of the 16th century. For understandable reasons, art historians sometimes neglect the role of music and, especially, that of musical notation when studying works of art. These studies not only identify musical compositions, wholly or partially inscribed in paintings - and tapestries, ceramics, prints as well - but also seek reasons why these particular musical compositions were included and analyse their relevance to the scene depicted. Furthermore, as many of these studies show, identifying a musical composition, especially if it has a text, leads to the formation of ideas about iconographical functions and thus augments interpretations of the visual art.
